tag:blogger.com,1999:blog-3022504033282451612024-03-14T17:00:03.502+01:00SERIZserizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.comBlogger473125tag:blogger.com,1999:blog-302250403328245161.post-9616125365196631932024-03-09T13:45:00.005+01:002024-03-09T14:34:44.297+01:00A TALE OF TWO JOHNS<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: justify;">Il y a quelques années (beaucoup déjà), j'ai écrit le scénario de "A Tale of Two Johns", une petite BD merveilleusement mise en image par Nikopek ! Il s'agissait de l'adaptation d'une anecdote racontée par John Milius à propos d'une balade qu'il avait fait en forêt avec John Huston, et qui avait failli tourner au drame. On avait fait cette BD pour le défunt magazine <a href="https://www.facebook.com/profile.php?id=100063738875002">AAARG!</a> L'idée était de faire des BD illustrant des anecdotes plus ou moins connues et impliquant des cinéastes, mais jamais d'histoires se déroulant sur un plateau de tournage ! J'avais rédigé le scénario d'une seconde BD, à propos de Scorsese, et une troisième était en route à propos d'un acteur un peu oublié, Thimothy Carey... Faudrait peut-être relancer le truc un de ces quatre !<br />En attendant, Pek a publié l'intégrale de son <a href="https://www.ankama-shop.com/fr/label-619/603-rockabilly-zombie-superstar-l-integrale.html?search_query=nikopek&results=6">Rockabilly Zombie Superstar</a>, et vient de sortir un nouvel album : <a href="https://www.ankama-shop.com/fr/bd/3948-arcadium-nikopek.html?search_query=nikopek&results=6">Arcadium</a> !<br /></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVmTl1hPS_AKSKqXMNExIp01XSUCz-YEGJXlEVGbszFfvAINbyda3VnJol32PTx_qoIO03_UTeNPy8hhfXhYUmlY01JwgAFRruOr6j1x1oFdUiBBN6zBQCRoJIetlmqdvNxKnnzeIAJ5nItBElq-5inHYEepv2pz2Tr_ncCYdBmo064RrZX5hih_0MgjI/s1087/ATOTJ01.jpg" imageanchor="1" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKB-LwMJDWafNkPNoKf4Rp3qYznYUA8FF5XRnnQD7B0TzcYVtR0dfgS75FG64RcusUk3cXzNwIrJS-W95Rz-5im600e9O6HzYRMGQ66r_FtD_ED7Wlm_03HgUKuBvjOTbqVYuf5NagtcipzurGck8ZQlGwyMmlSY26zK1RUjsd6uYqlIdz-WmGi4y226M/s743/24e79f568b52bcb35825c283245edec1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="743" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKB-LwMJDWafNkPNoKf4Rp3qYznYUA8FF5XRnnQD7B0TzcYVtR0dfgS75FG64RcusUk3cXzNwIrJS-W95Rz-5im600e9O6HzYRMGQ66r_FtD_ED7Wlm_03HgUKuBvjOTbqVYuf5NagtcipzurGck8ZQlGwyMmlSY26zK1RUjsd6uYqlIdz-WmGi4y226M/s320/24e79f568b52bcb35825c283245edec1.jpg" width="320" /></a></div><p></p><p>En attendant, mon livre est toujours dispo ici et là <a href="https://editionsrififi.com/produit/mad-max-ultraviolence-dans-le-cinema-partie-1/">et surtout chez Rififi ! </a></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyEtN7MIX-OJyn8RMYQfEUkLzzMFBciH2xRI1Vv2TqKkH4dZRJLUWgE7Irr_lKnG5rc6cPdaEHTCR1FZGXAM5wYheTBATEcttyrxEgo3g0MWXErnmOoZyTc7vNe_4MwTHvvjxFM6E3X0RtAXCXq2nnCdEgV23ItOWIv_HaTSZ_iRocKHqXkjOWa6ONWK8/s2560/03-scaled.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1557" data-original-width="2560" height="195" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyEtN7MIX-OJyn8RMYQfEUkLzzMFBciH2xRI1Vv2TqKkH4dZRJLUWgE7Irr_lKnG5rc6cPdaEHTCR1FZGXAM5wYheTBATEcttyrxEgo3g0MWXErnmOoZyTc7vNe_4MwTHvvjxFM6E3X0RtAXCXq2nnCdEgV23ItOWIv_HaTSZ_iRocKHqXkjOWa6ONWK8/s320/03-scaled.webp" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLRnjcu8cFt7oox1d0HTh9Zst0TdyqcPRIq-FKRNghLO4cbtk8zyeIxVhxooA5aNoG77xz9sI0rQKMmjcP8XLfylMJBZDiJHsDm5pWYPQTHVOKQyj3EsrJZovI5GioA6UC0DDLYxTH-EQIDy870JjKMOENUc-8RGk9a2IskdTzrJ_U9cdtiHHqm0mf8Jc/s1600/04.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="989" data-original-width="1600" height="198" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLRnjcu8cFt7oox1d0HTh9Zst0TdyqcPRIq-FKRNghLO4cbtk8zyeIxVhxooA5aNoG77xz9sI0rQKMmjcP8XLfylMJBZDiJHsDm5pWYPQTHVOKQyj3EsrJZovI5GioA6UC0DDLYxTH-EQIDy870JjKMOENUc-8RGk9a2IskdTzrJ_U9cdtiHHqm0mf8Jc/s320/04.webp" width="320" /></a></div><br /><p><br /></p><p><br /></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-29234100750388438562023-03-17T11:12:00.000+01:002023-03-17T11:12:03.752+01:00LA REPLIQUE DU COMPOUND - SILVERTON<p></p><p>Alors que pendant la crise du Covid, le monde s'enfermait sur lui-même, <a href="https://www.youtube.com/watch?v=IVH0pQhN9_s" target="_blank">Adrian du Musée Mad Max 2</a> a décide de se lancer dans un projet complètement fou : reconstruire à l'échelle 2/3 le Compound de Mad Max 2 ! Le lieu, qui se dresse aujourd'hui sur les terres de la nouvelle "Camel Farm", a été inauguré en 2022, pour les 40 ans du film ! Il est situé à quelques minutes du Musée, dans la petite ville fantôme de Silverton, à quelques dizaines de kilomètres de Broken Hill.<br />Adrian nous a fait visiter cette réplique quasi grandeur nature et nous a raconté l'histoire de ce projet, tout en précisant la provenance de chaque morceau, chaque partie, chaque véhicule ! On a pu constater avec quelle ingéniosité il a pu reconstruire la tour, ou bricoler la toile de la tente de Papagallo... Impossible ici de rapporter les commentaires passionnants de cette visite, il faudra donc se contenter d'une simple balade photographique ! Une promenade au milieu de cette réplique recelant une foule de petits détails que l'amateur se fera un plaisir de dénicher ! <br />Notre visite a eu lieu fin février 2023, et alors que la nuit commençait à tomber, nous avons été surpris par quelques volatiles inattendus venant de la ferme voisine, curieux de savoir ce qu'on bouinait dans le coin !<br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0ojEGNyZEZy9iM2XJbxHtfRcAYsNnf_qj35lDHsE9CtbpYMOOiT5mxnar4VZdkdby3IzV3ThONudRFBRXxUdkIuxCNnULy-XWR3l6ncs9lrNrIeha2jDzsgXXUz1Sx-l8gEc6hU_ac5PRW0E2hif-qWX3Uri4FQMlBPrbviOYGmWKZcmJ28iiYykY/s2000/01%20FRONT%20%20(1).JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1318" data-original-width="2000" height="264" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0ojEGNyZEZy9iM2XJbxHtfRcAYsNnf_qj35lDHsE9CtbpYMOOiT5mxnar4VZdkdby3IzV3ThONudRFBRXxUdkIuxCNnULy-XWR3l6ncs9lrNrIeha2jDzsgXXUz1Sx-l8gEc6hU_ac5PRW0E2hif-qWX3Uri4FQMlBPrbviOYGmWKZcmJ28iiYykY/w400-h264/01%20FRONT%20%20(1).JPG" width="400" /></a></div><br /><div class="separator" style="clear: both; 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text-align: justify;"></div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Depuis le succès prodigieux de <b>Rise Roar Revolt</b>, le méga
blockbuster de SS Rajamouli, on est un certain nombre à avoir non seulement réalisé l’ampleur de
notre ignorance en matière de cinéma indien, mais surtout réalisé que cette ignorance était proprement criminelle. Alors, au-delà de son film, commençons par
remercier Rajamouli de nous avoir ouvert une fenêtre sur une quantité effarante de films extraordinaires ! Et j'en profite également pour </span></span><span style="font-size: small;"><span style="line-height: 115%;">remercier ici, pour leurs conseils
éclairés, Thomas Kerkiki d’<a href="https://www.c-lab.fr/emission/en-attendant-godard.html">En Attendant Godard</a>, <a href="http://dis-cor-dia.com/" target="_blank">François Cau</a>, <a href="https://arnaudmaniak.wordpress.com/">Arnaud Maniak</a> et <a href="https://www.inde-cineskope.com/" target="_blank">Cineskope</a> ! Plus qu’une série de petites chroniques, le texte qui suit est une lettre d’amour
à toute une industrie. Malgré la
foi d’une poignée de thuriféraires passionnés, il faut bien se l’avouer, depuis bien trop longtemps,</span></span><span style="font-size: small;"><span style="line-height: 115%;"> la
plupart d’entre nous étaient </span></span><span style="font-size: small;"><span style="line-height: 115%;"> passés complètement à côté de ces
films, et d'une industrie proposant pourtant ce qu’on cherchait désespérément dans un cinéma occidental qui n’a bien souvent plus que le triste spectacle de son propre
cynisme en carton à offrir…<br /><span> </span></span></span><span style="font-size: small;"><span style="line-height: 115%;">Cette année, j’ai donc commencé à essayer de rattraper mon retard abyssal en piochant un peu au hasard dans cet océan de films divers et variés. Car pour enfiler quelques clichés, on rappellera
que l’Inde est un territoire immense, une fédération de nations ayant chacune
leur</span></span><span style="font-size: small;"><span style="line-height: 115%;">s</span></span><span style="font-size: small;"><span style="line-height: 115%;"> langues, leur</span></span><span style="font-size: small;"><span style="line-height: 115%;">s</span></span><span style="font-size: small;"><span style="line-height: 115%;"> coutume</span></span><span style="font-size: small;"><span style="line-height: 115%;">s</span></span><span style="font-size: small;"><span style="line-height: 115%;">, leur</span></span><span style="font-size: small;"><span style="line-height: 115%;">s</span></span><span style="font-size: small;"><span style="line-height: 115%;"> propre</span></span><span style="font-size: small;"><span style="line-height: 115%;">s</span></span><span style="font-size: small;"><span style="line-height: 115%;"> culture</span></span><span style="font-size: small;"><span style="line-height: 115%;">s</span></span><span style="font-size: small;"><span style="line-height: 115%;"> et donc leur propre cinéma.
Bollywood à Bombay où l’on parle hindi, Tollywood, avec le Telangana et sa
langue le telugu, Mollywood avec le Kerala où l’on parle Malayalam, Sandalwood
avec le Karnataka où l’on parle le Kannada, Kollywood avec Tamil Nadu où l'on parle tamoul etc etc… La multiplicité des
religions (hindou, sikh, islam ou chrétienne) ajoute à la complexité et à la
richesse d’un pays qui repose sur une histoire politique, mythologique et
religieuse qui apparaît d’une </span></span><span style="font-size: small;"><span style="line-height: 115%;">insondable </span></span><span style="font-size: small;"><span style="line-height: 115%;">profondeur aux profanes dans notre genre.</span></span><span style="font-size: small;"><span style="line-height: 115%;"><br /><span> </span>Bref, papillonnant d’un genre à l’autre, d’un
cinéma à l’autre, cette escapade récente s’est révélée être un voyage absolument excitant ! Depuis
mon adolescence, je n’avais probablement jamais vu autant de bons films à la
suite, et en si peu de temps. Je
me suis concentré sur les films sortis récemment, voulant me faire une
idée de la production indienne, aujourd'hui. Curieux de savoir si RRR
était une exception, et à quoi ressemblait l'industrie qui avait vu
naître, en son sein, un tel film.</span></span><span style="font-size: small;"><span style="line-height: 115%;"> La fin de l’année arrivant, je vous propose
donc un petit tour d’horizon rapide qui n’a d’autre prétention que d’évoquer succinctement ce
que j’ai vu et apprécié cette année, laissant de côté la poignée de films qui ne m’auront pas
plu. Je reste quand même sidéré par le faible nombre de films que j'ai écarté, face à cette liste merveilleuse qui continue de s’allonger, jour après jour…</span></span><span style="font-size: small;"><span style="line-height: 115%;"><span> </span></span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span><span> </span>J'ai mis des étoiles aux films exceptionnels, si vous ne devez en voir que quelques-uns, voyez ceux-là. <br /></span></span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span></span></span><br /></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Bien sûr, la première chose que j'ai voulu fallu
rattraper, c’est évidemment la filmographie de SS Rajamouli. La découverte de son
œuvre, en tout cas d’une partie de son œuvre, permet d'abord de constater et d'évaluer la
progression incroyable de ce réalisateur hautement sympathique. De ses premiers films jusqu'au démentiel triomphe de <b>RRR</b>, le chemin de Rajamouli, et sa persistance à améliorer constamment son art, forcent le respect. SS Rajamouli, encore une fois, ధన్యవాదాలు !<br /> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLUD6KiJjCjWh_Y19ejYH1Nab-sS_aK5HLpjn9nsFhBYLJEnesv3JSEHiToIN-R2N6GSkSydZklA8G-RG-eTLer3vfcESQ0VUq-zCH1NZaifNPsBn1dZIN5mEiME13zknUmSXELRGeZTeCQpfe2k4kSP9rk0HJCgpdRXnKQl80XCYZgqq0GX-rmF8I/s700/d6d49f3c4b362c93a78312584bd308dd-1-1092756-1647683314-1-1107223-1651915507.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="394" data-original-width="700" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLUD6KiJjCjWh_Y19ejYH1Nab-sS_aK5HLpjn9nsFhBYLJEnesv3JSEHiToIN-R2N6GSkSydZklA8G-RG-eTLer3vfcESQ0VUq-zCH1NZaifNPsBn1dZIN5mEiME13zknUmSXELRGeZTeCQpfe2k4kSP9rk0HJCgpdRXnKQl80XCYZgqq0GX-rmF8I/s320/d6d49f3c4b362c93a78312584bd308dd-1-1092756-1647683314-1-1107223-1651915507.jpg" width="320" /></a></div></span></span></div><span style="font-size: small;"><span style="line-height: 115%;"></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjTH0GsOBvBFIFPheCfWjxdi2Wz0nrJKJNjtzDT3mQ0gDPPvPAOgEJYaWK7agXycrpYUEUg84c9FdhQkaOtd7B1ciBmYa4MUfi38yvRLfvKfSZMQBRhcR7nXHrNpGf1PnMld6oPV1NWJ034LKX3VyKLVFuQJTEa0l__Jev3hFwaJj159C71eHmFLFRd" style="margin-left: 1em; margin-right: 1em;"><img data-original-height="723" data-original-width="997" height="290" src="https://blogger.googleusercontent.com/img/a/AVvXsEjTH0GsOBvBFIFPheCfWjxdi2Wz0nrJKJNjtzDT3mQ0gDPPvPAOgEJYaWK7agXycrpYUEUg84c9FdhQkaOtd7B1ciBmYa4MUfi38yvRLfvKfSZMQBRhcR7nXHrNpGf1PnMld6oPV1NWJ034LKX3VyKLVFuQJTEa0l__Jev3hFwaJj159C71eHmFLFRd=w400-h290" width="400" /></a></span></div><span style="font-size: small;"><br /><b><span style="line-height: 115%;">2009
Magadheera, telugu</span></b></span><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>On commence donc avec <b>Magadheera</b> (« L’Homme
Héroïque »), une sympathique pochade comique qui mêle le récit mythologique
over the top avec la comédie contemporaine. Le film est clairement très léger,
c'est un joyeux brouillon qui nous permet surtout de retrouver </span></span><span style="font-size: small;"><span style="line-height: 115%;">tout jeune </span></span><span style="font-size: small;"><span style="line-height: 115%;">l'ultra-choupinou </span></span><span style="font-size: small;"><span style="line-height: 115%;">(et pas encore "Mega Power Star") </span></span><span style="font-size: small;"><span style="line-height: 115%;">Ram Charan, la
bouille de l’acteur permettant de faire passer à peu près n’importe quoi, avec une bonne
humeur contagieuse !</span></span><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span></div><div style="text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><span style="font-size: small;"><b><span style="line-height: 115%;"><span></span></span></b></span></div><div style="text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEig4nKRZmh_s8fgDnI8cWHZF_stkmVCjGccsy_xmCuU7Bp98E6tNK5lqhUUN2qlPE_NyxTyqBbZyfjWjE95P0vM_abQ8bKACPcMlZ1vfk-Ir7NG_rN1959YYJNEtpkRiTR6dZtcdtNXJqHPFaTaL3YuKyjftP1VOrmlqZidQKvyClPRubfTFFa9AF0N" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="384" data-original-width="640" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEig4nKRZmh_s8fgDnI8cWHZF_stkmVCjGccsy_xmCuU7Bp98E6tNK5lqhUUN2qlPE_NyxTyqBbZyfjWjE95P0vM_abQ8bKACPcMlZ1vfk-Ir7NG_rN1959YYJNEtpkRiTR6dZtcdtNXJqHPFaTaL3YuKyjftP1VOrmlqZidQKvyClPRubfTFFa9AF0N=w400-h240" width="400" /></a></span></b></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;">✭<span style="font-size: small;"><b><span style="line-height: 115%;"> 2012 Eega</span></b></span><span style="font-size: small;"><b><span style="line-height: 115%;">, telugu</span></b></span><span style="font-size: small;"><span style="line-height: 115%;"> </span></span>✭<br /><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Cette comédie d’action repose sur une idée simple, mais baroque : un pauvre type assassiné par un méchant mafieux va se
retrouver réincarné en mouche. À partir de là, l'insecte n’aura de cesse
que d’assouvir sa vengeance. Une proposition aussi burlesque que casse-gueule
que Rajamouli parvient à mener avec une rage et une maîtrise qui emportent tout
sur leur passage. Drôle, jouissif, terriblement distrayant et, de toute façon, incontournable !<br /><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><span style="font-size: small;"><b><span style="line-height: 115%;"><span></span></span></b></span><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMcvxtcdLUgd0O9hCQMzBMx5qrimJ7W5vEQrEaSMwir5Tf_Ey2-2RRxGPU18gt5VX1Y6wMh3axlPx-PeZzNzBdSJ6fS2DoVY2Wgd6_ghXrmEG2TKQH8gUeo_Rl_F_OmCxXauaNKYp0ZTK9UDm0lUnz-OJe2pyULxRBxW3vGha8Y7lN-Kz79VERluHo/s640/1350363_Wallpaper2.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="640" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMcvxtcdLUgd0O9hCQMzBMx5qrimJ7W5vEQrEaSMwir5Tf_Ey2-2RRxGPU18gt5VX1Y6wMh3axlPx-PeZzNzBdSJ6fS2DoVY2Wgd6_ghXrmEG2TKQH8gUeo_Rl_F_OmCxXauaNKYp0ZTK9UDm0lUnz-OJe2pyULxRBxW3vGha8Y7lN-Kz79VERluHo/w400-h300/1350363_Wallpaper2.webp" width="400" /></a></div></span></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;"><br />2015
Bàhubali 1 : The Beginning / 2017
Bàhubali 2 : The Conclusion</span></b><span style="line-height: 115%;"><span><br /> </span>C’est probablement avec ce diptyque maousse
costo que Rajamouli s’est fait largement connaître en dehors de son pays, et
c’est probablement le film mythologiquo-fantastique qui,
jusqu’ici, était le passage d’entrée le plus évident vers le cinéma indien. Si
ses qualités sont indiscutables, et si ce récit s’étalant sur plusieurs
temporalités, aux nombreux personnages et aux scènes d’action triple XL est
devenu un classique, ça n’est pas un hasard. Reste qu’au-delà du plaisir que <b>Bàhubali</b> procure au spectateur, sa découverte tardive, en ce qui
me concerne, souffre de la comparaison avec <b>RRR</b>, que je trouve nettement plus
abouti à tous les niveaux. Bien mieux écrit et bien mieux réalisé, le dernier film de Rajamouli évite les écueils de ces <b>Bàhubali</b>, leur lourdeur parfois pachydermique et leur rythme plutôt nonchalant. Ceci dit, il n’est pas question ici d’ergoter plus avant, de
toute façon, <b>Bàhubali</b> doit être vu !<br /><span> </span>Après bon, voila quoi... <br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span></span></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span><a href="https://www.youtube.com/watch?v=eJCHRPENCwU" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="500" data-original-width="800" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9d24WJUm_uEbv8rdQQDteYTknSt39ZUg-lMyDFB9Mv_sUM7-QsHuIgR799lPukAtUNJm14OUcdoXRMG4R1M78ddDNQjv4qSAE72vnnVkQ1lGh2GIbJqdwHGU3IThOVd5K-ABmjv2e2gmQPhVsLx4DFuUC4eToKO7lf-2QcowzsGMVmEG2qFdh4txh/s320/58668990.webp" width="320" /></a></span></span></b></span><span style="font-size: small;"><span style="line-height: 115%;"><span><br />(clic)</span></span></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidEdukp7jaBQNJGcIDNAB1QO-7_ebaNBhaAghuBZTvDsyWlatzWxS02zm9zwKEqfZT2ArvHXF_YKZVTnxnl1FoTSNZcc2uN3Uv_dP0NUYUIFtBpJpzhDV1vVqAHDBNE_wvc8qAZ8DDtjtb5h9lKCzrKnQhOJltPWXixboj0AHt_cIcgVu1uDELxcLR/s1200/RRR-979403820-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="900" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidEdukp7jaBQNJGcIDNAB1QO-7_ebaNBhaAghuBZTvDsyWlatzWxS02zm9zwKEqfZT2ArvHXF_YKZVTnxnl1FoTSNZcc2uN3Uv_dP0NUYUIFtBpJpzhDV1vVqAHDBNE_wvc8qAZ8DDtjtb5h9lKCzrKnQhOJltPWXixboj0AHt_cIcgVu1uDELxcLR/w300-h400/RRR-979403820-large.jpg" width="300" /></a></span></span></div><span style="font-size: small;"><span style="line-height: 115%;"><br /><span><br /></span></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"><span></span></span></span></p><p class="MsoNormal" style="text-align: justify;">✭ <b><span style="font-size: small;">2022, RISE ROAR REVOLT, telugu</span></b><span style="font-size: small;"><span style="line-height: 115%;"><span> </span></span></span>✭<br /><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>On pourrait
croire que ce film est un miracle, mais ça serait ignorer tout le travail
accompli par SS Rajamouli durant ces dix dernières années. Ca serait également prendre à la légère le niveau de
maitrise de toute son équipe, qu’il s’agisse de la beauté de la photographie, de
l’utilisation souvent très ingénieuse des effets spéciaux, de la qualité de l’interprétation,
de la virtuosité de la mise en scène et, surtout, de la perfection d’un script
tricoté avec une précision redoutable. L’engouement délirant qui a accompagné
la sortie de <b>RRR</b> est bien à la hauteur de la réussite du film. Partout où il a été
vu, il a soulevé un enthousiasme absolument délirant. Des images des cinémas où
le film est projeté en Inde devant une foule déchainée, jusqu’à son accueil à Tokyo ou à Los Angeles,
partout le public est en extase devant l’histoire de cette terrible amitié entre deux
personnage que tout semble opposer.<br /><span> </span>Après avoir
vu quelques films indiens, la première chose qui me surprend, c’est à quel
point le film semble avoir été pensé pour son exploitation internationale,
mettant en scène une intrigue vernaculaire évidente, mais pourtant totalement
universelle, convoquant toute l’histoire du cinéma à grand spectacle. <b>RRR</b>
semble puiser autant à la fontaine où se sont abreuvés des films comme<b> Le Bon
la Brute et le Truand</b>, ou<b> Conan le Barbare</b>, qu’à son propre folklore, qu’il
prend soin à toujours rendre accessible. Et il réussit cet exploit avec une
maestria qui force le respect. En ça, <b>RRR</b> semble être l’aboutissement pour
Rajamouli d’une vie entière vouée à la puissance du cinéma. Car ce film a beau raconter l’histoire fabuleuse de deux personnages qui vont,
à travers les prémices de la lutte pour l’indépendance de l’Inde, accéder à un
statut de mythe, il est avant tout une déclaration d’amour à cette puissance que peut
développer le cinéma sur nos organes, pour l’œil, l’oreille, les tripes et le cœur.<span> <br /><span> On pourrait dire que l</span></span>a sympathie
immense que dégage ce film émane déjà de la rigueur de ses images, de la
façon dont Rajamouli peuple et compose ses cadres, pense sa mise en scène, de cette générosité offerte par le soin méticuleux apporté à tous les aspects de sa production. C'est simplement virtuose du sol au plafond, une débauche de moyens toujours justifiée, qu'il s'agisse d'agglutiner quelques centaines de figurants ou de jouer avec le numérique. À ce sujet, après avoir vu le film, allez voir l'épisode de <a href="https://www.youtube.com/watch?v=B8DrqysqFmc" target="_blank">Corridor Crew</a> consacré au film et à la façon dont il utilise de manière ingénieuse cet outil ! D'une manière générale, l'utilisation des sfx est à l'unisson du reste. Et si parfois un animal semble "fake", la foi du metteur en scène dans la suspension d'incrédulité qu'il convoque permet de faire tout passer. Une leçon qui nous montre de amnière insolente que le cinéma peut s’accommoder d'un effet "visible", si la mise en scène est à la hauteur !<br /><span> </span>Mais ce qui m'a probablement le plus soufflé, c'est la façon dont Rajamouli fait feu de tout bois pour raconter son histoire, par le dialogue, par l'image et par la façon dont les passages musicaux participent à la narration. Ce sont ces idées de mise en scènes démentes et démesurées (la première grande bagarre est à ce titre une sorte de sommet indépassable, que le film va pourtant s'appliquer à constamment dépasser), ou par des idées plus subtiles. Comme lorsqu'un personnage observe la fenêtre de sa cellule dont on ne voit que les barreaux, tandis qu'un travelling avant change la luminosité du plan, nous révélant, in fine, ce qu'il observe. Comme lorsque les deux protagonistes se retrouvent à l'écran, séparés par du fil de fer barbelé. Comme lorsque le héros décoche une flèche enflammée et que le plan s'attarde une seconde sur l'arc une fois la flèche décochée pour montrer que la flamme est restée quelques instants dans son sillage, afin de nous faire comprendre, inconsciemment, comment cette flèche va embraser le cadre dans le plan suivant. Je ne vais pas tenter de faire la liste complète de ces idées brillantes, ça n'aurait aucun sens, c'est plutôt une activité pour les soirées passées en bonne compagnie à boire des coups et à se raconter le film.<br /><span> </span>Ce qui me fascine, et ce qui place <b>RRR </b>tellement au dessus de tous les blockbusters américains produits depuis tant d'années, c'est cette façon que le récit a de jouer avec le spectateur, son habileté à jongler avec les pay-in/ pay-off, afin de nous mener par le bout du nez, en ayant constamment une, deux ou trois longueurs d'avance. Quel film récent peut se targuer d'être, à ce point, imprévisible, alors qu'on sait évidemment que tout finira bien ! Les gens qui ont vu, et revu,<b> et revu encore RRR</b> n'oublieront pas ce putain de drapeau plongé dans l'eau, ils savent pourquoi ils capturent un tigre, ils sourient lorsqu'ils voient nos deux amis s'entrainer, l'un assis sur les épaules de l'autre. Etc...<br /><span> </span>Constamment surpris, on est embarqué dans un grand huit qui ne s'arrête jamais, qui pousse l'excitation en balançant des moments de gloire, des scènes spectaculaires qui semblent ne jamais s'arrêter et dont les conclusions délirantes nous propulsent systématiquement sur le prochain morceau de bravoure. C'est proprement prodigieux.<br /><span> </span>Et puis il n'y a pas que l'iconisation visuelle des personnages (la carriole enflammée, Bheem devant sa fontaine brisée, un tuyau dans la main...), même si je n'avais jamais rien vu de tel en la matière. Il y a aussi, et sutout, une maîtrise folle de ce que c'est qu'un mythe. À ce sujet, j'ai eu l'impression de voir le premier véritable héritier de John Milius, toute l'introduction de <b>Conan</b> a enfin trouvé une descendance à sa mesure. Le flash back sur l'enfance du héros est pour moi le chef d'oeuvre niché au cœur du chef d’œuvre. Load, aim, shoot... putain, trois mots qui se sont imposés aux côtés des meilleures répliques du film de Milius. La façon dont cette scène est amenée, en deux parties, jusqu'à sa révélation complète, cernée par les prestations géniales de Ajay Degn (dans le rôle du père) et d'Alia Bhatt (dans le rôle de la compagne), et poussée par un soundtrack fabuleux fut un moment de bonheur extatique, que j'ai revu, revu, et revu encore et encore. Il y a aussi quelque chose de Mel Gibson dans le parcours sacrificiel du héros, car c'est à travers le sang, la sueur et les larmes qu'il va pouvoir accéder au statut de demi-dieu.<span> </span><br /><span> Bref.<br /><span> </span></span>Il y aurait mille choses à évoquer, la façon dont les personnages féminins, en retrait face à nos deux protagonistes, tiennent chacune tête face à leur entourage, comment le film célèbre cette lutte de libération nationale à travers un œcuménisme courageux, alors que les tensions entre hindous et musulmans enflamment régulièrement le pays. Comment le film traite le sujet du racisme par une scène de danse déjà inscrite au panthéon de l'histoire du cinéma. Voir le film, le revoir, être émerveillé à chaque fois par la richesse qu'il déploie. Montrer le film et être témoin de la joie qu'il provoque. Bordel, Tollywood vient de mettre Hollywood KO. <b>Fury Road </b>avait été un sommet des années 2010. Rajamouli vient simplement de s'imposer parmis les plus grands pour cette nouvelle décennie.<br /></span></span></p><p class="MsoNormal" style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Je ne mets pas d'extrait, parce qu'il n'y a pas de débat à avoir, y'a pas à tortiller, il faut voir le film. Point barre. À ce propos, attention, il faut faire gaffe à avoir une copie dans la bonne langue, et, malheureusement, plusieurs fichiers de sous-titres en français circulent, certains étant traduits d'une manière misérable, torpillant certains dialogues d'une bien triste manière...</span></span></p><p class="MsoNormal" style="text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span></span></span></p><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><span style="font-size: small;"><b><span style="line-height: 115%;"><span></span></span></b></span>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span></span></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span><br /> </span>Pour continuer sur la « </span></span><span style="font-size: small;"><span style="line-height: 115%;">Mega Power Star</span></span><span style="font-size: small;"><span style="line-height: 115%;"> Ram Charan
exploitation », notons deux films franchement tartes, mais qui raviront les
fans et les gens de bonne humeur :<br /><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_TAB4HnmBZuK9cOUxkQHaV4xlZUjO0_GJAai6YXC2ywqhNR6uKRo8Dlr1llvNgpTW_gfzSicniD56z4x5jqaOPCrNM-Ar15e223EtHurW0JsuaoawIEyHDO25YZTfzCwo0hIFeqA_NzN6glhHYd27BYEpCDU3IKxWXztlZSbuHtZQBPLaShCci9fv/s1920/DVV-5bd07b22680537.71377871vdenp(m$.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="911" data-original-width="1920" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_TAB4HnmBZuK9cOUxkQHaV4xlZUjO0_GJAai6YXC2ywqhNR6uKRo8Dlr1llvNgpTW_gfzSicniD56z4x5jqaOPCrNM-Ar15e223EtHurW0JsuaoawIEyHDO25YZTfzCwo0hIFeqA_NzN6glhHYd27BYEpCDU3IKxWXztlZSbuHtZQBPLaShCci9fv/w400-h190/DVV-5bd07b22680537.71377871vdenp(m$.jpg" width="400" /></a></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><br /><br />2015 Bruce
Lee the Fighter, de Sreenu Vaitla, telugu</span></b><span style="line-height: 115%;"><span><br /> </span>Derrière ce titre improbable, nous trouvons
une comédie romantique mettant en scène un cascadeur (</span></span><span style="font-size: small;"><span style="line-height: 115%;">Mega Power Star </span></span><span style="font-size: small;"><span style="line-height: 115%;">Ram Charan donc) pris dans une
incroyable suite de quiproquos absolument ridicules. L'intrigue pourrait parfois faire penser à ces vieilles comédies françaises, avec Louis de Funès et Claude Gensac, où se multipliait les embrouilles et les malentendus, les portes qui claques, et les claques aussi d'ailleurs... Je rêverais de voir un remake d'<b>Hibernatus</b> sauce telugu par exemple. Bref, ce Bruce Lee est bien évidemment (très) très loin d’être à
la hauteur de la plupart des films chroniqués ici, mais comment nier son plaisir
devant cette pochade feel good dans laquelle on se perd avec joie, si on a
avec soi une quantité de bienveillance à la hauteur de ce
« spectacle » totalement oubliable, mais néanmoins débridé. Reste quand même que j’aime bien cette chanson, parce que
de la bienveillance, finalement, j’en avais pas mal sur moi : </span></span><br /></div><div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"></span></p><div style="text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=OpjbJXciXwU" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioOAL6xRZm4X-XC-E3IH2EK99C5Ob-HHPpwmrxLYmBO-hIbLjBHuFznlYPt-HEy3tzE9rceFi1bAIWsyL71-0G93pgtnETGY-KYHaBmn0fydr5HAtFr29UDbaCQUm7pRhQ661_WZASaWAmi4Q2sdtxQK_iN5VtMftaX7DxfPXSpkC_BzqpFKOReb3C/s320/vlcsnap-2022-12-20-16h17m20s167.png" width="320" /></a><br />(clic)</span></div><div style="text-align: center;"><span style="font-size: small;"><br /></span></div><div style="text-align: justify;"><span style="font-size: small;">PS : Un moment curieux, lorsque notre Mega Power Star sort cette référence sortie de nulle part !</span></div><div style="text-align: justify;"><span style="font-size: small;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgofD2XuWFvJawC9jgxFx4tbHmCJnkvgJcOylh-OQvdsIrtQ6RShzm8dXmKM2yzjiYpQdTnHQXDw-IVznafi6LsgLkZmi-YQXdm2t0lUNvdzWXsBkOH29LpjDOKLHhwDSyu7PWxNLhIZQUsb53QCNvv7dgbPUG10n_5i3SFCf0FO03Wb8_IlXNPHdCC/s1280/vlcsnap-2022-11-11-01h42m30s371.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgofD2XuWFvJawC9jgxFx4tbHmCJnkvgJcOylh-OQvdsIrtQ6RShzm8dXmKM2yzjiYpQdTnHQXDw-IVznafi6LsgLkZmi-YQXdm2t0lUNvdzWXsBkOH29LpjDOKLHhwDSyu7PWxNLhIZQUsb53QCNvv7dgbPUG10n_5i3SFCf0FO03Wb8_IlXNPHdCC/s320/vlcsnap-2022-11-11-01h42m30s371.png" width="320" /></a></div><br /><span style="font-size: small;"><br /></span></div><p></p><div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><span style="font-size: small;"><b><span style="line-height: 115%;"><span></span></span></b></span><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0tswa_Lubi4kiFAudvBnwrHXsjzlAKQf6qTvFBSYBp2g2kCGDzXrejI0-NhhxRMo4CHSuZSwc7oh6MM88IQe_jQF7X3lUEeLh-WHmttTDqTBlPQDdGMcBPkWBc4Q15fnbP6KbqtHcBXl1Xy7PxlzpUOa4oiT-J4cAp8fmM9DJTkOeK6NJSwXgsALb/s1200/FP5iNL4WQBIZE3P.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="831" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0tswa_Lubi4kiFAudvBnwrHXsjzlAKQf6qTvFBSYBp2g2kCGDzXrejI0-NhhxRMo4CHSuZSwc7oh6MM88IQe_jQF7X3lUEeLh-WHmttTDqTBlPQDdGMcBPkWBc4Q15fnbP6KbqtHcBXl1Xy7PxlzpUOa4oiT-J4cAp8fmM9DJTkOeK6NJSwXgsALb/w278-h400/FP5iNL4WQBIZE3P.jpg" width="278" /></a></span></b></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2022
Acharya, de Koratala Siva, telugu</span></b><span style="line-height: 115%;"><span><br /> </span>Une communauté de gens très sympas et très pieux
est menacée par des filous sans scrupule qui ne vont pas hésiter à se montrer, eux,
très méchants. Alors que tout semble perdu et qu'un lourd désespoir musèle les habitants de la forêt, déboule alors un groupe de guerilleros
naxalites, des maoïstes super cools qui vont, en dansant, sauver la veuve et
l’orphelin. À noter ici, et c’est surtout pour ça que j’évoque ce film,
que la guérilla est menée par Mega Power Star Ram Charan et son père Mega Star
Chiranjeevi. Alors oui, c’est un film, encore une fois, discutable, disons fort
léger, et finalement plutôt anecdotique, mais regardez moi ce clip, lorsque les maoïstes
entrent en scène… <br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=zhS0XYGUCfA" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtgvSdSnMI9trV9ZfRFmxPqtv8sGbx14SAU9uOJ7YY91ZqQjhlLkNN_T_pLsTZ2FKjuxAtOgXACYqXf1cWP-KVDStd8_vf-uGwzkjCQ5Zxms_jhwTI29P6AsB4aTCR3zSLtIds8wlq2qTN_42XRvw5vZRGUjbqYVKvGwMfM_qUC80MrJVZG8LX3Fl2/s320/vlcsnap-2022-12-20-16h27m23s484.png" width="320" /><br /></a><span style="font-size: small;"><span style="line-height: 115%;">Bhale Bhale Banjara (clic) </span></span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span> </span><span style="font-size: small;"><span style="line-height: 115%;">Qui ne rêverait pas de voir un tel truc chez nous,
avec, je ne sais pas, des combattants de l’ETA qui feraient des claquettes en faisant virevolter
leurs kalashnikovs et sauter des agences immobilières en chanson ? Bon, c'est quand même à réserver aux fans de Mega Power Star Ram
Charan bien sûr ! <br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span><br /> •••<br /><br /></span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><br /></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> Même si on y connait rien, on sait que l</span>e
cinéma indien est célèbre entre autre pour ses grandes reconstitutions historiques,
s'apparentant souvent à des véhicules au nationalisme indien, soft power pas toujours très soft
(<b>The Kashmir Files</b> par exemple, abominable pamphlet d’un racisme assez crasse)… Mais
certains films offrent néanmoins un spectacle absolument ébouriffant, où les
batailles et les belles étoffes volent de concert dans la réécriture fantasmée
d’un foisonnant roman national... </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhLQrKbUHQtMnmmsJapUbiVQL0Hjea63TdRjby_sEuoRCwrFG-46idKO9G8PHSHbGl1d2al2eENQ9CXDbtT30kNn9ShE9SojBgI3TfickkfjmX7m8iIAaO9Drfs657JkdS6jvW2QkxujkQHjDEgmi_1K4lCXZ3WmZWdoV64Eblz-goQdH-R2aphAxQ/s1200/wp4370656.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhLQrKbUHQtMnmmsJapUbiVQL0Hjea63TdRjby_sEuoRCwrFG-46idKO9G8PHSHbGl1d2al2eENQ9CXDbtT30kNn9ShE9SojBgI3TfickkfjmX7m8iIAaO9Drfs657JkdS6jvW2QkxujkQHjDEgmi_1K4lCXZ3WmZWdoV64Eblz-goQdH-R2aphAxQ/s320/wp4370656.jpg" width="320" /></a></span></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2019 Kesari
de Anurag Singh, hindi</span></b><br /><span style="line-height: 115%;"><span> </span>Dans la catégorie un peu natio des
grandes batailles du passé, donc, <b>Kesari</b> ("Safran") raconte avec un certain brio et une classe
évidente la résistance acharnée d’une poignée de militaires Sikhs face à une
armée gigantesque de combattants musulmans. Une sombre histoire qui s’est déroulé
à la fin du XIXème siècle, dans le nord est du pays. Pour les néophytes et les
incultes dans mon genre, ça a été l'occasion d'ouvrir un peu wikipedia et de découvrir un peu ce que c'est que le sikhisme.
Et je peux vous assurer que ce flim est bel et bien un flim sur le sikhisme. Il délivre à
peu près tout ce que qu’on attend d’un tel spectacle et, masala oblige (Masala
désigne ces films qui mélangent les genres afin d’attirer le plus de public
possible, on a donc de l’action, mais aussi un peu de romance, des chansons, de la bagarre...)
une histoire d’amour un peu surfaite vient parasiter l’intrigue, tandis qu’avant
que les enfers se déchainent, une chanson fort sympathique, au ton léger et un brin incongru</span></span><span style="font-size: small;"><span style="line-height: 115%;"> vient secouer un peu tout ça ! On ondule des hanches et on se trémousse en attendant la mort ! </span></span><br /><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=PtCJm7uMcf0" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7et0Z-ygFihmfUMpYLDuPwe-T07unYLePfgYGoRWM7LPFnHFH7dujae-0Ng3QkAowh-lnOtpl21mxOSq9qAgU7NEUOck-8PwAEOZqGY5ismqmFUDEhEprly839LE7dDSeKUn9eiemDxJ82uAPvezFpOTHoInlksTOsWR-ocvhS8dyJz5RR40ncTac/s320/vlcsnap-2022-12-20-16h36m46s355.png" width="320" /></a></span></span><span style="font-size: small;"><span style="line-height: 115%;"><br />(clic)</span></span></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><br /><span> </span>Akshay Kumar est
impeccable dans le rôle principal, de toute façon, grâce à son costume et sa
barbe spectaculaire, il n’avait pas grand-chose à faire de plus. La
réalisation, la photographie et la musique du film sont tout à fait corrects, alors le spectateur se laisse embarquer facilement dans ce récit édifiant. Et puis, lorsque j’ai finalement
découvert à quoi servait le Chakkar, cette couronne métallique coincée sur les
turbans, j’ai rangé dans ma poche les quelques réserves que j’avais pour
apprécier ce spectacle politiquement douteux, mais fort jouissif, et faisant feu de tout bois pour satisfaire notre soif de gestes héroïques. Notons aussi qu'à la tête
des combattants musulmans, un cheikh fondamentaliste s’oppose à un autre, plus
magnanime, et prompt à reconnaitre la grande valeur des guerriers sikhs, une
tentative un chouia grossière pour éviter une représentation trop unilatérale des
antagonistes… mais nous ne sommes pas dupes et le film participe à sa manière à
la lutte que se mènent, à cet endroit, l’Inde et le Pakistan.<br /><br /></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=JFP24D15_XM" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqR91aLejxy0nqqCQURpsSPBXcc_cvSWTngoI-LwRB6rwPcHTRHHl0Dg8RaeZ3Bf9APpsceBOSOPhuBylTcW94uNHRXyc4qjc20BOaEzHEp631HsePmgVwczoPUXGXaUJmmgq42zCrPerMuTTqHlRpIyaErbf8TEcBdTVKhONhVjJ8ZEzj5d-ZpSwQ/w400-h225/1386741_backdrop_scale_1280xauto.jpg" width="400" /></a></span></div><div style="text-align: center;"><span style="font-size: small;">(ça a de la gueule quand même, cliquez dessus et vous verrez la bande annonce, <br />une occaz' de constater en quelques minutes que le film profite de ses décors incroyables <br />et promet une sacrée bamboula. Une promesse qu'il respecte !)</span><br /></div></div><div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••<br /><br /></span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHGuI61UbUFimtn7O7JkNswYjsnDFr6cCsueSCABwksIbT8vnrU1Ld6Cv9fRBb4obFV_Hdf59rb_nmouzoA5TGElrz-IdR_8xLRHcMohVmCE8cZ56PDH7LuOzHeyA3wQOZP8XGtTDa8NRVx5RF5-t98g3TdirfeeqHeZSalflOdRwoZSGxiR4C7olc/s1200/FSjg_E0UUAAIHuW.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="876" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHGuI61UbUFimtn7O7JkNswYjsnDFr6cCsueSCABwksIbT8vnrU1Ld6Cv9fRBb4obFV_Hdf59rb_nmouzoA5TGElrz-IdR_8xLRHcMohVmCE8cZ56PDH7LuOzHeyA3wQOZP8XGtTDa8NRVx5RF5-t98g3TdirfeeqHeZSalflOdRwoZSGxiR4C7olc/w293-h400/FSjg_E0UUAAIHuW.jpg" width="293" /></a></span></span></b></span></p><span style="font-size: small;"><b><span style="line-height: 115%;"><span><br /></span>2022 Samrat
Prithviraj, hindi</span></b></span><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></div><div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Encore un film avec Akshay Kumar, et cette fois-ci il s'agit de l’adaptation d’un poème épique
évoquant la vie héroique d’un roi Rajput de la dynastie Chahamana. Nous voici donc plongé
en plein dans la mythologie indienne, mais pas dans une version « over the
top » à la<span> </span><b>Bàhubali</b>, mais dans
une approche plus sérieuse, plus terre à terre, mais si les potards en matière de
chorégraphies et de batailles spectaculaires sont à fond. L'approche reste néanmoins plus sérieuse, plus premier degré face aux films qui montrent des personnages
aux pouvoirs surhumains, dans une illustration pop et délirante de la qualité divine de
leur puissance. Alors bien sûr, le film de Chandraprakash Dwivedi est pétri de
défauts, et s’il arrive à nous impressionner au détour de quelques plans
magnifiques, il finit également par ennuyer le spectateur légèrement contrit
que le film n’aille pas au bout de son concept ou de ses idées... Il n'en reste pas moins impressionnants et propose un nombre de plans d'une beauté telle qu'il mérite le coup d'oeil !<br /></span></span></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><a href="Hari Har : https://www.youtube.com/watch?v=FlRlPm0yNU8" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvxtjsa73nyMpYKA8DrvVc3KKAqGXmMNHbZVafRP0kMKbh-4z4KTF5nAcaV6oy2aMaiwBuxyQnyEDjFmChEpgz_7omLuFf9LhRDzK1P8Nigb-yZed6S0iuTKki2CKMkxIw51s4EX7ZVIVQhazwycUY1qkN-jRpP0B5wULsO_gaKVqleOnaEdaUpsBN/s320/vlcsnap-2022-12-20-16h46m25s362.png" width="320" /></a><br /><span style="font-size: small;"><span style="line-height: 115%;">Hari hari har ! (clic bordel !)</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span><br /><span> </span>Disons que la
patate que dégage ce clip musical peine a être maintenue sur les 135 minutes du film… malgré une direction artistique flambante et un Akshay Kumar
toujours aussi cool à regarder !<br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> <br />•••<br /></span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span>Entre la fresque historique et les films de crapules sur lesquels on va se pencher deux minutes, arrêtons-nous sur ce chef d'oeuvre :</span></span><b><span style="line-height: 115%;"><span><br /></span></span></b></span></p><span style="font-size: small;"><b><span style="line-height: 115%;"> <br /></span></b></span><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpOPqDGMqFKhpnlXADsvnl7-6wmfxpPY1Uz3trC72A0QN5Y1_0hd23V7CywZmWUicVCb0k4AcMsDs-ztGtXwCow9NoET01159gURAhW2C3-VvfLfMyNwmBuEnBntzWcKfClOXnFIjiw0-VktV70_QVGDxNc3Mxm4p2lhHMMDqtZ827YkhF-wZa9nZ/s1200/gangubai-kathiawadi-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdpOPqDGMqFKhpnlXADsvnl7-6wmfxpPY1Uz3trC72A0QN5Y1_0hd23V7CywZmWUicVCb0k4AcMsDs-ztGtXwCow9NoET01159gURAhW2C3-VvfLfMyNwmBuEnBntzWcKfClOXnFIjiw0-VktV70_QVGDxNc3Mxm4p2lhHMMDqtZ827YkhF-wZa9nZ/w266-h400/gangubai-kathiawadi-poster.jpg" width="266" /></a></span></b></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;">✭ <span style="font-size: small;"><b><span style="line-height: 115%;">2021
Gangubai Kathiawadi, de Sanjay Leela Bhansali, hindi </span></b></span>✭<span style="font-size: small;"><b><span style="line-height: 115%;"></span></b><span style="line-height: 115%;"><br /><span> </span>L’histoire de ce film est fictive, mais elle
s’inspire de la vie réelle de plusieurs femmes, tel qu’elles ont été racontées dans
un livre qui rencontra il y a quelques années un grand succès et consacré aux
reines de la mafia de Mumbai (<b>Mafia Queens of Mumbai</b>, de S. Hussain Zaidi).
Voila une grande histoire, une belle et grande fresque consacrée à
une jeune fille vendue à un bordel et qui, avec le temps, en prendra non
seulement la tête, mais qui deviendra également la patronne de son
quartier, allant finalement jusqu’à plaider sa cause devant le premier ministre
indien. Durant 3 heures, le film oscille d’un genre à l’autre, balançant entre
une brutalité inouïe et une légèreté presque comique, le long d’une intrigue qui
s’étale sur plusieurs décennies, rythmée par des numéros musicaux de haute
volée, le tout filmé intégralement en studio pour un rendu tout à fait
étonnant. Il y a tant de choses qui pourraient nous détourner d’un tel film, on pourrait craindre l’overdose, et pourtant la mise en scène de Bhansali, le scénario, le soundtrack, la
prestation magistrale d’Alia Bhatt et la présence charismatique d’Ajay Devgan
(tous les deux vus dans <b>RRR</b>) sont d'une implacable virtuosité. La maîtrise est stupéfiante, les cadres du film d'une beauté terrassante et l'émotion que convoque cette tragédie est exténuante. La dimension tragique s'installe peu à peu dans la complexité du personnage central, dans la valeur des enjeux qui se déroulent au fur et à mesure où il se retrouve dépositaire d'une responsabilité ecrasante. Le film commence par coller une paire de baffes au spectateur, mais le coup qu'il nous porte lors du dernier passage musical, révélant toute la fragilité de son héroïne, est fatal. La trajectoire tragique de Gangubai, la reine des putes de
Kamathipura, était une histoire fascinante, et Bhansali lui rend un hommage
admirable. Putain de bordel de merde, quelle émotion.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=6EznxK-0Uwo" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="536" data-original-width="1280" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQVwZMXEZDeGxvV2Gf3ECCglO-JEd3RgNeXV51GEx4rp9ecPDrrw9jocwsFUpSX2FwXPNrUT-AAq1dbx9dSXGBzOaTIYBP98OQajryxzT1ppC0j23esB9fNfIUt8B11yp9Ru7UPvB2ZxkQsd3AppDQqddaBz4m8PPX1CqZ9iXj3gaEnHWISw9rZLxU/s320/vlcsnap-2022-12-19-19h24m34s052.png" width="320" /></a></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;">Jhume re gori! (clic !)clic !</span></span><br /></div><p style="text-align: center;"></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> Sur un ton un peu plus léger, enchaînons maintenant avec des films jubilatoires mettant en scène et portant au pinacle les rois des crapules !</span><br /></span></span></p>
<span style="font-size: small;"><b><span style="line-height: 115%;"></span></b></span><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><br /></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOThBvDnuip6_MePYCEnj1a4kGFReKPsGA1whC1uBowFE0q5AKQm6LXNJ8y_M330-h8urbl_5DDXvY4a80N-t_4-a6CAfl89Z5WIln4ppbLRLE5pQphEpNiAWz6NWfmjvdRxWhPJS0mIK4Ro_YX0_IBbRkqhST-horJIB3Jn_AJpaOjH_C10PMikSG/s2048/kgf-chapter-1-2018-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1058" data-original-width="2048" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOThBvDnuip6_MePYCEnj1a4kGFReKPsGA1whC1uBowFE0q5AKQm6LXNJ8y_M330-h8urbl_5DDXvY4a80N-t_4-a6CAfl89Z5WIln4ppbLRLE5pQphEpNiAWz6NWfmjvdRxWhPJS0mIK4Ro_YX0_IBbRkqhST-horJIB3Jn_AJpaOjH_C10PMikSG/w400-h206/kgf-chapter-1-2018-1.jpg" width="400" /></a></span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2018 KGF
Chapter 1 / 2022 KGF
Chapter 2, de Prashanth Neel, kannada</span></b></span><span style="font-size: small;"><span style="line-height: 115%;"><br /><span> </span>Le premier <b>KGF</b> (Kolar Gold Field) raconte
l’histoire d’un petit gamin élevé par sa mère sans le sou qui, sur son lit de
mort, lui fait promettre de devenir immensément riche. On suit donc la
trajectoire du petit Rocky, gamin des rues qui fait pas de cadeau à Rocky
l’homme de main qui ne fait pas dans la dentelle et qui cherche à devenir le
Bhai, le "boss". Le film est aussi fin qu'un gateau au beurre bricolé par un patissier breton alcoolique, c'est simple, il en fait des caisses
dès qu’il peut, à la moindre occasion et le reste du temps il en fait trop. Porté par une interprétation délirante,
une musique plus pompière que ça tu finis sur un calendrier et une ampleur
absolument hallucinante (en terme de lieux de tournages, de nombre de
personnages ou d’enjeux), pour moi la générosité de<b> KGF</b> révèle tout ce qui ne va plus dans le
cinéma américain qui n’ose plus rien, parce qu’il ne semble plus croire dans la
force que peut offrir le cinéma, ayant perdu de vue ce qui faisait la force brute d'un mythe. Prasahanth Neel lui sait ce qui fait la force d'un mythe, et il va tout faire pour offrir une dimension mythologique à son personnage. Jusqu'à l'absurde, de manière décontractée, mais portant en lui une foi immense dans son entreprise. Sans cynisme, sans se trahir, sans se dégonfler, il ne
prend jamais à la légère l’histoire qu’il raconte, et jamais il ne tente un second degré
ricaneur qui, par un clin d’œil morveux, chercherait à prouver au spectateur que les
auteurs ne sont pas dupes, et que nous sommes au dessus de tout ça. Il y a, pour moi, une foi pratiquement religieuse
dans cette entreprise et <b>KGF</b>, dans sa démesure, avec ses nombreuses qualités et
ses quelques défauts, en est la parfaite illustration. La générosité d’une
telle entreprise contraste donc méchamment avec les blockbusters américains récents. Par
exemple, <b>Top Gun Maverick</b>, aussi sympatoche soit-il, aussi « oh le bel
avion ! » soit-il, fait figure de vulgaire seau de flotte. Une œuvre désincarnée,
semblant avoir été tournée avec une poignée d’acteurs chouchoutés, dans un
environnement stérile, vide, déprimant. Si loin de ces dizaines de figurants qui rappellent le défilé
de pures gueules qu’offrait, jadis, Almeria et l’Andalousie aux westerns
italiens. C’est simple, après avoir vu <b>Top Gun</b>, j’avais envie d'installer<b>
Flight Simulator</b> sur mon ordinateur. Après avoir vu <b>KGF</b>, j’avais envie de
casser des cloisons à coup de masse en chantant à tue-tête. Putain, mais quel bonheur de voir ça. <br /><span> </span>Du coup, ben oué, salaam Rocky Bhai ! Et sachez que cette
chanson déboule au bout d’une demie heure de film, durant lesquelles il s’est
passé plus de choses que dans tous les blockbusters ricains de ces dix dernières
années ! Et passées ces 30 premières minutes, il reste encore plus de 2 heures de film !<br /><span> </span>Mieux que ça, il a un autre film qui suit !<br /><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=42vgx97trM4" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1u2eWubX8JD7TndgitI3OSq3s8kTbbzWLhJ1dqtx835dvsu-IH19caLu2X6IcrTgKPfOINTqbF48PIYuT6s3Cmf3RgEs9ubq_UCWqIwFRWfGV797QWC24U8DO4-HZkatGoneZU8PusjiqbZiGJnF6Sn0SxFHEYbhyr-llIxYxEN9b5QYapQqAXUxH/s320/vlcsnap-2022-12-20-17h06m30s250.png" width="320" /></a></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;">(Salaaaaam Rocky Bhai ! Clic !)</span></span><br /></div></div><div><br /><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Le second <b>KGF</b> va pousser le bouchon un cran
plus loin, fini les bagarres de rue et les embrouilles de mafieux, l’enjeu ici
est politique, et l’ampleur prend une dimension nationale, tandis que la figure
de Rocky devient carrément messianique. Le plus amusant est que le film
s’encre dans une certaine réalité, étant donné que ces mines d’or existent
réellement, et l'ambition d'en écrire une histoire alternative
délirante est une des idées géniales de ce dyptique ! Alors bien sûr, comme pour le premier film, on pourrait s’attarder
sur les défauts du film, peut être un peu trop long, parfois quand même un peu
lourd, ou à l’occasion mis en image de manière un brin douteuse ou soutenu par
des sfx un peu branques… Mais à nouveau, la générosité du bouzin force le
respect. La mise en scène reste fort correcte et le film est, encore une fois, magnifique à regarder. Le spectateur n'a aucun effort à faire pour se laisser emporter par cet ouragan... "Toofan" dans la langue du film, le Kannada. Face à l'attitude morgue d’un des méchants, un
pauvre hère, aveugle, prévient tout le monde : l’ouragan arrive. Putain
Toofan ! Toofan ! Et t’envoies les trompettes pendant que Rocking
Star Yash fait le kéké avec sa masse devant les esclaves libérés qui voient en
lui leur messie. Définitif. Si t’es pas en train de gueuler devant ton écran ou
si t’as pas envie d’aller casser des trucs, c’est que t’es mort. Alors qu’on
pensait avoir tout vu, arrive in fine Jimmy Carter et le film s’achève sur la
perspective d’un troisième opus qui sèche le
spectateur, ahuri dans son fauteuil. Quelle histoire bordel, agréable comme un violent coup de tête, quand c'est toi qui colle le coup de boule.<br /><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=unWiIzY7pSw" target="_blank"><img border="0" data-original-height="491" data-original-width="851" height="185" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBOuWj89SKcDXH_WuHv6_PoC9t22Ebv49ka2A2nyGkAPyn_adfHq4QvYRuKRgL0rII7wsMr38HIBbJ04vH0q0DW-XeVCrPGZFauxqrd9Eygc-o-R4HvyXJPZlrYxEzsRq5Oaa8SEhLwhZ9-UMOscU6uud0_gQhhvFUPSZOkV9jlkGBFlLrZmpfbP4m/s320/Capture.JPG" width="320" /></a><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><span style="font-size: small;"><span style="line-height: 115%;">(Toofan ! Toofan ! clic !!)</span></span></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></span></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU3PMb8UjVABsgVMy_Kr39SoDhKLQeeZjCO2rT3_zMkKLgQysBqL8DJi0xVHr7EP8bPNHAppy2gp8-1fp-p8HqZN5PoEFW3ZifeKm_rU06RK3nN-vAcU2oLFGpMmFSNnGeOQ5nekDRlDco0ljnYI80mYIvnz9d9_eKCs4kAuiPMTO4-Yt29qAw0d3Y/s1200/Pushpa-The-Rise-Film-Review-Prime-Videos-Big-Flick-Which-Surpassed-Bahubalis-Collection-Failed-To-Meet-My-Expectations-and-How.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU3PMb8UjVABsgVMy_Kr39SoDhKLQeeZjCO2rT3_zMkKLgQysBqL8DJi0xVHr7EP8bPNHAppy2gp8-1fp-p8HqZN5PoEFW3ZifeKm_rU06RK3nN-vAcU2oLFGpMmFSNnGeOQ5nekDRlDco0ljnYI80mYIvnz9d9_eKCs4kAuiPMTO4-Yt29qAw0d3Y/w640-h480/Pushpa-The-Rise-Film-Review-Prime-Videos-Big-Flick-Which-Surpassed-Bahubalis-Collection-Failed-To-Meet-My-Expectations-and-How.jpeg" width="640" /></a></span></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2022 Pushpa
the Rise de Sukumar, (hardcore) telugu</span></b><span style="line-height: 115%;"><br /><span> Après avoir vu les deux <b>K.G.F</b>, et en attendant le <b>3</b>, me voila e</span>xcité comme un type qui a gobé
un parachute de trop et qui se demande comment il va faire pour éviter de
redescendre trop vite au pays des films tout mous où des persos en carton ont des aventures
en plastique. Heureusement, le cinéma indien est plein de ressources. Du coup,
cette année vient de sortir <b>Pushpa : The Rise</b>, sorte de<b> KGF </b>bis où le roi
des mines d’or est remplacé par le roi des essences rares et des arbres qui
coûtent cher. À nouveau, c’est un film de pure crapule, totalement immoral, et donc hautement jouissif. Un film qui porte en lui une partie de la filouterie
italienne des années 70, probablement, encore une fois, grâce à un défilé de
tronches impayables, son héros en tête, avec sa dégaine de Tomas Milian sauce curry. On suit donc ce type, vaguement vagabond, qui
s’incruste dans un trafic de bois rare. Ça n’est plus du cinéma du Karnataka, où
l’on parle le Kannada, mais du cinéma Telugu. « Hardcore Telugu »
même, comme le dit le personnage principal, Pushpa, merveilleusement interprété
par Allu Arjun. Il n’a pas l’épaisseur physique de Rocking Star Yash, mais sa
petite barbe, son jeu d’épaule et son air de canaille font le taf sans souci.
Décontracté, le film s’autorise une déviation vers la comédie romantique,
abandonnant les tartes dans la gueule et les coups de pression pour des moments
absolument consternants de naïveté. Soit. Ça n’est pas vraiment un souci étant
donné que le film ne perd jamais de vue son objectif : donner une
dimension mythologique à ce va-nu-pied qui va devenir, évidemment, le boss des
boss du trafic de tronc d'arbre.<span> </span><br /><span> </span>À noter deux chansons absolument géniales dans
le tas, il y en a d’autres, mais elles sont quand même moins cool ! Il y a
donc la chanson qui installe le héros et la menace qu’il représente...<br /><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=gKKDbWAKL9U" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1080" data-original-width="1920" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibxYUdS4_IGQZjdpBmTGkiKrxd95IK1nsqemDhmuQ8bdJa-BHZ9xhySe9xNaYJJeq47kWqZtZqUXhhonXCJeLdqMRUd8KpNeESMkwg_gSTmie9zi5fOIRHubKn56F_LzTxz8qWnXmXz_KsE0D79pfYsbaAhjEUT18ZRXLANuy5oAdAha7FeZibrGih/w400-h225/vlcsnap-2022-12-20-17h40m31s800.png" width="400" /></a></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;">(clic !)</span></span><br /></div></div><div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> ...et une autre plus légère où sa dimension sexy
est mise en avant !</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=WkPsPWZQkzk" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijraYcFu5w4PSqJUccR2EgVSCgcIPyEdMHT6a0fiQlza243gVKHdTH_B5HMYv4fPNrX9ZhCcwRyh_lAxawmosUghwA541em3tluOTCSKJ_5LDqm5ix_I6i79rYQgnX0ZnIiPg_77DrBfwlRKXY_A4O24ng-nv-nP0rs_O2sKJ6vbzZd6lKddcWzRwa/w400-h225/vlcsnap-2022-12-20-17h43m37s747.png" width="400" /></a></span></span><span style="font-size: small;"><span style="line-height: 115%;"> <br />(clic !)</span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span><br /><span> </span>Au final, le film n’atteint peut-être pas
l’ampleur du diptyque KGF, mais il reste une récréation fort amusante, soutenue
par des acteurs qui font le taf, la plupart n’ayant qu’à montrer leurs trognes. Le film bénéficie également d'une superbe facture technique, et puis il propose surtout des bagarres aux chorégraphies
inventives et surprenantes… dont certaines... ah ah, non je vous raconte pas. Merde, vous avez qu'à voir le
film !<br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;">Je vous coule juste la goules des méchants... bordel, oubliez ce que je viens d'écrire, ça sert à rien de mégoter, c'est absolument mortel.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHdbpuBiybVZPJNf_9bA_tNj_gkxRSYN1Hb6UaTc2NHazL0zHb9uZCMznjvUgwEHDk_0D5By3x04yf1N2dPJ9X_y6vDH1VaTI5wnFzjlc4CPx9paqxwKhsG29_3nmN-U-65ek_hgHSStmDedJRE8w95dGKjyJnC9NPXT9M8-0VUAZXyzERcOSoeOxe/s1280/vlcsnap-2022-12-20-17h51m58s703.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="534" data-original-width="1280" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHdbpuBiybVZPJNf_9bA_tNj_gkxRSYN1Hb6UaTc2NHazL0zHb9uZCMznjvUgwEHDk_0D5By3x04yf1N2dPJ9X_y6vDH1VaTI5wnFzjlc4CPx9paqxwKhsG29_3nmN-U-65ek_hgHSStmDedJRE8w95dGKjyJnC9NPXT9M8-0VUAZXyzERcOSoeOxe/w400-h168/vlcsnap-2022-12-20-17h51m58s703.png" width="400" /></a></span></div><span style="font-size: small;"><br /><span style="line-height: 115%;"><br /></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span></span></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7UQv5HjZRrwJwJE2izxAYJYrkorBrrPchjXFp5bRADLbNyww5O7lDyrTR8rOwUHCFOOx7qzmmWgIucDy3eSdpXhJdUNJv-EKOIIjpi89ifTEXQtU3sJyrANG-E-DkragVn90J7C2E4isydSvLrf4hyq0Ch2BiACFpveq3N0bSyB6zGzIdvEAkduZD/s2048/wasseypur.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="2048" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7UQv5HjZRrwJwJE2izxAYJYrkorBrrPchjXFp5bRADLbNyww5O7lDyrTR8rOwUHCFOOx7qzmmWgIucDy3eSdpXhJdUNJv-EKOIIjpi89ifTEXQtU3sJyrANG-E-DkragVn90J7C2E4isydSvLrf4hyq0Ch2BiACFpveq3N0bSyB6zGzIdvEAkduZD/w400-h200/wasseypur.jpg" width="400" /></a></span></span></b></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><span><br /></span></span></b></span></div><div><span style="font-size: small;"><b><span style="line-height: 115%;">2012 Gangs
of Wasseypur 1 et 2 de Anurag Kashyap, hindi</span></b></span><span style="font-size: small;"><span style="line-height: 115%;"><span><br /></span></span></span><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Classique du film de mafieux, le film, d’une
durée déjà dantesque (5h20, divisée en deux parties), s’attache à suivre le
destin de plusieurs familles de criminel, des années 40 aux années 90. Ici pas
d’envolées lyriques à la <b>KGF</b>, pas de cabotinage à la <b>Pushpa</b>, c’est serious shit, c’est
brutal et ça reste très terre à terre. Lorsqu’on voit certains films
occidentaux, aux personnages présentés comme profonds,<span> </span>et se gargarisant d’offrir une intrigue
complexe, on ricanne bêtement, parce qu'ici, on joue clairement dans une autre division.
Alors évidemment, le profane, français, risque d’être souvent perdu devant la
profusion de personnages, ou de coutumes qui lui sont inconnues. C’est pas bien
grave, la criminalité et le cinéma sont des langues universelles, on finit toujours par retomber ses pieds ! C’est bien
sûr à voir, parce que ce genre de choses manquent tellement au cinéma
occidental !</span></span><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=j-AkWDkXcMY" target="_blank"><br />La bande annonce, ici, pour se faire une idée ! </a><br /></span></span></div>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span></span></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgykqcPzVZW16DG0wDQ6Dip44BGhFlO5ndDJgk4qgfdXuKFtTrqjn_ZNajWGzOsRWQ3wUY5CQeZwG9SQBZsBBQFBxwJ08SFZjbEYSjFukbWm9_OqHfsym6DAycEa3ml0pRN7hlPTppRaA13WBptaWrk2Q599PoDpfGbzXuj3LF3GBqygiznB9XlUuRy/s1024/kaithi-poster-release-date.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="464" data-original-width="1024" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgykqcPzVZW16DG0wDQ6Dip44BGhFlO5ndDJgk4qgfdXuKFtTrqjn_ZNajWGzOsRWQ3wUY5CQeZwG9SQBZsBBQFBxwJ08SFZjbEYSjFukbWm9_OqHfsym6DAycEa3ml0pRN7hlPTppRaA13WBptaWrk2Q599PoDpfGbzXuj3LF3GBqygiznB9XlUuRy/w400-h181/kaithi-poster-release-date.jpeg" width="400" /></a></span></span></b></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2019 Kaithi
de Lokesh Kanagaraj, tamil</span></b><span style="line-height: 115%;"><br /><span> </span>Bon, c’est simple, rien que le pitch du film
devrait convaincre tout le monde de lâcher ce qu’il a à faire pour s’intéresser
à ce <b>Kaithi</b> (Prisonnier), réalisé par Lokesh Kanagaraj. Imaginez, des keufs ont fait une
saisie record, 800 kilos de cocaïne. Les chefs mafieux réunissent alors tous
les marlous du coin (on est dans l’état du Tamil Nadu, dans le sud du pays) et
mettent à prix toutes les têtes des keufs. Ces mêmes lardus célèbrent alors leur affaire
autour d’un barbecue, mais la vodka a été empoisonnée ! Ils tombent tous dans
les vappes, sauf un flic, qui ne boit pas, et qui a un bras cassé. Il arrive à
mettre tous les corps de ses collègues inconscients à l’arrière d’un camion et oblige un
mystérieux personnage à prendre le volant. Les tueurs prennent alors en chasse
le camion. Le film, au demeurant fort sympathique, ne fait pas partie de mes
préférés, mais il reste fort bien tricoté, les plans iconiques et les tronches
patibulaires se suivant avec un rythme qui ne faiblit pas ! Du coup, faites-vous votre avis.<br /><a href="https://www.youtube.com/watch?v=g79CvhHaj5I" target="_blank">La bande annonce</a> <br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Cette année est sortie une sorte de suite, du moins un film se déroulant dans
le même univers, et qui s’appelle <b>Vikram</b>, toujours réalisé par Kanagaraj. C’est
également une sorte de remake déguisé d’un autre film, datant des années 80.
Bref, de mon côté, je ne participe que mollement à l’enthousiasme général que le film semble avoir soulevé, l'ayant trouvé
plutôt anecdotique, </span></span><span style="font-size: small;"><span style="line-height: 115%;">malgré quelques séquences plutôt funkys et </span></span><span style="font-size: small;"><span style="line-height: 115%;">malgré la présence de Kamal Haasan (un des méchants de <b>KGF</b>, entre
autre, puisque sa filmo est longue comme le bottin de Mumbai) et de Fahadh Faasil
(<b>Amen</b>, <b>Trance</b>, <b>Pushpa</b>...). <br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggH1cIv3wOpJ-PUIOlHGMx0gL7XB0dEPbfM4uphAhx6jVNnDNbZNARMrpSEvCrjtFhDKj_xMq56QomSIEOQV9DH69sMwWQ7NTUxW0nO7BEOgQcc-yDC-c-ZUnIw5ZYhX0a-7psIMA4ruigQAQCGvElhjFr5dT5TDuH4iEfVO2WrwtPv4IrUCe2bDns/s1280/106182.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggH1cIv3wOpJ-PUIOlHGMx0gL7XB0dEPbfM4uphAhx6jVNnDNbZNARMrpSEvCrjtFhDKj_xMq56QomSIEOQV9DH69sMwWQ7NTUxW0nO7BEOgQcc-yDC-c-ZUnIw5ZYhX0a-7psIMA4ruigQAQCGvElhjFr5dT5TDuH4iEfVO2WrwtPv4IrUCe2bDns/w400-h225/106182.jpg" width="400" /></a></span></div><span style="font-size: small;"><br /><span style="line-height: 115%;"><br /></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhbpmRuCaa_jZ_NjGqITP1_cGY1ImOfNXsLPXZtdfme6w0-CEtNw55VwLp1eyyBuXyWlo2xlfrAvP5KFekCqkHnP69loMBnmkE9A0m7Z_wd4H84mTklAf5oy9KxN52xK9uj6VEX57uSCPukBtpHKBtX21AuBqg4MOdrbKFnZUap5ALJ20_LRCL_8k5/s1920/MV5BY2UyY2Y5NDUtZGU2YS00ZWFiLTlhYzUtM2IxYzQzOTQwNzdmXkEyXkFqcGdeQXRodW1ibmFpbC1pbml0aWFsaXplcg@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhbpmRuCaa_jZ_NjGqITP1_cGY1ImOfNXsLPXZtdfme6w0-CEtNw55VwLp1eyyBuXyWlo2xlfrAvP5KFekCqkHnP69loMBnmkE9A0m7Z_wd4H84mTklAf5oy9KxN52xK9uj6VEX57uSCPukBtpHKBtX21AuBqg4MOdrbKFnZUap5ALJ20_LRCL_8k5/w400-h225/MV5BY2UyY2Y5NDUtZGU2YS00ZWFiLTlhYzUtM2IxYzQzOTQwNzdmXkEyXkFqcGdeQXRodW1ibmFpbC1pbml0aWFsaXplcg@@._V1_.jpg" width="400" /></a></b></span></div><span style="font-size: small;"><b><br /></b></span>✭<span style="font-size: small;"><b><span style="line-height: 115%;"> 2019
Sonchiriya, de Abhishek Chaubey, hindi </span></b></span>✭</div><div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Voila probablement un des films que j'ai préféré ! Alors,<b> Sonchiriya</b>, c’est d’abord le nom d’un oiseau, l’outarde à tête
noire, mais c’est aussi le nom d’une petite fille, autour de laquelle va
tourner toute l’intrigue de cet espèce de western très étrange. L’intrigue
prend place dans les 70’s dans les ravines du désert de Chambal, dans le nord
de l’inde, un paysage absolument unique, mais qui m'a quand même rappelé la Planet P de
<b>Starship Troopers</b> – et donc les badlands du Wyoming - mais restons focus...
On y suit un groupe de Dacoits, des rebelles opérant dans une zone grise, entre
le banditisme et la guérilla populaire. Ils vont se retrouver face à une jeune
femme en fuite qui tente d’emmener dans un hôpital une gamine de 4 ans,
Sonchiriya, qui a été brutalement violée par le chef de famille que la jeune
femme a assassiné. Cette dernière plaide sa cause auprès du groupe de rebelle
afin qu’ils l’a protègent… C’est le point de départ de cette histoire absolument géniale, et de ce film aux qualités plastiques hallucinantes. Inutile
de déflorer inutilement ce qui suit, ou de louer plus en avant la beauté de ce film terrible, sa mise en scène, son casting ou son écriture...Je vais me remettre ce morceau, issu d’un soundtrack, encore une fois,
dément. Ah les frissons… Rarement un film ne m’avait plongé dans un tel désespoir aussi
jouissif.<br /></span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=CN-8rtdkJaM" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="874" data-original-width="850" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh15DN_mr_vrC6jJ6_4750sWrcpWjpLIEnEyqG_pPVt-ohpJHVWMhWdeKuddp0PPx1AvA3NTe7V4eViTQe3cDtK6N6mkD27RsRufJfm0w7P2l7Rz0K_eoMpYBaZyui3h_KWT-k45hhslWZ2Du8Xx5npUjE7IRrwq9O8YCdnTFJecr1ZiABt_xVGAWmk/w389-h400/vlcsnap-2022-10-27-09h43m39s293.png" width="389" /></a></span></div><div style="text-align: center;"><span style="font-size: small;"> (Baaghi Re ! clic !)</span><br /></div></div><div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Dans ma petite plongée à travers le cinéma
indien de ces dernières années, voila probablement les auteurs et les films qui
m’ont le plus impressionné. Lilo Jose Pellissery est un réalisateur issu de la
région du Kerala, sur la côte sud ouest de l’Inde où l’on parle le Malayalam et
où la moitié des habitants sont hindous, un quart musulmans et un quart chrétiens.
Et c'est cette communauté chrétienne qui se retrouve au cœur de l’œuvre de
Pellissery, plongeant ses films dans une ambiance très particulière, où sévit un catholicisme exotique et coloré. S'il m'est difficile, pour l'instant, de cerner les particularités du cinéma de cette région, et de ce réalisateur en particulier, disons simplement que l'on dégage certaines obsessions : la nourriture par exemple, la bagarre, les paires de claques et les front kicks claquettes aussi... mais également un recours systématique aux plans shootés du ciel filmant le sol à la verticale ! Il y a aussi un net intérêt à montrer l'humanité comme étant une masse informe et hystérique où la moindre occasion offre un aller sans retour au royaume des paires de claques et aux descentes aux enfers nocturnes...<br /><span> J</span>’ai découvert la
filmographie de Pellissery à l’envers. J’ai commencé par <b>Jallikattu</b> qui m’avait alors fort intrigué à sa sortie, et lorsqu'il était passé PIFFF. J’ai ensuite découvert le reste de sa filmo
en remontant la piste jusqu’à <b>Amen</b>, son troisième film réalisé en 2013. Je n’ai pas
vu ses deux premiers, <b>Nayakan </b>et <b>City of God</b>, sortis en 2010 et 2011, n'ayuant pu mettre la main dessus... Bon, inutile d'en rajouter, disons simplement que la découverte de Pellissery tient pour moi du miracle. Un cinéma que je cherchais depuis si longtemps, sans jamais le trouver nulle part.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV6fjfAHa8ZqpJbu0LDzxYwUbJsIpA2IVxxIzKZG_cvPNyX2UGj-jMLwfo9iYgTVW4_qE12W7mQWOuzXCI8nG8fRRy2dbUI1hn_5aQbU2A34Wwjyh2u4b8q7txnxCHUIaLOKIo416uCEY-JSv8QvLWQGLVOV_5Joqi5RyyvAmwmTWtzE8ab0-tN0mC/s1200/lijo-jose-pellissery.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="625" data-original-width="1200" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV6fjfAHa8ZqpJbu0LDzxYwUbJsIpA2IVxxIzKZG_cvPNyX2UGj-jMLwfo9iYgTVW4_qE12W7mQWOuzXCI8nG8fRRy2dbUI1hn_5aQbU2A34Wwjyh2u4b8q7txnxCHUIaLOKIo416uCEY-JSv8QvLWQGLVOV_5Joqi5RyyvAmwmTWtzE8ab0-tN0mC/w400-h209/lijo-jose-pellissery.jpg" width="400" /></a></span></span></div><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> Lilo Jose Pellissery, une autre bonne bouille du cinéma indien !</span></span><br /></div><p style="text-align: center;"></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwQQtnsk0cP4ewSi4HRWNF-gylH-s8_7-S2z9UujOVTczmYK2H2j3vq5n8jqpI_AE8jYhSWkhvXfYI9OX03G-LXp_1rJ3HDrywxftuQp4rJP66dKTRTyFiK6UYIWyJXogQqGesic-Q26rE054E4yl5si2BfQVliEmS6cg16GgCnLhKU0Pg7asZs-5h/s705/amen.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="384" data-original-width="705" height="217" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwQQtnsk0cP4ewSi4HRWNF-gylH-s8_7-S2z9UujOVTczmYK2H2j3vq5n8jqpI_AE8jYhSWkhvXfYI9OX03G-LXp_1rJ3HDrywxftuQp4rJP66dKTRTyFiK6UYIWyJXogQqGesic-Q26rE054E4yl5si2BfQVliEmS6cg16GgCnLhKU0Pg7asZs-5h/w400-h217/amen.webp" width="400" /></a></span></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><br />2013 Amen, malayalam<br /></span></b></span></div><div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> <b> </b></span><b>Amen</b> se déroule dans un petit village côtier du
Kuttanad (Kerala) et prend place autour d’une petite église syrienne. Solomon
est un type sympa, amoureux d’une jeune fille adorable, mais qui vit
dans l’ombre écrasante de son père disparu, grand joueur de clarinette. Alors que le
village affronte un autre village dans un concours de fanfare, Solomon va
devoir surmonter ses traumatismes et se libérer du poids du passé afin de s’accomplir en tant que joueur de clarinette virtuose, et remporter le trophée et le coeur de sa chérie… On retrouve un peu
l’idée des films de sport où le héros doit s’entraîner, vaincre ses peurs et
finalement défaire un ennemi réputé invincible, accédant à une nouvelle
dimension où il trouvera enfin la paix. En ça, le « combat
final » est grandiose, et si c’est loin d’être mon film préféré de la
liste, il comporte quelques scènes remarquables, dynamisés par les dialogues et
les performances colorées des personnages principaux. Je pense ainsi au
moment où il est question de détruire l’église pour en construire une nouvelle, ce qui déchire alors le village en deux. Le débat qui anime les personnages est alors illustré par une chanson, Karuthiky Thithai. Un moment merveilleux... <br /></span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span><span style="font-size: small;"></span></p><div style="text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=TUpAsq2yrfk" target="_blank"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsBJ3VLyGNEACJuZqPLPqJRsH629PROoAIXg0y4BjKbt9Ytkg1aWyB3fXYhHcRfUxr-H9H_L7fPBQQW1A-GqdlQg3IhPs5KQBvgXE-jmQoIkucrhBfOgUH413iUL1vWTza5yvxW_4-vigzNxDm-iyG39pkZC8_ie6LaCp2LQ3F0zoOTXE6yaAi0NJH/s320/vlcsnap-2022-12-20-18h44m45s493.png" width="320" /> </a></span></div><div style="text-align: center;"></div><div style="text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;">(Karuthiku thithai, </span><span style="line-height: 115%;">une chanson qui perd beaucoup <br />à ne pas être sous titrée, clic !)</span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Un autre moment incroyable, c’est lorsque
Solomon, déguisé en Jésus Christ pour une fête religieuse, se fait tabasser par
le frère de son amoureuse. Il faut le voir se traîner au milieu de la foule,
recevant des vielles calottes en pleine poire et portant </span></span><span style="font-size: small;"><span style="line-height: 115%;">un air de chien battu et </span></span><span style="font-size: small;"><span style="line-height: 115%;">une couronne d'épine sur la tête. Aussi tragique que désopilant. Au niveau du cast, on retrouve Chamban Vinod
Jose, un gros nounours ultra charismatique qui aura fait ses débuts au cinéma
dans les premiers films de Pellissery et qui va prendre, progressivement, de plus en
plus d’importance, aussi bien dans la filmo du réalisateur, que dans l'industrie locale. Dans les thématiques présentées, on
trouve déjà ici les idées qui reviendront de manière récurrente dans le cinéma
de Pellissery : le festival, l’hystérie qui grandit, le personnage qui s’amuse
discrètement à foutre la merde dans la communauté (ici au sens littéral)… À coté de ça le film est très correctement
shooté, bien gaulé, bien écrit et propose un sacré paquet de plans magnifiques,
une passion pour les courtes focales. Et si sur ce film je ne suis pas aussi enthousiaste que je pourrais l'être, c’est simplement à cause de ce qui va suivre !<br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtpMhpJAEjV5x-QsJNVKGFXaW37dnRMqqfkgJ_XtLAMUmN5M6WOZAKDtVbzlDmllMn5kogWHgQQp6L5P1hLWCqy4NRZBXXlwwYQvxn66PB6NXCrfJjkjjIqUOzw9FxTaBADltraV-8MUWW2PqBP3G2Wmq9EEZhI0D2tAq8kjiTIYU8VQNoFKF1nK3Y/s720/MV5BM2M3NGE5YWYtMjJlNi00NTllLWFhZGEtMDRmN2IzMjg0NWRjXkEyXkFqcGdeQXVyMjkxNzQ1NDI@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="490" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtpMhpJAEjV5x-QsJNVKGFXaW37dnRMqqfkgJ_XtLAMUmN5M6WOZAKDtVbzlDmllMn5kogWHgQQp6L5P1hLWCqy4NRZBXXlwwYQvxn66PB6NXCrfJjkjjIqUOzw9FxTaBADltraV-8MUWW2PqBP3G2Wmq9EEZhI0D2tAq8kjiTIYU8VQNoFKF1nK3Y/w273-h400/MV5BM2M3NGE5YWYtMjJlNi00NTllLWFhZGEtMDRmN2IzMjg0NWRjXkEyXkFqcGdeQXVyMjkxNzQ1NDI@._V1_.jpg" width="273" /></a></span></span></b></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><span><br /></span>2015 Eratta
Kuzal (Double Barrel), malayalam</span></b></span><span style="font-size: small;"><span style="line-height: 115%;"><span><br /> </span>Deux ans plus tard, Pellissery sort <b>Double
Barrel</b>, une pochade tarantinesque ultra référencée tournant autour de deux
cailloux fabuleux que se disputent tous les puissants du monde, depuis l’âge
des cavernes, et dont l’histoire nous est racontée au travers d’un dessin animé
génial servant de générique au film. </span></span></div><div><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span><span style="font-size: small;"></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span><span style="font-size: small;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=ciZheBXs__E" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="272" data-original-width="640" height="136" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrIiIRgGFiU8gfCjjXp3u5xF3kb6lSkMBDJwjt_-ChwzrcmE1jRk4gEIcTllZjipJao3IEaYakN4Epx4hou78XxZ02B_EdXnGA5Q81Xx5_wCBQxzPsblDityCT6vGEy73jHvLTmT99H4VaJtJ2y05VQDVkxAKxZRZWCDK2D-fCPLvrtRNRDJGdMRk8/s320/vlcsnap-2022-11-15-00h18m02s915.png" width="320" /></a></span><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;">(Athala Pithala, regardez-moi ça, quelle entrée en matière ! clic !)<br />(d'une certaine manière, convoquer ainsi Adolf Hitler et Darth Vader m'a fait <br />penser au générique fabuleux de Balada Triste, le chef d'oeuvre de De La Iglesia, <br />même si les génériques, et leurs sens respectifs, sont très différents)<br /></span></span></div></div><div><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></div><div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span><span> </span></span>On suit donc le destin de ces deux pierres,
qui ne valent rien lorsqu’elles sont séparées, mais qui valent tout l’or du
monde lorsqu’elles sont réunies, et qui sont convoitées par une improbable collection de
personnages très cartoons.</span></span><span style="font-size: small;"><span style="line-height: 115%;"> Le film, très très stylisé, cumulant les références à fond les ballons, faisant l’usage abondant de filtres
pisseux et de coquetteries diverses divertit, amuse autant qu’il ennuie et
agace. Les personnages sont plutôt fatiguants et l’intrigue franchement
confuse. Reste qu’in fine, la bonne humeur foutraque finit par l’emporter,
probablement dû à l’indulgence motivée par la sympathie que dégage ce
réalisateur et une partie de son cast, mon chouchou Chambad Vinod Jose en
tête !</span></span><span style="font-size: small;"><span style="line-height: 115%;"> <br /><span> <b> </b></span><b>Double Barrel</b> reste pour moi le film le moins
intéressant de la carrière de Pellissery, pas tant à cause de ses limites et de
ses outrances un peu casse bonbon, que parce qu’il y a dans cette
singerie tarantinesque moins de choses intéressantes à découvrir que dans ses
autres films plus tournés vers la culture de sa région et de ses villages. Son film suivant
va d’ailleurs faire un demi tour à 180° qui va s’avérer fort payant !</span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></div>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDf_r-dPAsjx6QlUw3XAMKOd3a1m9clR-HKtqPstUhGclmxLpptxrJDzQXEEawmxejRWbh8ygNpXiECr6pHSE8ouDW-tFgKWhECAgLIBEB_J3ovCiXbOQWWqXmYWptS2yOQGXJaj06t_r80dNAX1ebbULj7RNHHkswGLOsR2HNJVQi8HnJKCNlZa_P/s960/angamaly-diaries-vjay-babu-sandra-thomas-chemban-vinod-jose-lijo-jose-antony-varghese.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="480" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDf_r-dPAsjx6QlUw3XAMKOd3a1m9clR-HKtqPstUhGclmxLpptxrJDzQXEEawmxejRWbh8ygNpXiECr6pHSE8ouDW-tFgKWhECAgLIBEB_J3ovCiXbOQWWqXmYWptS2yOQGXJaj06t_r80dNAX1ebbULj7RNHHkswGLOsR2HNJVQi8HnJKCNlZa_P/w640-h320/angamaly-diaries-vjay-babu-sandra-thomas-chemban-vinod-jose-lijo-jose-antony-varghese.jpg" width="640" /></a></span></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2017
Angamaly Diaries, malayalam</span></b><br /><span style="line-height: 115%;"><span> </span>Deux ans plus tard, Pellissery signe donc ces
géniales chroniques d’Angamaly... Et contrairement à <b>Amen</b>, qui semblait être une
petite bluette aux frontières du fantastique, où s’ébrouait joyeusement une
troupe de personnages colorés, nous sommes ici dans une approche plus réaliste, parfois
quasi documentaire, se déroulant
dans les quartiers de Angamaly, une ville bruyante et agitée du Kerala.<br /><span> </span><b>Angamaly Diaries </b>raconte donc l’histoire d'une
bande de potes qui grandissent ensemble et qui, arrivé à l'age adulte, seront obsédés à l'idée de former un gang. Ils vont tenter divers petits business, </span></span><span style="font-size: small;"><span style="line-height: 115%;">notamment l’élevage de
cochons, et les inévitables bagarres qui découleront de toute cette affaire nous emmèneront à un climax remplis de
bourre-pifs se déroulant lors d’une cérémonie religieuse, entre les pétards et
les feux d’artifice. On retrouve ici les thèmes que le réalisateur, et plus tard son assistant Tinu Pappachan lorsque ce dernier passera à la réalisation à son tour, ne cesseront d'investir : la bouffe, une humanité en proie à l'hystérie et les front-kicks claquettes. La propension
qu’ont ces gens à se battre en tongs est absolument fascinante ! Le film déroule une trame touffue, parfois un brin complexe à suivre, où une foule de personnages s'agitent devant un spectateur parfois un peu largué, jusqu'à ce que les lignes narratives se resserrent, nourrissant une hystérie qui déboulera sur de grandes scènes de bastons où foisonnent donc ces fameux front kicks claquettes et autres pirouettes pif paf aux
surprenantes chorégraphies. Le film s’ouvre ainsi sur une bande de types
partant corriger des mecs déguisés en personnages de la mythologie biblique (!) occupés à picoler dans un bar. L'échauffourée qui va suivre, et son aspect résolument burlesque, me rappelle (à nouveau) le cinéma de De la Iglesia. Il y a, dans cette hystérie
délirante, une évidente proximité, et cette proximité avec le réalisateur espagnol, on y pense régulièrement, notamment au détour
d’une rocambolesque scène d’enterrement où un corps, trop épais, ne permet pas
la fermeture correcte du cercueil, l’empêchant de rentrer dans son caveau,
provoquant… bre</span></span><span style="font-size: small;"><span style="line-height: 115%;">f, encore une fois, voyez le film.<span> </span><br /><span> </span></span></span><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>On découvre ici une galerie d’acteurs
que l’on retrouvera avec grand plaisir dans les films suivants, il y a là la (future) star Anthony
Varghese, mais aussi une tripotée d’autres qu’il serait bien inutile de nommer ici.
Disons simplement que mon pote Chambod Vinod Jose est de la partie,
même si ce n’est là que pour un petit caméo, et qu’on découvre Tito Wilson, que
l’on retrouvera par la suite et dont j’apprécie la bouille aimable et le talent
débonnaire qu’il met au service, ici, d’une belle crapule.<span><br /><span> </span>Probablement un chouia moins définitif</span> que les films
qui vont suivre, <b>Angamaly Diaries</b> est tout de même une réussite éclatante,
grouillant de moments fabuleux et de scènes excitantes, portées par un
soundtrack génial que l’on doit à Prashant Pillai. Pillai fait la zik des films
de Pellissery depuis son premier film et restera à ses côtés jusqu’à son
avant-dernier, <b>Jallikkatu</b>. Je serais bien en peine de décrire la zik de Pillai,
aux croisements du folk local et de l’électroclaquette dont on a ici, un
sympathique aperçu :</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><br /></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=SmXvivF6LoA" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWYXear6He0YL9JHCv6naXlOsSLBHYqdVK5ho40TsSZIlCqA9v7gztmYEwhe9op8IcXQaR-JLAzWoyBneMngYEnCr_O21GWiO3C7H-rmpjnD9tjSTYB82EvbBjRThVX9e2XaUoZG-0mVE5Egu96p7PH8ubKnG1sl7iCUrO7cm6w2q7b4mu_h4-V95u/s320/vlcsnap-2022-12-20-19h23m00s125.png" width="320" /></a></span><span style="font-size: small;"><br />(clic)</span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> et là aussi avec le titre
"Theeyame" <br /> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=B936Hb9jtAQ" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="593" data-original-width="1059" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZKwVMuEoPoBs4aplvn2rBFCYp0U9ILBpqMwFvmzdJAvwv9hbgCqnDikYhCOChplVxmDH0MTHOfXF3HABC4OBnNpdcXSW_Ex8YWQU5bwld4pnpK81F3zttWXQ2xSAwRd8PqeO7iqSfsnyIOtd2V9xuApAEb5YNEkfZM0LCK4Kj90LLseh3oeF5fpom/s320/6b0f0cc709446dd1e23d71e253649071.jpg" width="320" /></a></span></span><span style="font-size: small;"><br />(clic)</span></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span><b><span style="line-height: 115%;"> <br /></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihS2j12HmvgfgHr0RCilJEzNYRQhJPUJ8FMtFrvqAtYYSq1zD0un3Bpb89lD8gkNb5KIYLU2X1uIteroWFqtKSdk4Ulwrk3ppGPlirmSlp0VvlfERP-cMW96LJBJDiOewCrHJZAZJrvTKsRnKqJTZUphYFWNvIjf_kThtytOLRNBpxqU40LLt_Qmlc/s960/MV5BZTViODlmZWEtNTA4MS00MThkLTgzMmItZGZjMzJkZTJiNDFhXkEyXkFqcGdeQXVyMzQ5Njc3NzU@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="658" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihS2j12HmvgfgHr0RCilJEzNYRQhJPUJ8FMtFrvqAtYYSq1zD0un3Bpb89lD8gkNb5KIYLU2X1uIteroWFqtKSdk4Ulwrk3ppGPlirmSlp0VvlfERP-cMW96LJBJDiOewCrHJZAZJrvTKsRnKqJTZUphYFWNvIjf_kThtytOLRNBpxqU40LLt_Qmlc/w274-h400/MV5BZTViODlmZWEtNTA4MS00MThkLTgzMmItZGZjMzJkZTJiNDFhXkEyXkFqcGdeQXVyMzQ5Njc3NzU@._V1_.jpg" width="274" /></a></span></b></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2018
Swathanthryam Ardharathriyill, malayalam</span></b><span style="line-height: 115%;"><br /><span> </span>Une petite digression pour évoquer le premier film de Tinu Pappachan, l’assistant de Pellissery sur <b>Angamaly Diaries</b>, et qui sur deux films va développer une oeuvre parallèle, aux obsessions similaires, semblant prolonger ce qu'offrait, parfois de manière retenue (eh oui), <b>Angamaly Diaries</b>. En 2018, donc, il réalise son
premier long métrage au titre alambiqué signifiant « liberté à
minuit ». Et c’est pas forcément fortuit que ce titre rappelle
ainsi<b> Midnight Express</b>, puisqu’après une mise en place un peu fouillie,
le film s’installe dans un récit de prison où Jacob (joué par l'impeccable Anthony Varghese) va chercher à s’évader pour retrouver sa bien aimé, et
régler quelques comptes à coup de taloches. Autour de lui, on retrouve bien évidemment mon gars
sûr Chemban Vinod Jose, et quelques autres comme Tito Wilson. Le film est plutôt cool, et propose évidemment son lot de scènes de bagarres en tongs, dont une qui rappelle fortement la grande baston en prison de <b>The Raid 2</b>. Très sympathique, ce film n'est encore qu'un coup d'essai qui ne sera vraiment transformé qu'au film suivant !</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>À partir de là, Pellissery et Pappachan vont enchaîner les chef d'oeuvres...<br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgReQe8_Alpp9ocwwDEzZ-L7CL7B9hMnxm2j6aP6LA61Ff9DB4agcJxoWS8JgMwCai-8SltOuVyGev7EXSIK9p7_vAHqFjtE1ZCg-ynfVnuwycGiLoj_-x5fkY4jhBno0DiibJ43J5LkNGD7OaJat3P-sUpmcnSGoXQij0RKc1Y4lPorQ39MsZz95xh/s2560/Ema-2-scaled.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1164" data-original-width="2560" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgReQe8_Alpp9ocwwDEzZ-L7CL7B9hMnxm2j6aP6LA61Ff9DB4agcJxoWS8JgMwCai-8SltOuVyGev7EXSIK9p7_vAHqFjtE1ZCg-ynfVnuwycGiLoj_-x5fkY4jhBno0DiibJ43J5LkNGD7OaJat3P-sUpmcnSGoXQij0RKc1Y4lPorQ39MsZz95xh/w640-h293/Ema-2-scaled.jpg" width="640" /></a></span></b></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;">✭ <span style="font-size: small;"><b><span style="line-height: 115%;">2018 Ee.Ma.Yau.
(R.I.P.), malayalam </span></b></span>✭<span style="font-size: small;"><b><span style="line-height: 115%;"></span></b><br /><span> </span><span style="line-height: 115%;">La même année Pellissery sort <b>Ee.Ma.Yau</b>, abréviation
de Eesho Mariuam Yauseppe, une prière chrétienne que l’on chuchote à
l’oreille des mort. Mon Dieu, suis-je puis me permettre, quel film ! Cette fois-ci, le rôle principal est tenu par mon petit préféré Chemban Vinod
Jose qui interprète le rôle d’un type qui promet à son père, un soir de beuverie, que lorsque le temps sera venu, de
l’enterrer comme un roi. Le soir même, le père décède, le fils va essayer
d’organiser des funérailles grandioses. Rien ne va se passer comme prévu, et de
gaffes en catastrophes, l’enterrement va tourner au désastre, oscillant entre
la comédie, vaudeville et le drame intime. Autant le dire simplement, c’est un
chef d’œuvre. Un film que je vais revoir, encore et encore parce que la
tragédie qui enveloppe progressivement le fils jusqu’à un final déchirant est
l’une des plus belles et poignantes histoires que j’ai pu voir ces dernières
années. Difficile de trouver les mots pour louer la virtuosité de la mise en
scène, la qualité du scénario, de son interprétation et de l’émotion qui se
dégage de toute cette histoire. Comme pour Amen, les humains de cette
communauté chrétienne semblent être, inconsciemment, les jouets de personnages
extraordinaires (dans les deux films, des Anges, même si cet aspect reste en
filigrane, dans le fond du récit). Comme souvent, les personnages évoluent dans
un petit village, une petite communauté chrétienne qui se réunit autour d’une
célébration rituelle. Comme à chaque fois, tout part de traviole au fur et à
mesure que l’hystérie saisit les personnages... Brillantissime.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span> •••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><b><span style="line-height: 115%;"> <br /></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifsqMr10p8D5xRwCTSWa4d_M1kc2E5-E9lVg0_FUJqh-WSwNuQeQ9qLdxA8ZDC4Z4MpIwaw6zY7Phi_haxi8rjVS2FCs6JxhOqrJ9wPs25teGAiD-8svwvE3z6nIIBwUb1lEsYitcXlZHHlz1632H7_RpWLVQbCLgYI1aweZA6q5P0wUIstKSgYlPV/s650/jallikattu-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="388" data-original-width="650" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifsqMr10p8D5xRwCTSWa4d_M1kc2E5-E9lVg0_FUJqh-WSwNuQeQ9qLdxA8ZDC4Z4MpIwaw6zY7Phi_haxi8rjVS2FCs6JxhOqrJ9wPs25teGAiD-8svwvE3z6nIIBwUb1lEsYitcXlZHHlz1632H7_RpWLVQbCLgYI1aweZA6q5P0wUIstKSgYlPV/w400-h239/jallikattu-poster.jpg" width="400" /></a></span></b></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;">✭ <span style="font-size: small;"><b><span style="line-height: 115%;">2019 Jallikattu, malayalam </span></b></span>✭<span style="font-size: small;"><br /><span> </span><span style="line-height: 115%;">Après l’excellent <b>Ee.Ma.Yau</b>, Pellessiery livre
en 2019 son film probablement le plus connu, et le plus fou à ce jour !<span> </span>Dans un petit village du Kerala (comme
d’habitude), un boucher et son assistant tuent chaque nuit un buffle pour en
vendre la viande le lendemain matin aux habitants. Un soir, l’animal se libère
et s’enfuit dans la forêt alors tout le village se lance à sa poursuite. Au fur et à
mesure que le temps passe, l’hystérie gagne toute la région, plongeant les
habitants dans la bestialité. Voila le film où la mise en scène de
Pellissery atteint ses sommets. Dès le tout début du film, le réalisateur impose
un tempo étrange alors que nous sont dévoilés les protagonistes du film, leurs routine et leur
environnement, rythmés par le bruit d’une pendule, puis par le score incroyable
de Pashant Pillai. Cette entrée en la matière brillantissime plonge directement cette
intrigue dans une atmosphère à la lisière du fantastique, prélude au déchaînement
halluciné qui va suivre. Bien évidemment, on retrouve devant la caméra les
compères de Pellissery, les deux bouchers étant interprétés par les
incontournables Chemban Vinod José et Antony Varghese et toujours ces obsessions sur la nourriture, la violence et l'hystérie. Un chef d'oeuvre, qui se hisse au dessus d'une mêlée de films déjà tous plus impressionnants les uns que les autres.<br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=ZKEJIp_8Q9o" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="720" data-original-width="1280" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwArt8JkNEfvYeJd-EvIgisTnZV8muRUruJsaV4jL-E2IUYV4S5o06jInnRX2P8On0UKbyRzMLoLGpPVy_rO7UlifeBh9NKW31GDkFLpOlpY9xNcBDy4UmjgyAbDEvNdmXCaGRiuULdwtowT_F8mC1YDPiyaoYv3Ldh5cdWyM5-Dml3oXFrpbCOQIu/w400-h225/4881951.jpg-r_1280_720-f_jpg-q_x-xxyxx.jpg" width="400" /></a></span></b></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> (encore une fois, quel soundtrack ! clic !)</span><b><span style="line-height: 115%;"><br /></span></b></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></div><div><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></div><div><div style="text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span>•••</span></span></b></span></div><div style="text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG0SN54pwmy74HXGRLSHE1gzdVAIJzlPGgQZniVjo85OVvLBX1Ad6MzGDxkUbso8iQqD26rQ5o8XFJmgZ9VDd23XJJyWgdArjwGH_psUU-a7ussn7TDkXWCLj46qvalkONg12_hAX1EljSCLTCjvqZyNMF0L_XuZFrXGV_ajklEIVn0OJZfqQF_DC8/s1333/MV5BYzIwMTMwZDEtNjdjOC00NzhjLTgzOGYtMzdhOTA5M2U5NTNmXkEyXkFqcGdeQXVyMjkxNzQ1NDI@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="1000" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG0SN54pwmy74HXGRLSHE1gzdVAIJzlPGgQZniVjo85OVvLBX1Ad6MzGDxkUbso8iQqD26rQ5o8XFJmgZ9VDd23XJJyWgdArjwGH_psUU-a7ussn7TDkXWCLj46qvalkONg12_hAX1EljSCLTCjvqZyNMF0L_XuZFrXGV_ajklEIVn0OJZfqQF_DC8/w300-h400/MV5BYzIwMTMwZDEtNjdjOC00NzhjLTgzOGYtMzdhOTA5M2U5NTNmXkEyXkFqcGdeQXVyMjkxNzQ1NDI@._V1_FMjpg_UX1000_.jpg" width="300" /></a></span></b></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><br /></span></b></span><span style="font-size: small;"><b><span style="line-height: 115%;">2021 Churuli, malayalam</span></b></span><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span></div><div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Deux ans après son histoire de buffle,
Pellissery revient avec une intrigue encore plus barrée qui porte le titre de<b> Churuli</b>, signifiant "enroulé". Cette fois-ci, nous
suivons deux flics (mon gars sûr Chemban Vinod José et un nouveau venu chez
Pellissery, Vinay Forrt) qui partent dans un petit village perdu dans la jungle
du Kerala, persuadés qu’ils vont pouvoir y débusquer un criminel en fuite. Arrivé sur
place, ils se font passer pour deux ouvriers agricoles et débutent leur
enquête. Sauf que le village semble être en proie (encore une fois) à une hystérie
étrange, tandis qu’une oreille attentive note qu’à la radio, on évoque une invasion extra terrestre !</span></span><br /><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Le film
s’ouvre sur une légende, un moine s’enfonce dans la forêt pour y capturer un
esprit maléfique, il ramasse sur son chemin un pangolin qui va lui indiquer son
chemin. Le moine n’a pas réalisé que l’animal est en fait l’esprit maléfique qui va le pousser à se perdre dans la forêt. Bien évidemment, cette fable est une allégorie
de l’intrigue du film. Ou peut-être est-ce l’inverse. Si on trouve ici encore
les obsessions de Pellissery, notamment autour de la nourriture, ou son gout
pour une narration qui semble parfois errer sur un terrain
fantastique, l’ambiance particulière que dégage ce petit village contamine le
film, jusqu’à son incroyable, et inattendu, dénouement. Si ses films précédents
évoquaient parfois une sorte de De La Iglesia indien, cette fois-ci, et c’est
probablement un sentiment fort personnel, j’ai pensé à Shane Carruth, au
feeling étrange qu’exhale son second long métrage, <b>Upstream
Color</b>. Comme pour ce films, j’ai été proprement envouté même si, in fine, je
n’ai pas compris grand-chose à toute cette affaire, et qu’il m’a fallut aller
voir sur internet les textes d’exégètes au jus qui t’expliquent avec des mots
le sens concret de ce que tu as ressenti. Effectivement, quelle histoire ! Pour la
première fois, Pellissery a tourné le dos à son musicien fétiche pour commander
un score à Sreerag Saji, qui écrit là sa première musique de film. La réussite
envoutante et parfois presqu’hypnotisante du film doit beaucoup à cette
partition géniale :</span></span></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><br /><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://www.youtube.com/watch?v=CDU-c4m_GPM" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="815" data-original-width="1449" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg44vDCccWhMEcd8-9xIQ7kciGzHOcAkN35Z6MQRGAG7eqd4o1eYN6OTuuQw9F01gwc9wZRXQiLbEd8rlt1viP9WJMSCNNBTPlmEUcjhXtEumgiWGiKXx8UDtXwdxRf23tqMilOp-ObKRgFFxARMNW8wxPU6mt9cgaKq0AZ06c9JPKG27j5E6bbg1JW/s320/Churuli-movie.jpg" width="320" /></a><span style="font-size: small;"><br />(clic)</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="font-size: small;"> </span></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span>•••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span> </span></span></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZUftt4lN2-LTyWoZcBcBU0JJShw9Oygzl293aTGReUoyn8oBy7gIzHCollo3XbwFpB3u1fq1ObNmDln3xw3fCatYFmTulv2Re1ult6QT1cPHHWruc2fohpQ-ad_QuKye1w8qF0rQEj7J2CLOYDcBADAonxwN4AXnV_5eaUMj_atFKW1Xet-8X7yTR/s1248/ajagajantharam-poster-c.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="650" data-original-width="1248" height="334" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZUftt4lN2-LTyWoZcBcBU0JJShw9Oygzl293aTGReUoyn8oBy7gIzHCollo3XbwFpB3u1fq1ObNmDln3xw3fCatYFmTulv2Re1ult6QT1cPHHWruc2fohpQ-ad_QuKye1w8qF0rQEj7J2CLOYDcBADAonxwN4AXnV_5eaUMj_atFKW1Xet-8X7yTR/w640-h334/ajagajantharam-poster-c.jpg" width="640" /></a></span></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"> </span></b></span><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;">✭ <span style="font-size: small;"><b><span style="line-height: 115%;">2022 Ajagajantharam, de Tinu Pappachan, malayalam </span></b></span>✭<span style="font-size: small;"><b><span style="line-height: 115%;"></span></b><br /><span> </span><span style="line-height: 115%;">Alors que Pellissery était parti tourner son
étrange film de science fiction dans la jungle, son ancien assistant va de son côté
pousser leurs concepts mutuels jusqu’au délire. <b>Ajagajantharam</b> est une
expression malayalam qui évoque l’énorme différence qu’il y a entre une chèvre
et un éléphant, une expression tournant donc autour de l'idée de gigantisme.
Il est ici question d’un festival donné dans un petit bled, autour d’un temple.
Durant toute la première partie du film, vont se presser différents
personnages, une troupe de théâtre à la dérive, l’anniversaire d’un mafieux, un
mariage, des jeunes qui cherchent l’embrouille et deux types qui se pointent
avec leur éléphant. Les évènements vont se succéder, sans qu’on ne comprenne
vraiment grand-chose à tout ce fatras. Et puis, progressivement, au fur et à
mesure que la tension monte et que les égos s’excitent, les différents arcs
narratifs vont se resserrer autour de Lali, l’un des deux cornacs, joué par
l'inévitable Anthony Varghese. La colère et l’hystérie qui se sont emparées du festival vont
alors se cristalliser sur lui et, à partir delà, c’est la ville entière qui veut
maintenant sa peau. Heureusement, Lali a avec lui un éléphant… La bagarre
éclate. <b>Ajagajantharam</b> représente probablement une sorte d’idéal fabuleux pour
moi, une montée de fièvre où se multiplient les images marquantes, une approche réaliste qui vire doucement au
cauchemar surréaliste au fur et à mesure que la nuit s’installe. Si le propos
est peut-être ici différent, il y a une proximité évidente avec la dimension quasi
documentaire d’<b>Angamaly Diaries</b>, et avec la peinture d’une humanité qui sombre
dans ses retranchements reptiliens de <b>Ee Ma Yau </b>et surtout de <b>Jallikattu</b>. Mais Pappachan semble délaisser l'observation d'une humanité à la dérive au profit de ce que représente, cinématiquement parlant, son explosion à travers la violence. Encore un film incroyable, génial, virtuose. Encore une fois, un putain de chef d'oeuvre !<br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> <br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcFrEdsaDzT56EEpzZPutHMkzhwVBjt_vI6B4S2Nkp6ulJy4OHRIjjIGuV-WKIyQBqOc4dRsXF3f40myhJLXey30nGFyDopNGsfdtaf8igAP_V94Q5lIt20Omuy9X3YOFBWMg92iSlghXYG2SALAzKlxLF5O9Hels1PR4_gYKfIbs26wWSwCNjZ9nc/s1920/321190774_1241860126740832_1175133903111917248_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcFrEdsaDzT56EEpzZPutHMkzhwVBjt_vI6B4S2Nkp6ulJy4OHRIjjIGuV-WKIyQBqOc4dRsXF3f40myhJLXey30nGFyDopNGsfdtaf8igAP_V94Q5lIt20Omuy9X3YOFBWMg92iSlghXYG2SALAzKlxLF5O9Hels1PR4_gYKfIbs26wWSwCNjZ9nc/s320/321190774_1241860126740832_1175133903111917248_n.jpg" width="320" /></a><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></span></span></div><span style="font-size: small;"><span style="line-height: 115%;">Allez paf ! Front kick direct dans la gamelle de curry !<br /></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> <span> </span></span></span><span style="font-size: small;">Musicalement, c'est un festin. Tchékez donc ce morceau, Ollulleru ollulleru, lorsque l'anniversaire du mafieux, le mariage en cours et le festival connaissent un climax festif, avant que tout parte en patates...</span></p></div><div style="text-align: justify;"><span style="font-size: small;"><br /><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://www.youtube.com/watch?v=6R4S_-vgUEw" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="450" data-original-width="1080" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJW1JIpTil5TyR0uZgFXU4gBiNhHTPD7-TBUjdTpdcgTO3yKIuhOrojQCZofptFECGc652GqIHujH-V6QuqSyLKfjUP1SxIQMsXrk9dL-17Oz2AxWLLX2tLjt6sDVdNMvyQ676WJgZGzTGwNBhGLKopH2SYmdi60eIYoD2_zJP19kcmfl_Oh5L4Z8G/s320/FB1pvCsVgAEXHzu.jpg" width="320" /></a></div><div style="text-align: center;">Ollulleru ! Ollulleru ! (clic)</div><div style="text-align: center;"><br /></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.youtube.com/watch?v=ZrQ9xLL1x74" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="281" data-original-width="500" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguBtr3mQgBf-VZ07rjL5m0_MC7HRae8BVES2nMUZFeTttklmN8K9trDdxULyjlyi2QfS6U6VGp3vV7Obx4LRmawPSdO38HKsDXcrkAqYV8zh0qlirYEhH6o3-OQfNuGI4BayhhB3aJqi50Xofzie5yq0zv0cp74796vLQ5RwWl53pJ7ohbwYtn-9FK/s320/MV5BY2U2MjQ4YTgtMmVhYy00MGFhLWEzMGMtNTA0OTY4ODBjYmNmXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw@@._V1_QL75_UX500_CR0,0,500,281_.jpg" width="320" /></a></div><div style="text-align: center;">ou ce morceau entêtant, "Dannana Dannana", <br />qui permet d'avoir un aperçu de la beauté du film ! (clic)<br /></div></div><div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.youtube.com/watch?v=Iqo_458k9ik" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="397" data-original-width="706" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUL_WBw2gos9zhiZt7U-A6hxVUN4yV1PUCJ9FQSqhtm4J0x1SBrUH5wt_HDGFQ9eBUYK70n1SpjvzN2cEst8UKNpNSDdKjvb7i1EGyQUSp5Gtzs1wN_45IvRDtmyn6x9dYzGATFG9NBd0BavEExR4PpA5vIwD_6rlHWXCwZ94A6vXpiGkIyDQXgKVI/s320/fad8f11110998ea05b074e8ccf97bf11_706x397.jpg" width="320" /></a></div><div style="text-align: center;">...mais quel soundtrack ! (clic)<br /></div><div></div><div><br /><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> <span> </span>Du coup, aujourd'hui, j'attends avec impatience les prochains films de Pellissery et Pappachan. Pour Pellissery, en 2023 va sortir <b>Nanpakal Nerathu Mayakkam</b>, <a href="https://www.youtube.com/watch?v=_AzC87x495Y" target="_blank">dont voici un premier teaser intriguant</a> ! Pappachan lui prépare <b>Chaver</b>...</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq61xqvmYr-McfiOHyipP8lVWE2o04cUjYZECcqUTP6dNz0oFEMsucADmnlseboW1z_NBrvh0YqSuKnj0M8kKmsPOHJlhRpZ6waiGZFbFZJTQaFk10WPaXs6VkdlaUJCSFmxVEyV6yhhS4qbm7vqjtzdCwwQ8ZQStdiDadtXTULT1xGAlt_Dq9MGIj/s2124/MV5BMmIwMDExYTQtYWFlMS00Zjk3LThiOTItYjNhZjQ3OGI3ZWU5XkEyXkFqcGdeQXVyMTM1MzAzNzUx._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1304" data-original-width="2124" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq61xqvmYr-McfiOHyipP8lVWE2o04cUjYZECcqUTP6dNz0oFEMsucADmnlseboW1z_NBrvh0YqSuKnj0M8kKmsPOHJlhRpZ6waiGZFbFZJTQaFk10WPaXs6VkdlaUJCSFmxVEyV6yhhS4qbm7vqjtzdCwwQ8ZQStdiDadtXTULT1xGAlt_Dq9MGIj/w400-h245/MV5BMmIwMDExYTQtYWFlMS00Zjk3LThiOTItYjNhZjQ3OGI3ZWU5XkEyXkFqcGdeQXVyMTM1MzAzNzUx._V1_.jpg" width="400" /></a></span></span></div><span style="font-size: small;"><span style="line-height: 115%;"></span></span></div><div><span style="font-size: small;"><span style="line-height: 115%;"><br /></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span>•••<br /><br /></span></span></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;">Pour finir avec le cinéma en malayalam, je
citerai deux autres films notables :</span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHPSbzknYGVJUUnpTkvYPuEuyvmHOuJHho8IyPgh9qnrx58gzmGo6LaGFCxZAlrwRVqz-b-01Hj6xNl4UIRQBcoxP8CT7ZsrMrhM8CSTnc3WuW1anZF6DBLVtiQgU3ELs0jYhLFqblL4EOicKUFzrKtA0g4QQySW1b9cUN_VE0D14I0_9GiaoQt5Hb/s1280/Nivin-Pauly-s-MOOTHON-Movie-New-Posters-1.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="601" data-original-width="1280" height="188" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHPSbzknYGVJUUnpTkvYPuEuyvmHOuJHho8IyPgh9qnrx58gzmGo6LaGFCxZAlrwRVqz-b-01Hj6xNl4UIRQBcoxP8CT7ZsrMrhM8CSTnc3WuW1anZF6DBLVtiQgU3ELs0jYhLFqblL4EOicKUFzrKtA0g4QQySW1b9cUN_VE0D14I0_9GiaoQt5Hb/w400-h188/Nivin-Pauly-s-MOOTHON-Movie-New-Posters-1.webp" width="400" /></a></span></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2019 Moothon
(« Grand frère ») de Geetu Mohandas, malayalam et hindi</span></b><span> <br /><span> </span></span><span style="line-height: 115%;">Voila un film assez unique, d’abord parce
qu’il est réalisé et écrit par une femme, ce qui est plutôt rare, voire
exceptionnel pour le cinéma de Mollywood, et puis par les sujets que le film
décide de traiter. Il est ici question d’un jeune gamin, Mulla, qui fuit seul
l’île où il vit pour essayer de retrouver, à Mumbai, son grand frère Akbar. Une
quête qui va faire écho à celle de son frère, narrée en flashblack, et qui va brasser tout un tas d'espoirs
déçus qui sombreront tous, irréversiblement, dans l’horreur. C’est un film qui touille le
sordide et qui, à mi chemin, s’offre une déviation d’une incroyable
délicatesse, offrant à l’horreur de la réalité une dimension tragique
terrassante. <b>Moothon</b> deale sans pudeur avec la prostitution, la toxicomanie, le
trafic d’enfants, la pauvreté, la criminalité et l’homosexualité, c’est une aventure au pays des
marginalisés et des laissés pour compte, c’est une descente aux enfers </span><span style="line-height: 115%;">d’une tristesse
absolue, souligné par un score magnifique. C'est un film d’un courage admirable, qui brille par ses fulgurances
poétiques, un chef d’œuvre nihiliste, porté par une poignée d’acteurs stupéfiants,
Nivin Pauly en tête, absolument terrifiant lorsqu’il expose une gueule ravagée
par l’héroïne et la tristesse. Encore une claque dans la gueule.<br /><span> </span>« Fun
fact », à l’orphelinat de Mumbai, l’un des gamins parle de sa mère qu’il
présente comme la Reine de </span><span style="line-height: 115%;">Kamathipura
(le quartier des putes à Mumbai), une femme « badass » et qui est une
itération d’une des reines de Mumbai, mis en scène cette année dans <b>Gangubai
Kathiawadi</b> !</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=4H9vLK47IEY" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="354" data-original-width="630" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBuhbaFRoHq5m2xrqN8TXbjQa-io7qv3mNppz0D9IUVSIOJdEQoNbGajZbbW7b2cZiWClK8GKhjlXG15X3jZ8XIq8511SmKPs958qVF6mCyPaZqbunoVfzlrLSCdROKcLkDpMr_S8PqpGskB34m8Rc0m9LMpoUXY-KodBrZcXmnO0Wt1FcwVYVScsm/s320/_98c6f6f0-cd86-11ea-a892-bc0febb83d85.jpeg" width="320" /></a><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><span style="font-size: small;"><span style="line-height: 115%;">La goule pas commode de Nivin Pauly (clic !)</span></span></span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"> <a href="https://www.youtube.com/watch?v=KRKTAYDaHzw" target="_blank">Le trailer<br /></a><br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span>•••</span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span><br /> </span></span></b></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><b><span style="line-height: 115%;"><span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBwWWHzWGbLh53O8BUP5xeKE1N15VAtpGXB4HzA3euwcpZPIbGVUtBeGa_WMfcpOfmUaBcbOt-lTf8fuDBb0QN7cMfLghhh63s0KaaWdPestWxs5A-p76qESjidXQBpopEkEWjsEq4WJxCgAvGjJks-m0TnKh4KKMQgD9uXI6iluZsbkWbjV-FHPFV/s500/Trance-Malayalam-Movie-in-Amazon.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBwWWHzWGbLh53O8BUP5xeKE1N15VAtpGXB4HzA3euwcpZPIbGVUtBeGa_WMfcpOfmUaBcbOt-lTf8fuDBb0QN7cMfLghhh63s0KaaWdPestWxs5A-p76qESjidXQBpopEkEWjsEq4WJxCgAvGjJks-m0TnKh4KKMQgD9uXI6iluZsbkWbjV-FHPFV/w320-h400/Trance-Malayalam-Movie-in-Amazon.jpeg" width="320" /></a></span></span></b></span></div><span style="font-size: small;"><b><span style="line-height: 115%;"><br />2020, Trance
de Anwar Rasheed, malayalam</span></b><span style="line-height: 115%;"><span><br /></span></span></span></div><div style="text-align: justify;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>L’intrigue du film suit Viju Prasad, un type
un peu raté, malmené par la vie, qui va être embauché par une multinationale
mystérieuse afin de jouer le rôle d’un prêcheur évangéliste. Malgré son sujet et sa description édifiante
des shows évangélistes, le film n’est pas pour autant une simple charge contre
la religion, mais se révèle plutôt comme une description désabusée du fanatisme
et de la dépendance aux faux prophètes, comme aux produits stupéfiants. Autour
de ce propos, se dessine une architecture mystique assez déconcertante,
articulée autour de symboles christiques (les noms des personnages par exemple,
ou certains épisodes, évoquant Marie Madeleine ou le sacrifice d’Abraham).
Durant presque trois heures, <b>Trance</b> suit un chemin inattendu, mais aussi
tortueux soit-il, le spectateur est emporté par la réalisation magnifique
d’Anwar Rasheed, qui jongle avec les tics habituels du cinéma de Mollywood
(plans du ciel, filmant le sol à la verticale, courtes focales), et une mise en
forme souvent plus classique, mais toujours efficace. Je ne résiste pas au
plaisir de vous dire que Viju est joué par Fahadh Faasil, toujours aussi bon,
et que l’un des deux mafieux est interprété, avec délice, par l’inénarrable
Chemban Vinod Jose. <a href="https://www.youtube.com/watch?v=uSudz8zb2I8" target="_blank"><br /></a></span></span></div><div><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=uSudz8zb2I8" target="_blank">Le trailer.<br /><br /></a></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span>•••</span></span></b></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> <br /><br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"><span> </span>Pour clôre, pour l'instant, ce petit tour d'horizon de ce que j'ai vu cette année de plus enthousiasmant, je terminerai par deux films un peu à part... </span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNppMnN77gxiCAThY-o0TuIEVnBUMHwSv8JihqIBj9ro6zSQpp5-Eq7N1unHy0CTFBKsbL5TV4uz-bE2jJrGQoOla4yc2DlO917yw9JctPFsh_BTY22NC5_lw_1q-2MQ2hnLzKXgYJ_k-x4pwPjV1q2sxswTX8MvrKHkg85WXmorh33ke3sDlZ340l/s3600/tumbbad_poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3600" data-original-width="2400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNppMnN77gxiCAThY-o0TuIEVnBUMHwSv8JihqIBj9ro6zSQpp5-Eq7N1unHy0CTFBKsbL5TV4uz-bE2jJrGQoOla4yc2DlO917yw9JctPFsh_BTY22NC5_lw_1q-2MQ2hnLzKXgYJ_k-x4pwPjV1q2sxswTX8MvrKHkg85WXmorh33ke3sDlZ340l/w266-h400/tumbbad_poster.jpg" width="266" /></a></span></span></div><p></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2018 Tumbbad
de Rahi Anil Barve, hindi</span></b><span style="line-height: 115%;"><br /><span> </span>Voila un film assez étrange, une histoire de
malédiction et de cupidité, tournant autour d’une vieille sorcière et d’un
démon, se déroulant dans un coin reculé sur la côté ouest du pays, au début du XXème siècle. Clairement,
ce film à la production rocambolesque (un petit tour sur wikipedia vous
apprendra tout de cette histoire s’étalant sur des années, un film qui a été
tourné, puis intégralement retourné par un auteur qui s’est accroché coûte que
coûte à son projet) semble handicapé par un budget pas à la hauteur des ambitions ici déployées. Au final, le
film est inabouti, un peu boiteux, et certains choix se révèlent malheureux comme le design du
démon, sorte Rascar Kapac écarlate en deça d’une direction
artistique globalement très réussie. Tumbbad, cette ferme à l’abandon au cœur de
terres désolées où il ne s’arrête jamais de pleuvoir est un lieu absolument
fascinant, un cadre spectaculaire parfait pour cette fable sur la cupidité.
Dommage, <b>Tumbbad </b>reste une curiosité intéressante, mais inaboutie.<br /><a href="https://www.youtube.com/watch?v=sN75MPxgvX8" target="_blank">Le trailer.<br /></a><br /></span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span>•••<br /><br /></span></span></b></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><span style="line-height: 115%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOHV3K2I7Jr8AQ0eDyLb9kkP5Jw0Sz1fimUZ7r-qmQcSoo8oIGjmjdtcLHyV8nuTD5Ydezp5gcGZaoMYsfCjnK5Oy9MD5CbImALxhP3foi7sEcDECBw4y56Bjk-YRRzl8Mp6jaAJNHzvFOLiPCBTih6HLLZnFi6ab8Ii0BBunVMHuWDMv1KlRyPtBi/s839/ab327b59f9b1e7d8bdd13b45f2d6ae15.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="839" data-original-width="667" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOHV3K2I7Jr8AQ0eDyLb9kkP5Jw0Sz1fimUZ7r-qmQcSoo8oIGjmjdtcLHyV8nuTD5Ydezp5gcGZaoMYsfCjnK5Oy9MD5CbImALxhP3foi7sEcDECBw4y56Bjk-YRRzl8Mp6jaAJNHzvFOLiPCBTih6HLLZnFi6ab8Ii0BBunVMHuWDMv1KlRyPtBi/s320/ab327b59f9b1e7d8bdd13b45f2d6ae15.jpg" width="254" /></a></span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2022 Kantara
de et avec Achyuth Kumar, kannada</span></b><span style="line-height: 115%;"><br /><span> </span>Voila un film déconcertant, se déroulant dans un village où les habitants
braconnent et pillent la forêt, et mettant en scène un héros qui picole et jette ses canettes partout, fume
et parle mal aux filles. Face à eux, des gardes forestiers essayent de faire
respecter la loi qui veille à protéger l'écosystème local. Durant tout le film, ce seront les antagonistes de l'intrigue. Ce qui m'a laissé franchement perplexe. Ceci dit, cette intrigue s'entortille avec une autre, plus importante, liée aux croyances locales. Et c'est là que réside l'intérêt majeur du film, dans cette approche pop de rituels étranges, venant d'une région très reculée. À ce sujet, le film est passionnant, et comme il mêle la religion à la bagarre, il est assez fun à suivre. Un objet particulier, mais très curieux !<br /></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: left;"><span style="font-size: small;"><span style="line-height: 115%;"><a href="https://www.youtube.com/watch?v=MTECjlKUgEE" target="_blank">Le trailer.</a></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-size: small;"><span style="line-height: 115%;"> </span></span><span style="font-size: small;"><b><span style="line-height: 115%;"><span>•••</span></span></b></span></p><span style="font-size: small;"></span><table class="infobox vevent"><tbody><tr><th class="infobox-label" scope="row"><br /></th><td class="infobox-data"><br /></td></tr><tr><th class="infobox-label" scope="row"><br /></th><td class="infobox-data attendee"><br /></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiznJchCz7ng8Cx0XxHUgB4_8I4rGszkINF0CZ7BBleNgtWZC70Gx6aiJqvUvZWG6JbWRWx-0oyW7KWid8IxbDUPcwDHwpEm6ZfxFYc0rxI6BPZFoC3r77NLwTT5lZVzLSiKfboKF_qTnd-YSoaeBV1Qy1vXrZpi99rtUunZjg-ekLsHdwd-okWPuZM/s1200/panchayat.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiznJchCz7ng8Cx0XxHUgB4_8I4rGszkINF0CZ7BBleNgtWZC70Gx6aiJqvUvZWG6JbWRWx-0oyW7KWid8IxbDUPcwDHwpEm6ZfxFYc0rxI6BPZFoC3r77NLwTT5lZVzLSiKfboKF_qTnd-YSoaeBV1Qy1vXrZpi99rtUunZjg-ekLsHdwd-okWPuZM/s320/panchayat.webp" width="320" /> </a></div><div class="separator" style="clear: both; text-align: justify;"><span style="font-size: small;"><b><span style="line-height: 115%;">2020-22 Panchayat. S01 et S02, hindi</span></b></span><br /><span style="font-size: small;"><span> </span>Et parce qu'il n'y a pas que le cinéma, <a href="blog.chabd.com " target="_blank">Chabd</a>
m'a fait découvrir<b> Panchayat</b>, une série comportant pour l'instant 2
saisons et absolument impayable sur un citadin qui se retrouve
fonctionnaire à la campagne... Il va alors rencontrer une gallerie de personnages haut en couleurs, et faire face aux difficultés locales. Bien joué, bien écrit et bien
foutu, voila une série feel good absolument délicieuse !<br /><a href="https://www.youtube.com/watch?v=mojZJ7oeD_g" target="_blank">Le trailer !</a></span></div></div><div style="text-align: justify;"><a href="https://www.youtube.com/watch?v=PR-J1MSbwAo" target="_blank">...et puis qu'est ce qu'ils ont les indiens avec le paracétamol ? </a></div><div style="text-align: justify;"> </div><div style="text-align: justify;"> </div><div style="text-align: justify;"> </div><div style="text-align: justify;"><span> </span>Voila, c'est tout pour le moment, j'ai mis de côté des films comme <b>Marakar the lion of the Arabian Sea</b>, <b>Shamshera</b>, <b>Ponnyan Selvan: I</b>, <b>Beast</b>, <b>The Kashmire Files</b> et quelques autres. Pas forcément des mauvais films, mais clairement des films qui m'ont nettement moins enthousiasmé ! Et j'ai une liste de films à voir qui ne fait que grandir au fur et à mesure que je creuse. N'hésitez donc pas à vous jeter là-dedans et à écouter les conseils de ceux et celles qui suivent ce cinéma depuis des années !<br /><br /><span> Je vais essayer de mettre cette page à jour régulièrement... Parce que des films comme <a href="https://www.youtube.com/watch?v=k-2w_bkY7vs" target="_blank">Muddy</a>, <a href="https://www.youtube.com/watch?v=Ri_4HlFQHU4" target="_blank">Saani Kaayidham,</a> <a href="https://www.youtube.com/watch?v=s_OdRGbpKUA" target="_blank">Thallumaala</a>, <a href="https://www.youtube.com/watch?v=rvs5zD2WgOs" target="_blank">Kala</a> et tant d'autres vont probablement rejoindre cette liste ! Et on ne parle ici que de films sortis ces dernières années !</span><br /></div><div><p style="text-align: left;"></p></div></div>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-4745012792965383872022-10-13T17:07:00.002+02:002022-10-13T17:07:18.335+02:00STREET TRASH - FAN ART !<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVI0HD2OQrdpKzTeIcOAs0uS80Xnx0V6sswgilYmdckxHQmLm20hPSAzoYIN4sbSliJU3BeswBrnoMuNjfnUx26c7TiHlEqzOe9w7aFYL6X1AD50d3zECSDppLu8IkJb-grAnERX91dBpHCSB1eMlHgjTnfOn1U0cu-uJPtcvIl0q8uRJUQGfr_9D3/s2122/STREET%20TRASH%20p.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2122" data-original-width="1500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVI0HD2OQrdpKzTeIcOAs0uS80Xnx0V6sswgilYmdckxHQmLm20hPSAzoYIN4sbSliJU3BeswBrnoMuNjfnUx26c7TiHlEqzOe9w7aFYL6X1AD50d3zECSDppLu8IkJb-grAnERX91dBpHCSB1eMlHgjTnfOn1U0cu-uJPtcvIl0q8uRJUQGfr_9D3/w283-h400/STREET%20TRASH%20p.jpg" width="283" /></a></div><br /><p></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-84081295071489934822022-02-14T21:37:00.002+01:002022-02-24T17:06:36.226+01:00MAD MAX - ULTRAVIOLENCE DANS LE CINÉMA, PARTIE 1<p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><br />Enfin. Après 12 ans de boulot, le livre est là.</div><div class="separator" style="clear: both; text-align: center;"><a href="https://editionsrififi.com/produit/mad-max-ultraviolence-dans-le-cinema-partie-1/">https://editionsrififi.com/produit/mad-max-ultraviolence-dans-le-cinema-partie-1/</a><br /> </div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="2893" data-original-width="2893" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEg3h28FYnC4u7RbLQuewfnsEYFxCxfQAIbnYVYyE6qTKj83bZ_mLN7VRICz8uN3W43miBUGqlZD9-1V3CokdP-QVU7mNKHav6eAJAfmy8tBtn-ozrJgZE_R0-6etQQG_5Pil9vALIoD2wDqaBz7W4zW4BLmgo0tdIh5piVxFRqjsJfWNoQp4ZdLd6aQ=s320" width="320" /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEid47nmMrB2uDyC4DfEP7snUSUVAdsQdzwE489S98iSFIhetyM3p44-BTFh_CoZIN6nRddSnqUKslZwgexu4cKUcbzLZ_V40DVTxBV_LO24A_3Gd-l2PhCpAAA0g1XhwtMEKpIj6_d6noIdYS1UFF2BX0TIdM5XNRZyweX-crztzRFiztieTy_UT5J9=s4397" style="margin-left: 1em; 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text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhPsZsDSikzCEdOFr4u0McBK9GP9JvjiTAkuDKTLU8CcEccHzDSwoOmU-Yk_rZFmTzAwn3H5xp7NiDOpPX_8SqyEurkvEb74tafmfbv6Fou_1f2SN-_gajmr_Hvx2Nsu_cf1z1LrY7GIBszdz62Uu93WD-iknADxSCP34ZjIdKkBFKAxAXlbvU5pkpk=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhPsZsDSikzCEdOFr4u0McBK9GP9JvjiTAkuDKTLU8CcEccHzDSwoOmU-Yk_rZFmTzAwn3H5xp7NiDOpPX_8SqyEurkvEb74tafmfbv6Fou_1f2SN-_gajmr_Hvx2Nsu_cf1z1LrY7GIBszdz62Uu93WD-iknADxSCP34ZjIdKkBFKAxAXlbvU5pkpk=s320" width="320" /></a></div><br /> <p></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com1tag:blogger.com,1999:blog-302250403328245161.post-87132768321826091822022-01-09T15:43:00.002+01:002022-01-09T15:43:50.077+01:00MA MÈRE N'EST PAS MUSICIENNE !<p> C'est ça que tu voulais savoir ?!</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgFM6_fxH3ATYEm4fxSHkViaUN9HWMTbZESZy1U3YyHgC55HetT1bMJz5Q4K_K9CSRfp0S3uFuA8LBD0n85uG-x-lxzhCjgJ2KhrGnRhiayNpKzmh0u6ECaQlTYAlrOa5Rw7KpcQ8-2szCN4gFxjT5mJngtozFoVgPjEVGcy0M0K90wofbsjn9HQ6qg=s1620" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1620" data-original-width="1500" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEgFM6_fxH3ATYEm4fxSHkViaUN9HWMTbZESZy1U3YyHgC55HetT1bMJz5Q4K_K9CSRfp0S3uFuA8LBD0n85uG-x-lxzhCjgJ2KhrGnRhiayNpKzmh0u6ECaQlTYAlrOa5Rw7KpcQ8-2szCN4gFxjT5mJngtozFoVgPjEVGcy0M0K90wofbsjn9HQ6qg=w370-h400" width="370" /></a></div><br /><p>fan art de C'est arrivé près de chez vous.<br /><a href="https://www.redbubble.com/fr/shop/ap/98678011">dispo chez redbubble</a><br /></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-47153425487639292122021-12-23T21:11:00.004+01:002021-12-23T21:12:36.022+01:00JOYEUX ANNIVERSAIRE MAD MAX 2<p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiGahjCtPGeWc28r3T1abAfh2ClS2eS12y5fZHMNkULP9t4YkOqz0grtPEIcVJCJgn4IUN7DIHb3QxSaU2fUpio1vVfd5PdgvoUZhViITkvBVmc4oqEQrxbl9PJKwTJf7N80oMuStM094vjveYnctLyyYL2kPdPF4UmpZqrH1ZG3sMpYPc_W6gfnODt=s2000" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="2000" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEiGahjCtPGeWc28r3T1abAfh2ClS2eS12y5fZHMNkULP9t4YkOqz0grtPEIcVJCJgn4IUN7DIHb3QxSaU2fUpio1vVfd5PdgvoUZhViITkvBVmc4oqEQrxbl9PJKwTJf7N80oMuStM094vjveYnctLyyYL2kPdPF4UmpZqrH1ZG3sMpYPc_W6gfnODt=w400-h400" width="400" /></a></div><p></p><p>Le 24 décembre 1981, MAD MAX 2 sortait sur les écrans australiens. Joyeux anniversaire au film ! Et longue vie au <a href="https://www.facebook.com/MadMaxMuseum">Musée Mad Max 2</a> !<br /> </p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-46144830873478035802021-12-08T13:36:00.001+01:002021-12-08T13:36:17.126+01:00APOCALYPSE NOW - THE HORROR<p> Fan-art consacré au chef d'oeuvre de Francis Ford Coppola !</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj4yRV1xfch1vQTkmQJmPAJGTc69jgEaR8cBBRVso7psCraKwBrlUZgGZGhbcnr79_mrvfwARemK7KMm4imcLHBgTeYKw-ZRk1D1E_IiSfiEr31CmVuDccXDmoorKmTqN0z1jq-eRRPzscLBF465-B-MVjw4vAFiQ5OqsqeVBIzdagzMZT_iqVrhxYE=s2048" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1437" height="400" src="https://blogger.googleusercontent.com/img/a/AVvXsEj4yRV1xfch1vQTkmQJmPAJGTc69jgEaR8cBBRVso7psCraKwBrlUZgGZGhbcnr79_mrvfwARemK7KMm4imcLHBgTeYKw-ZRk1D1E_IiSfiEr31CmVuDccXDmoorKmTqN0z1jq-eRRPzscLBF465-B-MVjw4vAFiQ5OqsqeVBIzdagzMZT_iqVrhxYE=w281-h400" width="281" /></a></div><br /><p><br /></p><p style="text-align: center;"><a href="http://www.seriz.fr/shop/" target="_blank">Affiche à retrouver dans le shop</a><br /></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-74441864000163901982021-12-07T11:54:00.004+01:002021-12-07T11:56:31.049+01:00PETER WEIR & THE LAST WAVE<p></p><div class="separator" style="clear: both; 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<p class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> </span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> <br /></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">"<i>It doesn't take any imagination at all to feel awed</i>"</span></p>
<p class="MsoNormal" style="line-height: normal; text-align: center;"><span style="font-size: large;"><b><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR; mso-font-kerning: 18.0pt;">PETER WEIR</span></b></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: center;"><b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Interviewed by Judith M. Kass</span></b></p><p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> </span></b></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Peter Weir was interviewed by
Judith M. Kass in New York City on January 8, 1979, in connection with the U.S.
opening of his new film</span></i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> The Last Wave.</span></b></p><b>
</b><p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> The Last Wave <i>concerns
a lawyer, played by Richard Chamberlain, who defends five aborigines accused of
killing a sixth in Sydney, Australia. Through them Chamberlain comes in contact
with what the aborigines call "dream time" and his own involvement
with their myths.</i></span></b></p>
<div class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Richard Chamberlain is
principally known in this country as the star of the TV series</span></i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Dr. Kildare.<i> What is not so widely known is
that after becoming a star he left the U.S. to learn how to act. Why did you
choose him for</i> The Last Wave?</span></b>
</div><p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> I thought he'd always
been poorly photographed in white light. When I think back to <i>Kildare</i> I
think of those hot lights and I thought he'd never been photographed at night.
I don't mean that literally, but there was something in his face, there was
some alien quality, and in my story my character had that quality. I had one
actor in Australia I'd thought of using, but he was unavailable. Also, we
couldn't raise all the money in Australia and Chamberlain's name occurred to
somebody and I remembered that face, those eyes in particular.<br /><br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Gulpilil, the young aboriginal
star, is familiar to American audiences as the star of Nicolas Roeg's </span></i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Walkabout.<i> How did you come to use him?</i></span></b></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> It's very difficult to
tell you about Gulipilil. I know very little about the man. He's enigmatic;
he's an actor, a dancer, a musician. He's a tribal man, initiated in the tribal
ways, found by Roeg at a very early age and put into an international movie.
Roeg took him on publicity trips to Europe and the States. He has a foot in
both cultures. It's an enormous strain on the man. In movies sometimes you can
draw on that. And my film is very much about... In his instance in the story,
as one of the men accused of manslaughter, he is torn between two cultures. I
didn't get the performance out of him, the situation did. The man is torn, and
he has broken his tribal law by moving to the city, by marrying a black girl
who is not tribal. He goes home, they still accept him in his tribal area, but
he's under enormous tension. It's impossible to know what tension he's under.</span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> He speaks English well
and I talked with him. You can have a conversation about anything, music, and
then suddenly, he'll have a moment, as I experienced. It was one of the things
that got me on to the movie. He'll say something in English that makes no
sense. This is one of the things that drew me to write a part for him. I'd
never written a part for a person. It's dangerous: you might not be able to get
the person. I'd used him in a TV episode in a very straightforward part. He was
being persecuted by a white overseer in a historical series, and we were
chatting in a bar one night after work and he said some things about his family
and then suddenly he said some English sentence. It was something like
"You see my father and I and that's why because the moon isn't." And
I said, "What's that mean - your father and I and the moon isn't?"
And he repeated it. I said, "David, I don't understand." And he said
it again. This was <i>ridiculous</i> - we'd <i>been</i> talking. I said
"What are you talking about?" So he rearranged the sentence. It still
made no sense. Well, I had to leave it, otherwise we couldn't continue the
conversation. And I thought about it that night and the next morning and
suddenly I realized what it was. That he was talking about another perception.
He was talking about an experience for which there are no words. He'd seen
something in another way. That was a breakthrough for me, firstly in my writing
of the screenplay, and secondly in my future conversations with him, because then
I would look out for these moments or I would provoke them.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">What does it mean to be a
tribal aborigine in Australia today?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> The problems are with
the youth. We've got the sophisticated technology and so forth - the
transistors, music, the draw of the cities. So the problem for tribal people is
how to bring their young people back into their culture, how to get them to be
interested in initiation ceremonies, how to stop them drifting to the cities.
It's a case of how long they can continue to be a tribal people in a
sophisticated Western country.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">How did you find Nanjiwarra
Amagula, who plays Charlie, and who is actually the leader of the aboriginal
tribe?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> He's actually a clan
leader. He'd never made a film, nor will he make one again. Not because of my
experience, but because he saw this as a one-time thing. He would do it for
certain reasons. To get him I had to go to, in Sydney, the Aboriginal Cultural
Foundation director, a man called Lance Bennett, who subsequently became a
friend. He was highly suspicious of a feature filmmaker delving into tribal
cultural matters. It's all very well to photograph a tribal man with spears
against Ayres Rock, but another to delve into the system of perception, which I
wanted to. So he screened me, he read my draft screenplay, and finally he
passed me and he said, "OK. I'll help you." He said, "There's
only one man who can play your Charlie, one man who has enough wisdom, enough
breadth, enough understanding, not just to come into the city but to make a
feature film. It's obviously a sophisticated Western process." He said,
"I'll tell him about this on the radio-telephone on his island in the Gulf
of Carpentaria - Groote Island. He may or may not see you." He did see me
and we sat all day at Fanny Bay in Darwin, where he was rehearsing some
dancers.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Rehearsing dancers - what does
he do?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> As a tribal elder he's a
magistrate; he sits with a visiting European magistrate to try petty crime,
which is what they cope with there - theft, drunkenness, etc. He speaks the
language with the accused and he advises the European magistrate on sentencing.
He officiates at tribal ceremonies, which are considerable. For instance,
during filming he had to hurry home at one point to bury a child who couldn't
be buried until he was present. He's a member of the Northern Lands Council,
which is coping with the uranium question. He's a very important, busy man. So
a film is something that could have appeared frivolous.<br />
<br /> Our meeting, then. You know,
they had no concept of acting. They don't have acting. It's the real thing. I
sat with him on the beach and my first instinct was to tell him all about it.
And I started to, and stopped because I could sense that it was the wrong thing
to do and that he only wanted to do it has way. So we sat all day without
saying a word. At the end of the day he said, "Can I bring my wife with me
to make this film?" So he'd made this decision throughout that day in his
own way, but it certainly wasn't this idiotic language that we use. He sensed
that it was right to do and that I was right to do it, I think. We then met
that evening with Lance Bennett, who remained the go-between and who could
speak his language. We discussed the concepts of the film and he asked me to
place certain points within the film.<br /><br /></span></p><p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Did you have to treat the
aboriginal actors differently in any way from the non-aboriginal actors? What
did it involve?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span>
</p><p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Absolutely. It varied.
With Gulpilil I had to be very careful of his ability to mimic a direction. He
had considerable experience, far more than the others, and I could say to
him... For example, the scene where he came to dinner with the old man,
Charlie, and he walks up to the door and says, "Hi. This is Charlie."
Something simple. We rehearsed it and it was flat. I said, "David, what's
the matter, you're not firing. What's wrong?" he said, "What do you
mean? What do you want me to do? I'm saying `Hi. This is Charlie.'" We had
to act it out in pantomime and destroy the language. I said, "This is a
king you're bringing, a man of great power. You're bringing Nanjiwarra to the
door. And when you say `Hi, this is Charlie', you don't just mean that."
And I walked through it and we acted it out and we touched each other. A great
amount of touching, pushing, prodding, through other means of communication
like that. And he suddenly said, "Oh! I see, I see!" `Hi. This is
Charlie.' Let's do the take." Straightaway. And he just said the same
line, the same movements, full of life. Language is secondary as communication.<br />
</span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Did they influence the script
and did you want them to?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> I don't know if I wanted
them to. I guess you could say yes. I didn't say to them "Please I've only
got an outline. Help me." I wanted to approach them as equals, which is
difficult to do with the white man's burden and given the sad history of
contact with these people. But I had to approach them and I used many ways.
That was just one of them.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">How did you decide on the subject
matter?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> It just arose. A series
of connecting things, moments, that conversation with Gulpilil that I couldn't
understand. Something that happened before that. I'd had a premonition. I'd
never had anything like that in my life. I don't consider myself psychic. I was
on holiday in Tunisia; I'd come down from London. I'd always loved Roman or
Greek ruins - not the way they used to be, I just liked the way they'd fallen
down; but I kind of liked classical structure. We were driving to Duga, this
inland city in Tunisia, Roman city, looks like Pompeii, and we stopped the car
to exercise a little and everyone was picking up bits of marble by the roadside
in the fields. The driver hit the horn and we were heading back to the car and
I had this feeling which lasted some seconds, that I was going to find
something. I was picking up bits of stone and I saw on a stone these three
parallel lines and I picked that stone up. In fact it was a hand, a fist, and
the lines were between fingers. It resisted a little bit, then burst up through
the ploughed field and there was this head, the head of a child, broken off at
the neck and at the wrist. It had been holding something on its head, or a
sword or something. The nose was gone, the lips and so on, but I can't tell you
what that was like. I smuggled it out and took it home and had it dated and put
it on my desk. I wondered about the head; why did I know I was going to find
it? Subsequently I told people about it, and they'd say, "Oh, that happens
to you - it's you." And I thought, What if a lawyer had found it - that's
more interesting. And at some stage from that I thought, What if a lawyer
dreamt of some evidence, what if he found some evidence through a premonition?
Someone trained to think precisely on one hand; on the other, the facts,
dreaming, dream some evidence. I told Gulpilil about this and we discussed
things and gradually the forces began to come together. I did a lot of reading
during that period - Casteneda and the Old Testament, strangely different influences.
Thor Heyerdahl's theories, Velikovsky - and somehow these clues began to form a
pattern. There was a new way to look at tribal people.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Is there really an ancient
aboriginal cave under the city? Is that a real location in Sydney?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> No, my location was up
the coast about 15 miles. But there are rivers under Sydney; there are things
buried under Sydney.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Are the aboriginal legends in
the film authentic?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Everything passed
through the hands of the tribal aborigines we used. The Sydney people are dead
- white contact destroyed them. Around the city they've left signs and symbols,
some paintings, carvings in national parks; they're now protected. Nobody knows
what they mean unless there's obvious hunting in the picture. We took the
Groote Island people to look at them. And Nanji just said "Poor
fellows." So therefore, we created a fictional situation. The only thing
was, Nanji insisted that there are still the Sydney people there, but they're
spirits and their spirits exist at sacred sites and protect sacred sites, so if
there's a sacred site under Sydney he said, "This is true, your script is
true. The spirits will be there, therefore I cannot be human." That was
one change because in my story Charlie was human, initially. He pointed out
that that was impossible. But he could be a spirit that took on human form;
this is quite possible.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">In </span></i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">The Last Wave<i> a white man seeks spiritual
assistance from a black. Was it your intention to show that whites can learn
from blacks if they take the trouble?</i></span></b></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> I don't think so. You
can't come in contact with them. I paid a million dollars to spend six weeks
with them, when it gets down to it. Who could do that? They're in the North, a
long way away. There are a few books, but I haven't been lucky enough to find
anything interesting. They're either academic on the one hand or quasi-poetic
on the other, and I didn't set out to preach in the film. But something to
think about, something I think about a lot, is the fact that I, with a
basically Scottish-Irish-English background, have lost my past. I have no past.
I'm nobody. I ask my parents who these people are in the photograph album and
they can't remember. Nobody knows. I have no culture. I'm a European who lives
in Australia. I'm an Australian in a sense, but I've lost something. And that's
what I made a film about.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Part of the film seems to be
about the white man's guilt over the destruction of the aboriginal culture.</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">It's part of the story but by
no means the most significant. The loss of dream time on our side is much more
interesting.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">What do the aborigines mean by
dream time?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> It's a system of
perception. I first learned about it as if it were some kind of mythology. Like
Grimm's fairy tales: a collection of aboriginal dream time legends: how the rivers
were formed, where the sun came from. In fact, I didn't like anything I read.
They always seemed cute in English, or coy. "The great great bull was in
the sky and he hit the wombat on the head and that's how the sun came." I
just didn't like it. It was only when I talked to tribal people, not only about
that but about other things, that an idea of dream time, as a way of
perceiving, as another perception, started to come to me. The dream time wasn't
something in the past, but was a continuing thing. It is, in fact, another
time, and people of great power can step into it and step back into our time.
Now, how or what that means, I only touched on.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">The film is also about natural
phenomena gone awry. A rain of frogs or rain coming through a car radio. Why
did you do that?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> I suppose I've been
shaving some mornings and I've watched water coming out of the tap and I've
thought, It seems to be under control. What if I couldn't turn it off, and no
plumber could? We think we have nature under control. Disasters always happen
in Third World countries; in my part of the world we're OK because we've
organized things. We wouldn't <i>permit</i> a cyclone to hit the city. It seems
to me we've lost touch with the fear of nature. More than the respect for it,
because there are too many poems written about the respect for nature. To be
absolutely dead scared. Tonight, when we leave this building and there's a
special kind of wind blowing. If that wind is howling with a voice like the
voice of a person, a four-year-old child might say to us, "The wind's
talking to us," and we'll say ,"No it isn't, don't be silly. It's
just howling around those wires." Organize his imagination, everything's
under control. It's just part of something we've lost touch with, another way
of seeing the world. It was part of a balance of things, a balance within us,
and we've eliminated it since the Industrial Revolution and it's forcing its
way back. People makes movies about it, write books about it. Often they're
junk. Children are born with it, with this balance. We teach it out, but it'll
find its way back with some of us.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">What is the significance of
the wave itself?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> It's a common dream
amongst peoples throughout all time. The water rising up, the last high tide.
It's mentioned in the Bible, which is a type of journalism. It's happened
before; people have chosen to forget it. It's the Velikovsky collective
amnesia, which is used to forget certain catastrophes.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">It seems that in your film
primeval forces are gaining control over a part of the world that was
previously considered civilized.</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> We, 40,000,000 of us,
live hard along the coasts. We're mostly in the cities on the edge of this vast
continent. It's just there to be seen if you live there. It affects you even if
you're not conscious of it - that great emptiness. You can travel and see
nature as it was before the history of man, and you can be days driving from a
hamburger joint or something. It doesn't take any imagination at all to feel
awed.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">You've been quoted as saying,
"It takes the littlest thing to reveal the chaos underneath." What is
there under Richard Chamberlain's suburban life? It seems happy and tranquil.</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Things not thought
through, things suppressed. The natural forces that have been cemented over and
the bloodstains of the corpse are seeping through for some people. It's there
and we just don't choose to see it.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Richard Chamberlain learns of
a previous civilization that was destroyed by a great wave. He was part of that
civilization. Are we meant to believe that he was an aborigine in a previous
life, or that he is psychically in tune with the aborigines and that's why he's
chosen to be their lawyer?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Here we have two men:
one white, one black; one tribal aboriginal, one highly sophisticated Western
civilized man. Both fine men. One of them has material wealth; one has
spiritual wealth. I wanted my lawyer, with his material wealth, with his
humanitarian principles, to, firstly, glimpse with his mind that there was
another lost dream, or spiritual life, and then to touch it. I thought, How can
he touch it? I'll have him go back down, go back down - that's what I kept
saying in my mind. How can he go back down? I thought, Go back down underneath
the city, down through the sewer, through the filth, down to the dirt, down to
his own lost spiritual life - treated with some logic, some realistic elements.
It's not a fantasy. I wanted to represent it that way. So he goes back down,
and there, within the ground below - we've mentioned in the film that his background
is South American, he came from South America as a child - and there he touches
his own lost spiritual life, his own dreaming. In a sense he's given a gift by
the aborigines. There are symbols and signs from some other life, or South
American history - who knows what? He can't cope with it. He can't handle that
kind of knowledge. I don't think he could.<br />
</span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">Picnic at Hanging Rock, <i>your
previous film, is about the mysterious - and historically real - disappearance
of three girls and a teacher during a school picnic in 1900. While not overly
occult, it is mysterious: two of the girls and the teacher are never found, all
the watches stop at noon, and so forth. What is the significance of the red
cloud that Edith says she saw?</i></span></b></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> Something that was
always a pattern of geological disturbances. A lot of things were written
about, or collected by Charles Ford, who wrote a book about phenomena around
the world from the last century and early in this century. Red clouds were
consistently represented in reports from Peru and elsewhere, coinciding with
other mysterious happenings, showers of stones, etc. For me, this unsolved
mystery... Nor is the story necessarily true. This is one of the most
intriguing things. The author of the book [Joan Lindsay] from which the film is
taken says it may be true. Strange thing to say. She wrote the book in her
sixties. She's no publicist; she's a very shy, aristocratic, interesting woman.
When I met her the agent warned me not to ask the truth of the matter - which I
did immediately. She said, "Never ask me again." When the film was
released and there was massive press contact with her, she asked, "Should
I tell them?" I said, "Keep your secret. It's not the point."
People disappear all the time. There are no newspaper records, but that doesn't
mean it isn't true. For me, it was partly to do with natural phenomena.<br />
<br /></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">In </span></i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">The Last Wave <i>and</i> Picnic at Hanging Rock <i>you're
concerned with the occult and the mysterious. Is your first feature, </i>The
Cars That Ate Paris,<i> similarly concerned with the occult and the mysterious?</i></span></b></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> I don't think those
things are occult and mysterious - I think they're natural. When people ask me
why I always make films about the occult, I say... I don't mean to be clever
about it but - maybe it makes me eccentric - I think these things <i>were</i>
natural. Maybe they're not now, but we've only chosen to see the world in a
certain way; it's by common agreement these things are so. It's why we laugh at
foreign tribes who paint their noses red or something. They laugh at us because
we wear sunglasses. It's what we all agree upon. It seems a reasonable thing to
say we've agreed on the world, but it also therefore seems reasonable to say
that it's not necessarily that way.</span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> As for <i>The Cars That
Ate Paris</i>, it was retitled <i>The Cars That Ate People</i> in the States,
and for anyone in the Carolinas who was unfortunate enough to see this recut
version of the film, well, it was a grotesque monster of a film. It was an
allegory using the B picture form - hence the title, which was like <i>The
Monster That Ate New York,</i> or whatever. It was about a bunch of kids who
had cars. They were living in a town [in Australia, not France] that lived off
motorcar accidents: they trapped cars by night. Eventually the young
Frankensteins rose up and decorated their cars one night with mouths and
sharks' teeth, and they attacked the town. But the allegorical element was
eliminated the way the U.S. distributor cut it, and the picture came out as
senseless violence. It was a horrible film.<br /> </span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><b><i><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;">What would you like your
audiences to know about your films?</span></i></b><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"></span></p>
<p class="MsoNormal" style="line-height: normal; text-align: justify;"><span lang="EN-US" style="font-size: 10pt; mso-ansi-language: EN-US; mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: FR;"> I remember a quote of
Bruce Springsteen's in <i>Rolling Stone</i>. He said, "I like to give my
audiences something money can't buy." So I'd like them to walk out with
much more than the $4.00 or whatever it cost.</span></p> <br /></div><p></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-23759621055033872021-10-18T22:15:00.000+02:002021-10-18T22:15:04.795+02:00MAD MAX - LE LIVRE ARRIVE<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi1P9m2hY6qQ-2HEhhUpnCDsIXfc_jwX7pgwEZ8m2K4XTgZKfGnBG2RYpQkrTiyoyEf7pE_Rv5Br_qKUiHtOTz20fm18Q0EpZd8ltW0MJiiP_ltBsg3gDCGWnPf4Wb_tpHoZU4BpQ4YenDuiwKne3KGlsMvNdClyi8lRXc8J7DoQWOeAe1egbM6bDOf=s1068" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1068" data-original-width="1068" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEi1P9m2hY6qQ-2HEhhUpnCDsIXfc_jwX7pgwEZ8m2K4XTgZKfGnBG2RYpQkrTiyoyEf7pE_Rv5Br_qKUiHtOTz20fm18Q0EpZd8ltW0MJiiP_ltBsg3gDCGWnPf4Wb_tpHoZU4BpQ4YenDuiwKne3KGlsMvNdClyi8lRXc8J7DoQWOeAe1egbM6bDOf=s320" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v b1v8xokw oo9gr5id hzawbc8m" dir="auto"><div class="kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql ii04i59q"><div dir="auto" style="text-align: start;"> </div><div style="text-align: center;">Ça y est ! La campagne ulule pour notre </div><div style="text-align: center;">MAD MAX - ULTRAVIOLENCE DANS LE CINÉMA, PARTIE 1... </div><div style="text-align: center;">est lancée !!!</div></div></span><div style="text-align: center;"><br /></div><br /><a href="https://fr.ulule.com/mad-max-ultraviolence-dans-le-cinema-partie-1/">https://fr.ulule.com/mad-max-ultraviolence-dans-le-cinema-partie-1/</a><br /></div><br /><div><p></p></div>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-41488162025402479532021-07-09T11:38:00.000+02:002021-07-09T11:38:06.291+02:00MAD MAX - ULTRAVIOLENCE IN THE CINEMA PART 1<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT7Ip_xooqVf4jvPOVelm65yZSuhEt2FGZ-v3BYioLfuiP9VdGQMidworhWtfoCGVcc1pAjfK4rjhJHNLogDgbyzWhMCfewopYZm50eRLusMn34JozVFc7SjJQyrm3kHPgYRwVHrzA05w/s1827/213714000_5795980267143430_68114610737294086_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1827" data-original-width="1500" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT7Ip_xooqVf4jvPOVelm65yZSuhEt2FGZ-v3BYioLfuiP9VdGQMidworhWtfoCGVcc1pAjfK4rjhJHNLogDgbyzWhMCfewopYZm50eRLusMn34JozVFc7SjJQyrm3kHPgYRwVHrzA05w/w329-h400/213714000_5795980267143430_68114610737294086_n.jpg" width="329" /></a></div><br /> <p></p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql lr9zc1uh a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id" dir="auto">Voila,
on est vraiment heureux de pouvoir enfin vous annoncer officiellement
l'arrivée du livre, le lancement d'un crowdfunding courant septembre et
la sortie dans la foulée, en octobre.<br />Alors, parce que les choses ont
légèrement dérapé durant ces dernières années, et c'est un doux
euphémisme, le projet a un peu évolué. L'idée d'un gros livre revenant
sur la première saga Mad Max et sur l'histoire de ses auteurs a dû être
divisée en trois gros tomes, provoquant entre autre un changement
d'éditeur ainsi qu'un retard certain ! Et puis l'idée de faire trois
livres modestes plutôt qu'un seul livre énorme a finalement laissé place
à trois gros livres !<br />Ce premier volume va donc couvrir la période
allant des années 60 au tout début des années 80, lorsque le premier
film a déferlé sur les écrans du monde entier. Il traite de la jeunesse
de George Miller et de Byron Kennedy ainsi que du bouillonnement
culturel dans lequel le premier Mad Max a été bricolé. On le sait tous,
le film sera l'un des plus beaux fruits de la Nouvelle Vague
australienne mais c'est également celui va annoncer la mutation profonde
que l'industrie va connaitre dans les années 80. Une épopée qui sera
détaillée dans les deux tomes suivants. <br /><br />A ce sujet, le volume 2,
qui va arriver l'année prochaine, est pratiquement achevé. Il
détaillera tout naturellement la production de la célèbrissime première
suite. Le troisième tome, qui arrivera juste après, sera probablement le
plus ambitieux. Il reviendra sur la création du studio Kennedy Miller,
sur leurs ambitions, leurs réussites et leurs échecs. Ce dernier tome
s'achèvera dans les années 90, lorsque se fermeront les portes d'une
époque si particulière et que sera abandonnée l'idée d'une série TV
prolongeant le troisième Mad Max, au profit d'un nouveau film, puis
d'une nouvelle saga, et donc d'une nouvelle histoire. Une histoire dont
seul le premier tiers nous a été pour l'instant dévoilé.<br /><br />En
attendant, le premier tome est donc consacré à l'histoire de cette
petite production locale, hantée par les obsessions d'un pays en pleine
recherche identitaire, qui finira par devenir le rêve collectif de toute
une génération. <br /><br />A suivre donc chez Rififi. Pendant les vacances, et surtout à la rentrée, plein d'infos, d'extraits et d'aperçus ! </span><br /></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com1tag:blogger.com,1999:blog-302250403328245161.post-21654965724126348322021-05-13T12:52:00.003+02:002021-05-13T13:02:38.232+02:00INGLORIOUS BATARD - LA CAMPAGNE ULULE EST LANCÉE<p style="text-align: center;"><br /><a href="https://fr.ulule.com/inglorious-batard/">https://fr.ulule.com/inglorious-batard/</a></p><p style="text-align: center;"> <br /></p><p style="text-align: center;"></p><p style="text-align: center;"><img alt="REGIA OPERATORE enzo G. MANCORI ETTORE ENZO BATARD 740" data-image-id="1842933" height="400" src="https://d2homsd77vx6d2.cloudfront.net/cache/a/c/ac4b7446c2c4eefe124183cdace851b3.jpg" width="283" /></p>
<p>Nous sommes heureux de vous proposer <b>Inglorious Bâtard</b> l’autobiographie du maitre du cinéma d’action italien <b>Enzo G. Castellari</b>.</p>
<p>Initialement sorti en Italie en 2016 chez nos amis de <b>Bloodbuster </b>(Milan, Italie) sous le titre <b>Il bianco spara</b>
notre traduction sera publiée au format 17 x 24 cm, (plus de 420 pages
de texte et photos N&B, et 20 pages couleurs) et illustré par de
nombreuses photos et de reproduction de matériel d’exploitation. Cette
version Française a été autorisée par le maestro en personne qui nous a
fourni un nombre conséquent de documents issus de ses archives
personnelles. L'ouvrage est préfacé par l'acteur fétiche et ami de
l'auteur : <b>Franco Nero</b>.</p>
<p>Né à Rome en 1938, Enzo Girolami baigne dans le cinéma dès son
enfance. Comme il le dit lui-même, « mon premier contact avec une caméra
survint juste après le biberon ». Fils du réalisateur Marino Girolami
et neveu de Romolo Guerrieri, il fréquente avec son frère Enio (qui
deviendra un acteur célèbre) les plateaux de tournage dès l’âge de 10
ans. Rapidement, Il connaît toutes les coulisses de Cinecittà et devient
monteur, puis assistant-réalisateur pour une quinzaine de films, avant
de tourner son premier long métrage en 1967 : <b>7 Winchester pour un massacre</b>,
un western signé sous le pseudonyme E.G. Rowland. C’est le début d’une
carrière riche d’une quarantaine de réalisations dont beaucoup sont
devenues cultes…</p>
<p><img data-image-id="1833995" src="https://d2homsd77vx6d2.cloudfront.net/cache/f/3/f3d1eb05b5efe1b55fa84454825cd8db.jpg" /></p>
<p>Il peaufine son style et construit sa personnalité à travers le
western (que les critiques aigries de l’époque cataloguèrent comme
"westerns spaghetti", tirant à boulets rouges sur l’exploitation
transalpine d’un style intrinsèquement américain, avant de lui vouer un
culte grâce notamment aux films d’Enzo et des trois Sergio : Leone,
Sollima et Corbucci). Toujours en 1967, il signe <b>Je vais, je tire et je reviens</b>
avec le nom qui restera le sien : Enzo G. Castellari. Le G. pour
Girolami et Castellari comme le nom de famille maternel. Ainsi, tout en
se créant une identité personnelle il maintient un lien très fort avec
ses racines familiale dont il est si fier.</p>
<p>En 1968 il enchaine les westerns pops et baroques (<b>Django porte sa croix</b> sur un scénario de Sergio Corbucci ; <b>Aujourd’hui ma peau, demain la tienne</b> ; <b>Tuez-les tous… et revenez seul !</b>). L'année suivante il réalise un grand film de guerre : <b>Sur ordres du Führer</b> (<b>La Battaglia d’Inghilterra</b> en version italienne, le titre <b>La Bataille d’Angleterre</b> ayant été déjà pris en France pour le film de Guy Hamilton).</p>
<p><img data-image-id="1833996" src="https://d2homsd77vx6d2.cloudfront.net/cache/b/3/b3a30d2e773ac17ae19b4d4cccf2e3f5.jpg" /></p>
<p>Les années 70 changent la donne, l’époque n’est plus à l’enthousiasme
hippie, le pays sombre dans la violence politique et redoute la guerre
civile. Le poliziesco, polar urbain, violent et désabusé, reflets de
l’Italie des années de plomb, voit le jour. C’est l’occasion pour Enzo
de nous livrer une série de pépites comme <b>Le témoin à abattre</b> en 1973 avec Franco Nero pimenté par les courses poursuite de Rémy Julienne, puis <b>Un Citoyen se rebelle</b> en 1974 (toujours avec F. Nero) et, en 1976, <b>The Big racket</b>, cette fois avec Fabio Testi.</p>
<p>Contre toute attente, puisque la mode est passée, il retourne au western en 1976 avec le crépusculaire <b>Keoma,</b> interprété par son ami franco Nero. Un film encore dans le top 10 des meilleurs westerns de tous les temps.</p>
<p>En 1978, retour au film de guerre avec le cultissime <b>Une poignée de salopards</b>, puis viennent les films de sharksploitation (<b>Les chasseurs de monstres</b>, <b>La mort au large</b>) et les contes post-apocalyptiques des années 80 (<b>Les Guerriers du Bronx</b>, <b>Les Nouveaux barbares</b>, <b>Les Guerriers du Bronx 2</b>).</p>
<p><img data-image-id="1833997" src="https://d2homsd77vx6d2.cloudfront.net/cache/9/4/9462a01979f1f6132b4ea94c930e8547.jpg" /></p>
<p>Dans ce livre, Enzo nous invite à découvrir les coulisses de 70 ans
de carrière, où il a fréquenté les plus grand du cinéma et inspiré les
nouvelles générations de réalisateurs, à commencer par Quentin Tarantino
qui lui a rendu hommage avec son remake d'<b>Inglorious Basterds</b> (<b>Une poignée de salopards</b>).
Riche en anecdotes, cet écrit nous permet de croiser tous ceux qui ont
fait le cinéma d’exploitation de l’Italie du boom économique, mais aussi
le cinéma américain auquel il voue un véritable culte. Castellari
n’aura de cesse de choisir des acteurs à Hollywood et de tourner ses
films aux U.S.A. fréquentant ainsi la crème du septième art. cet
ouvrage, enfin, nous permet surtout de découvrir un homme au caractère
bien trempé dont la réputation n’est plus à faire, un type qui ne mâche
pas ses mots, et surtout un bon vivant plein de gentillesse qui partages
ses passions (pour le cinéma et la boxe entre autre) avec enthousiasme.
Cet ouvrage donne enfin à Enzo G. Castellari la place qu’il mérite dans
la culture cinématographique qui nous est chère... Il était temps !</p>
<p><img alt="POUR UNE POIGNEE DE - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - the - - - - - - - an - - - - 4 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Le - - - - 4 - - - - - - - - - - - - - - - - - -" data-image-id="1842202" src="https://d2homsd77vx6d2.cloudfront.net/cache/a/b/ab539e326443531e84e0ab813ecae67e.jpg" /></p>
<p><img data-image-id="1842203" src="https://d2homsd77vx6d2.cloudfront.net/cache/0/5/05528dd1be3c9c4575946cbacdc7de27.jpg" /></p>
<p><img data-image-id="1842204" src="https://d2homsd77vx6d2.cloudfront.net/cache/9/d/9da478032a666ef2f25121289d427117.jpg" /></p>
<p>ATTENTION ! La mise en page est succeptible de changer en fonction
des illustrations que nous pourrons recevoir et des aléas de la metéo
;-)</p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-71072895175917717542021-05-07T17:49:00.005+02:002021-05-07T17:49:37.187+02:00INGLORIOUS BATARD... BIENTOT !<p> </p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="397" src="https://www.youtube.com/embed/vdzrbQk_lLI" width="478" youtube-src-id="vdzrbQk_lLI"></iframe></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-43843138419854451872021-03-22T16:23:00.000+01:002021-03-22T16:23:01.590+01:00INGLORIOUS BATARD - ENZO CASTELLARI - LE POSTER.<p> </p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOgMStZXTW48gmec509VvYDphPA8BXGqdGJ_DSnlfAlYNqb2fXPsF0XQvDkA7uxiCnghoLYkcYz8Da3btam2SMLjlm1qXEUB-RM9oO-m2F9KEKIOpKiwF-UPvWGHOOtwMvuuQt5YloN2k/s1540/ENZO+CASTELLARI+INGLORIOUS+BATARD+version+internet.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1540" data-original-width="1100" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOgMStZXTW48gmec509VvYDphPA8BXGqdGJ_DSnlfAlYNqb2fXPsF0XQvDkA7uxiCnghoLYkcYz8Da3btam2SMLjlm1qXEUB-RM9oO-m2F9KEKIOpKiwF-UPvWGHOOtwMvuuQt5YloN2k/w286-h400/ENZO+CASTELLARI+INGLORIOUS+BATARD+version+internet.jpg" width="286" /></a></div><p></p><p><a href="https://www.facebook.com/editionsrififi" target="_blank">Coming soon, retrouvez les informations chez Rififi.</a><br /></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-75611278281612094402021-03-19T17:05:00.004+01:002021-03-19T17:05:34.166+01:00MELVIN ZED - THE SHOP!<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSebm5T_9EYV4EhoT-kUJOiGckYBqmJjRrsy-rE_PgXVnJ_MaDCVmUT7kJ0s1V3bxUvwI8OhyfGTkse2UtI2k6824huXem2_in-I0RY0clWGquWPqkOn-rHfymgXIxRBtZ6s5Vi0ubWkI/s397/IMG_1368-300x397.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="397" data-original-width="300" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSebm5T_9EYV4EhoT-kUJOiGckYBqmJjRrsy-rE_PgXVnJ_MaDCVmUT7kJ0s1V3bxUvwI8OhyfGTkse2UtI2k6824huXem2_in-I0RY0clWGquWPqkOn-rHfymgXIxRBtZ6s5Vi0ubWkI/s320/IMG_1368-300x397.jpg" /></a></div><p></p><p>The shop is open - La boutique est ouverte ! <br /><br /><a href="http://www.seriz.fr/shop/" target="_blank">http://www.seriz.fr/shop/</a><br /></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-3182083907897096622020-12-29T12:51:00.005+01:002021-12-11T16:59:52.691+01:00MAD MAX IV THE GOLGOTHA<div><p> </p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id" dir="auto">Dans le Mad Movies 54, publié en juillet 1988, Marc Toullec écrivait,</span> <br /></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij2c0UXXqxJYLpeoaZVHpq7NA2R8UErG8tU8oikAlvv65AZxK00X_ZfEAGH8AKzlVpVrp2uVS9xRhpz0UB6VTT7o0QWvHZAJYLajlKCn0piSqw4PuXut9hTKNkiym2uBKFK4QvkIDPBrw/s257/fa94321a518103dec3dffe95c0a96c8e.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="164" data-original-width="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij2c0UXXqxJYLpeoaZVHpq7NA2R8UErG8tU8oikAlvv65AZxK00X_ZfEAGH8AKzlVpVrp2uVS9xRhpz0UB6VTT7o0QWvHZAJYLajlKCn0piSqw4PuXut9hTKNkiym2uBKFK4QvkIDPBrw/s0/fa94321a518103dec3dffe95c0a96c8e.png" /></a></div><p></p><p></p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id" dir="auto"><br />Voici donc un petit fan-art pour rendre hommage à cette vision qui, j'en suis sûr, a hanté une génération de lecteurs.</span></p><p><span class="d2edcug0 hpfvmrgz qv66sw1b c1et5uql rrkovp55 a8c37x1j keod5gw0 nxhoafnm aigsh9s9 d3f4x2em fe6kdd0r mau55g9w c8b282yb iv3no6db jq4qci2q a3bd9o3v knj5qynh oo9gr5id" dir="auto"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9dl_h_TwxDVWEw_7uUwqKp0ruFOOo61A4eeZ0o7nVuNpMwSPDazkGd2ZSQUs-xsHeMPrmC_kjwq8nafjHuZrwONQSp8FrmWLzYfriv-QyC3UR3AfGxb89AN0GH77Hh42pwlqZ_uVDFFo/s2048/MAX+DEATH+NUCLEAR+PLANTp.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1448" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9dl_h_TwxDVWEw_7uUwqKp0ruFOOo61A4eeZ0o7nVuNpMwSPDazkGd2ZSQUs-xsHeMPrmC_kjwq8nafjHuZrwONQSp8FrmWLzYfriv-QyC3UR3AfGxb89AN0GH77Hh42pwlqZ_uVDFFo/w452-h640/MAX+DEATH+NUCLEAR+PLANTp.jpg" width="452" /></a></div><br /></div><div style="text-align: center;"><a href="http://www.seriz.fr/2020/12/10/mad-max-crucified/"> Vous pouvez l'acheter ici</a><br /></div><div><p></p></div>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-14148365918757583262020-12-11T14:10:00.006+01:002021-01-03T12:02:32.985+01:00WOLF CREEK 15 YEARS OF OUTBACK TERROR<p> My fan arts for the 15th anniversary of this classic aussie outback terror movie! <br /><br /></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirsTMddjy8SQayjqWz6EwlkV2I7FE3rB0p4kGUmSM0eOai6VJMNNViMb9Mnzt6IprSnq3t3fyZBHxXC0yIJVkvMNBesM5tHLwi_z9UsFzAlapCgqX_0OqqdGiDo_NlLXQNOfJlw6nlRHY/s2048/OUTBACK+TERROR.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1448" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirsTMddjy8SQayjqWz6EwlkV2I7FE3rB0p4kGUmSM0eOai6VJMNNViMb9Mnzt6IprSnq3t3fyZBHxXC0yIJVkvMNBesM5tHLwi_z9UsFzAlapCgqX_0OqqdGiDo_NlLXQNOfJlw6nlRHY/w453-h640/OUTBACK+TERROR.jpg" width="453" /> </a></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFZD33BSsa3Axlypc6PeJfBpcZmcD4qvwK_pFyDqw2b_6wnazXRWSgDObS2-hVZx1HJ_L3H8dUcbnRvW90EkspKh33X6N9Bx5OcmjEp70LTabf8Vt_Qd8OQYbB1TSrtp4YnAa213ygcFg/s2048/WOLF+CREEK+15th+ANNIVERSARY+without+layout.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1448" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFZD33BSsa3Axlypc6PeJfBpcZmcD4qvwK_pFyDqw2b_6wnazXRWSgDObS2-hVZx1HJ_L3H8dUcbnRvW90EkspKh33X6N9Bx5OcmjEp70LTabf8Vt_Qd8OQYbB1TSrtp4YnAa213ygcFg/w452-h640/WOLF+CREEK+15th+ANNIVERSARY+without+layout.jpg" width="452" /></a></div><br /> </div><br /><p></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-27732371924248879912020-11-23T14:17:00.000+01:002020-11-23T14:17:15.494+01:00RAY HARRYHAUSEN - Intw 1974 - Cinema Papers<p>Interview de Ray Harryhausen, publiée dans le premier numéro de la revue australienne Cinema Papers, en Janvier 1974.</p><p><br /></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXpCdMLGwf2PlrVECCixDNz99hjbqR6o6HRzZKMKW4g0gh4gCFOW2VcHXunWQWPOBTBj4rkd4Ai_-89KZfpNBaVWbScQ_lqiNsS0aFv-ajUbSq3BbwICcog6OLa3k7PRAoXHdT1y4lYb8/s2048/RH1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXpCdMLGwf2PlrVECCixDNz99hjbqR6o6HRzZKMKW4g0gh4gCFOW2VcHXunWQWPOBTBj4rkd4Ai_-89KZfpNBaVWbScQ_lqiNsS0aFv-ajUbSq3BbwICcog6OLa3k7PRAoXHdT1y4lYb8/s320/RH1.jpg" /> </a></div><div class="separator" style="clear: both; text-align: center;"> <br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiknIYWphhppWp-vK1Wuug4IzpKL-9xPqpcFq3m_vhmVoP1XE39lG5_LqjEAVTcaX0SAskk-xWu0qUtz8mUdNBbxo50AEKMhCCQ8uNak7IaCLkAaRM5_IQmmoGR-DWSdPa38xE_OpD7mts/s2048/RH2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiknIYWphhppWp-vK1Wuug4IzpKL-9xPqpcFq3m_vhmVoP1XE39lG5_LqjEAVTcaX0SAskk-xWu0qUtz8mUdNBbxo50AEKMhCCQ8uNak7IaCLkAaRM5_IQmmoGR-DWSdPa38xE_OpD7mts/s320/RH2.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS39I4_Kj_oWkCZoLVehPZMkUYhmKPC9ziW4B-IqBizktZ9oz7dUazQEhGB5O0_zM75i16Y-ux66LuTbZHfC5Nc_dXKs7ZMbOteCaJ2pm1H7zs7aYAk7QJqsShx_3DxTrXvdBtLT6nXI8/s2048/RH3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS39I4_Kj_oWkCZoLVehPZMkUYhmKPC9ziW4B-IqBizktZ9oz7dUazQEhGB5O0_zM75i16Y-ux66LuTbZHfC5Nc_dXKs7ZMbOteCaJ2pm1H7zs7aYAk7QJqsShx_3DxTrXvdBtLT6nXI8/s320/RH3.jpg" /></a></div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAEzfteki5mXd2W1KYM_-4s95bPyNr9kQfTlAnum10oLWmqBSA803s1S4OumH1LrOHKyoVSfBFuU1OF4RQRw62Y18cK6lB7aZA2eNMwbcnCcB_3-OlBA1BKaX658BxWS_NA81p6sgItUA/s2048/RH4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAEzfteki5mXd2W1KYM_-4s95bPyNr9kQfTlAnum10oLWmqBSA803s1S4OumH1LrOHKyoVSfBFuU1OF4RQRw62Y18cK6lB7aZA2eNMwbcnCcB_3-OlBA1BKaX658BxWS_NA81p6sgItUA/s320/RH4.jpg" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVaRC4qbhHO3h6P-RJ9bt8Soi__Je97mupbgztzTzSxH8dcYcjs2Ye7o5ydZ6myguQcMlSygy-Sx_1_0StF1KIqtV2-5g5tZ_trZgz2d2XetY8vYBfebcgFid7N14MnMRE7MlvNe3ToaU/s2048/RH5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVaRC4qbhHO3h6P-RJ9bt8Soi__Je97mupbgztzTzSxH8dcYcjs2Ye7o5ydZ6myguQcMlSygy-Sx_1_0StF1KIqtV2-5g5tZ_trZgz2d2XetY8vYBfebcgFid7N14MnMRE7MlvNe3ToaU/s320/RH5.jpg" /></a></div><br /><p><br /></p>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-19944601697556376112020-11-02T12:31:00.009+01:002020-11-02T18:20:46.550+01:00BLOODY WEEKEND 2021<p></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><br /><div class="separator" style="clear: both; text-align: center;">Here's my poster for the next BLOODY WEEKEND !<br /></div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"> </div><div class="separator" style="clear: both; text-align: center;"><img border="0" data-original-height="2048" data-original-width="1448" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwO-oeLrEBpISchyphenhyphen1qoqVqWTg0JAmKJGhHlcLfyTXGSROwDHKrVbjwTCXbXtAVpa25rmulWRtb9iwbh1bhBYS6KByqRYdvU2Lye-dRsEEz9zxlzGUcYNOWGWNBugAqAERf3yUDyN-8DDE/w452-h640/AVEC+LETTRAGE.jpg" width="452" /></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJzfFEainhrLcjGKQiISP_vCTTV-0YP96YWsX8A9ofKuCL9MB0pvcCZ-_8-pyt3KnXQTtaR5yM2gquWOZGwLl4KiIRBB1mlcV2xvtJqtlzETDfUQVSG5j8Lh6UIjvecQeb3e13t6D9scs/s2048/SANS+LETTRAGE.jpg" style="margin-left: 1em; 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Au début des années 90, alors que la guerre ravage la Yougoslavie,
un ex-membre des Jægerkorpset, les Forces Spéciales danoises, se sent tout à coup investi
d’une mission divine. Helge Meyer est un vétéran de la campagne en Irak <i style="mso-bidi-font-style: normal;">Tempête du Désert</i> et c’est pas vraiment
un rigolo. A l’époque, la Yougoslavie est donc plongée en plein carnage et pour
des raisons aujourd’hui oubliées, de puissantes tribus entrèrent en guerre,
allumant un brasier qui les dévora... Les villes explosèrent, provoquant une
tornade de pillages, un vent brûlant de terreur… Sur les routes régnait le
cauchemar de la ligne blanche.<br />
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Face à sa télévision qui déverse les horreurs de ce conflit
fratricide, Meyer se sent comme possédé par un esprit divin qui semble vouloir intervenir
dans le conflit à travers lui. Comme il prend tout ça très au sérieux, il part derechef en Allemagne pour y rencontrer un officier du commandement militaire
américain afin de le persuader de l’aider. Les deux hommes tombent rapidement d’accord
sur le but à accomplir : franchir les lignes ennemies pour aller fournir
du matériel médical et des vivres aux populations assiégées. Son idée est
simple, plutôt qu'essayer d’envoyer des gros véhicules lents pour
acheminer du matériel au cœur de certaines zones de guerre, pourquoi ne pas y
envoyer quelque chose de plus léger... et surtout de beaucoup plus rapide ?</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihTJVdkl7GQOzK8QNlIzjpAvzc-1e5GYmC3cot9J1hsy1cRm2a5CSAaSTGrZlhmz9vsnByLYiw_1EQWLq0fpx6w_1xyUsgDSa4kkhyphenhyphen4LBVEyRVLU7XWa47iAEcqhThOulPJYwLvfWE3Zg/s1600/QNLIY3WZFRD5BMRXAXUMNH3HGY.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="628" data-original-width="1200" height="208" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihTJVdkl7GQOzK8QNlIzjpAvzc-1e5GYmC3cot9J1hsy1cRm2a5CSAaSTGrZlhmz9vsnByLYiw_1EQWLq0fpx6w_1xyUsgDSa4kkhyphenhyphen4LBVEyRVLU7XWa47iAEcqhThOulPJYwLvfWE3Zg/s400/QNLIY3WZFRD5BMRXAXUMNH3HGY.jpg" width="400" /></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiozthneca324W_boFjCW-HXAuK4whhUfXy3oFgZbvo0tgF_LnFRRHd6Ia4vdwR774VaGFNS3McJ5pxOEtZ8YP4iV1hZIwecYVcDhXjJQXcZUHnjsuUJ9hjCtZV-NgGuWxsbuVh8B3Q1IE/s1600/37067123_851630881696313_8449514067936149504_o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="518" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiozthneca324W_boFjCW-HXAuK4whhUfXy3oFgZbvo0tgF_LnFRRHd6Ia4vdwR774VaGFNS3McJ5pxOEtZ8YP4iV1hZIwecYVcDhXjJQXcZUHnjsuUJ9hjCtZV-NgGuWxsbuVh8B3Q1IE/s400/37067123_851630881696313_8449514067936149504_o.jpg" width="400" /></a> </div>
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Meyer est persuadé qu’il pourra percer les blocus qui isolent
certaines régions ou certains villages de la campagne bosniaque s’il possède le
véhicule adéquat… et ce véhicule, c’est sa Camaro Chevrolet 1979. Les mécaniciens
de l’US Air Force, comme dans un épisode de l’Agence Tous Risques, vont se
charger de transformer la vieille Muscle Car en véritable Interceptor. Ils
repeignent d’abord la voiture avec la peinture qu’ils utilisent habituellement pour les
F117 Nighthawk, un noir mat qui absorbe les infra rouges. Ils vont ensuite
blinder l’intérieur avec des plaques de kevlar et les fenêtres latérales sont
remplacées par des plaques d’acier. Des pneus increvables sont installés et ils
fixent à l’avant de la voiture un pare buffle antimines et l'habitacle est équipé d'un détecteur de chaleur, d'un appareil de vision nocturne et d'une radio. Au niveau du moteur, les mécanos de l’Air Force le booste avec un système
au nitrométhane permettant à la voiture de gagner 200 chevaux pour les
situations d’urgence. Lourde, mais toujours très puissante, la muscle car peut
charger environ 400 kilos de matériel et atteindre les 200 km/h en 13 secondes.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAoLvPsFQ_jsDEAHv2IQMM8NA-jVJBn8SLyYZAh1VXiIbcqAsVogroprb01g3JVFDztZaYNuA36F3mpMszbhlu9CqlOT-wWCwUT03Z_yRnUrtGwDt2m7YkSQhpTXS2RHcNKiGVeRkMCYk/s1600/war-camaro%2528106%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAoLvPsFQ_jsDEAHv2IQMM8NA-jVJBn8SLyYZAh1VXiIbcqAsVogroprb01g3JVFDztZaYNuA36F3mpMszbhlu9CqlOT-wWCwUT03Z_yRnUrtGwDt2m7YkSQhpTXS2RHcNKiGVeRkMCYk/s400/war-camaro%2528106%2529.jpg" width="400" /></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVorV3CS0XBOfPCyWy8f_AlutGv0_n36ll-GbnauAsnG4rdes2kjsnax-vF4cJoicp2oI3yj8FWp8YoucI4Xd19WJHa_zngbxJDULOaCoCjfAApVsM5PAfwnxkyI7vrZNfBvYbEUoj0Kk/s1600/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_13.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="458" data-original-width="741" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVorV3CS0XBOfPCyWy8f_AlutGv0_n36ll-GbnauAsnG4rdes2kjsnax-vF4cJoicp2oI3yj8FWp8YoucI4Xd19WJHa_zngbxJDULOaCoCjfAApVsM5PAfwnxkyI7vrZNfBvYbEUoj0Kk/s400/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_13.png" width="400" /> </a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb3jgj1eQPlPFfvZJQ6R6c43hzEiaiJEhJMj1nfllQIGVpFB8cUof6DB_YlS_R4t8E5VOsL-qwnA62QkFY7MtHMeLrghIqn8R-Ooele2bMy5xcLZcmd2kLis_78l8980MwWZHUCYx9Zak/s1600/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_19.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="690" data-original-width="496" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjb3jgj1eQPlPFfvZJQ6R6c43hzEiaiJEhJMj1nfllQIGVpFB8cUof6DB_YlS_R4t8E5VOsL-qwnA62QkFY7MtHMeLrghIqn8R-Ooele2bMy5xcLZcmd2kLis_78l8980MwWZHUCYx9Zak/s400/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_19.jpg" width="287" /></a></div>
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La Camaro est destinée à des missions humanitaires alors elle
ne sera pas armée. Meyer déclarera plus tard qu'il n'avait besoin que d'une Bible... Au volant de son V8 350 et avec
Dieu comme copilote, Meyer est prêt. Celui qu’un pasteur américain a surnommé
le « Rambo de Dieu » va acheminer des tonnes de matériel au nez et à la barbe
des troupes serbes. Très rapidement, les habitants de la région apprennent à
reconnaitre le rugissement de la Camaro surnommée la <i style="mso-bidi-font-style: normal;">Ghost Car</i> ou la <i style="mso-bidi-font-style: normal;">War Camaro</i>… </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijf8csF0ZAtPml5vYh2AsD5IIi8_JVyeDvuf3NVTT5ib4DqVULzTEjsi52XMBMp8tZnCx7PmEwBRkUH5hFQUv5dgXyBkIjJU5t6Wp4oF4VzaODxfASgVZ5zP5dlOS99HmDcFUwFg4M2gc/s1600/War-Camaro-1-1-1024x685.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="685" data-original-width="1024" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijf8csF0ZAtPml5vYh2AsD5IIi8_JVyeDvuf3NVTT5ib4DqVULzTEjsi52XMBMp8tZnCx7PmEwBRkUH5hFQUv5dgXyBkIjJU5t6Wp4oF4VzaODxfASgVZ5zP5dlOS99HmDcFUwFg4M2gc/s400/War-Camaro-1-1-1024x685.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUt97X6VcNxTwapUGGCoPhcQA0T3P1zLK5ni_f1aaNIv9YkumWCrzeRW4pyj6tVBqmC2qQKFiwWLZ5cSugHh3VSM3QCzc66twIyMJQ23DRqACIaiNReduHk-QJu3XJdg1TbMQFGhYf2TI/s1600/war-camaro%2528108%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="627" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUt97X6VcNxTwapUGGCoPhcQA0T3P1zLK5ni_f1aaNIv9YkumWCrzeRW4pyj6tVBqmC2qQKFiwWLZ5cSugHh3VSM3QCzc66twIyMJQ23DRqACIaiNReduHk-QJu3XJdg1TbMQFGhYf2TI/s640/war-camaro%2528108%2529.jpg" width="418" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ZIG-yRz1s3qtzhWfXDDvPej6Eji_XuCFEnwEx5cNF-0owyfVADG7IePjAwuYtFwaaK9CcFyGFHRTU-KS7hMgKLvC4SRtlf2d94VytPolMDcjPXNa_8N2pWfnFikPTql6_EFJfRZuFyg/s1600/war-camaro%2528112%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1063" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ZIG-yRz1s3qtzhWfXDDvPej6Eji_XuCFEnwEx5cNF-0owyfVADG7IePjAwuYtFwaaK9CcFyGFHRTU-KS7hMgKLvC4SRtlf2d94VytPolMDcjPXNa_8N2pWfnFikPTql6_EFJfRZuFyg/s400/war-camaro%2528112%2529.jpg" width="400" /></a></div>
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Pendant quelques mois, les troupes américaines vont être
témoins des allers et venues de Meyer et son Interceptor noire, estomaquées par
son courage. Pour les serbes, la voiture est une insulte qui
déjoue toutes leurs tentatives pour la détruire et si elle a bien essuyé
quelques tirs, la plupart du temps, elle reste aussi insaisissable que la
rumeur qui enfle autour d'elle. Une puissance incomparable ainsi qu’une connaissance parfaite du
terrain et des routes de la région offrent un avantage à la W<i>ar Camaro</i>. En
Croatie, autour de Vukovar ou sur les routes de la campagne bosniaque, la
voiture apparait et disparait des radars, les histoires s’accumulent et l’engin
et son pilote deviennent mythiques.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEy_zqVr_6VOLbtuY9eXC4TevqPEkLT9J4wtbS2dSqogHo-HbhUkdaXe3zgkGAOtPjgHooumM6GV8AYlR2OvWSh4p2JF1YBz287AY02D53sm_neHkZDHsRCrpq4BdtiiFijeSLYp5wiSE/s1600/war-camaro%2528113%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="678" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEy_zqVr_6VOLbtuY9eXC4TevqPEkLT9J4wtbS2dSqogHo-HbhUkdaXe3zgkGAOtPjgHooumM6GV8AYlR2OvWSh4p2JF1YBz287AY02D53sm_neHkZDHsRCrpq4BdtiiFijeSLYp5wiSE/s400/war-camaro%2528113%2529.jpg" width="282" /></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha9DPPGyix92IIN4R5AVob193X1ifepJosa4QwZNvdctC_m5-yeHMXdodMTtcLvq67kwzDG2zYpeQ8d__ldpYE86RVSwfqgVzvTz7Agb0V8uMedcvhyphenhyphenxfIw2Kpp-Yw6-zyQlTqVOSNdoE/s1600/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_17.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="554" height="252" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEha9DPPGyix92IIN4R5AVob193X1ifepJosa4QwZNvdctC_m5-yeHMXdodMTtcLvq67kwzDG2zYpeQ8d__ldpYE86RVSwfqgVzvTz7Agb0V8uMedcvhyphenhyphenxfIw2Kpp-Yw6-zyQlTqVOSNdoE/s400/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_17.jpg" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMAgaaC7fu5OEz32f_0RIKNQPNdmj7KIHCY5VZbsKNDMRO8MbAQ5G5XqKto4_N652D0Bi_b3D9ry94ZFBnhzio_f6R9FkvxAjQfL0Esgw7bniaQEvWFKHEpM7ge9CLg0MpeLD801khGiM/s1600/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_22.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="692" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMAgaaC7fu5OEz32f_0RIKNQPNdmj7KIHCY5VZbsKNDMRO8MbAQ5G5XqKto4_N652D0Bi_b3D9ry94ZFBnhzio_f6R9FkvxAjQfL0Esgw7bniaQEvWFKHEpM7ge9CLg0MpeLD801khGiM/s400/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_22.jpg" width="400" /></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9ob6rEaGeW0mcKFndKCIMUBvsbzdzzy52ecoRldaSMD_zLCIBNZT5Xgb87dLsZu1zS70mLgVLgw_5DsP6GrXJuZnpspPEcL7TrG4EailxOtByDTTfmbT8hpavGAABHji5-3yZCCNB-q4/s1600/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_24.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="495" data-original-width="692" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9ob6rEaGeW0mcKFndKCIMUBvsbzdzzy52ecoRldaSMD_zLCIBNZT5Xgb87dLsZu1zS70mLgVLgw_5DsP6GrXJuZnpspPEcL7TrG4EailxOtByDTTfmbT8hpavGAABHji5-3yZCCNB-q4/s400/the-gods-rambo-camaro-delivered-supplies-to-civilians-during-the-bosnian-war_24.jpg" width="400" /></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCn00kzbWpvwNB9Q04NeHiO21xUqlJgJWsTTOKlrrBgSqouaXIZE_XXu2EAfxlFIW8Th6CqSrCnIcqUPoFR4ZjiP5NLTBXW0lwkyFC6w2xmRM5xooUOOs9WOzon7P8Xe3KHMHDoOK0WG8/s1600/War-Camaro-helmet.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="460" data-original-width="768" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCn00kzbWpvwNB9Q04NeHiO21xUqlJgJWsTTOKlrrBgSqouaXIZE_XXu2EAfxlFIW8Th6CqSrCnIcqUPoFR4ZjiP5NLTBXW0lwkyFC6w2xmRM5xooUOOs9WOzon7P8Xe3KHMHDoOK0WG8/s400/War-Camaro-helmet.jpg" width="400" /></a> </div>
<div style="text-align: center;">
une balle, coulée dans le casque de Meyer.</div>
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Meyer ne se fera jamais rattraper et la <i>War Camaro</i> terminera
sa guerre pratiquement intacte. Depuis, Meyer est retourné aux USA où il a toujours sa
bagnole, désormais peinte en orange.</div>
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an english doco about that story :</div>
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serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-87774036088508611192020-06-21T15:12:00.000+02:002020-06-21T15:46:37.725+02:00LAWRENCE OF ARABIA & MAD MAX<div style="text-align: justify;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">During an interview, Tim Burns, the actor who played the role of Johnny The Boy, told me that the scene where he burned his arm in Mad Max 1 was inspired by Lawrence Of Arabia. It is funny, when we see the film again today, to see that there is much more than this scene and that the tributes, or reminiscences, seem to multiply!</span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">This post was made with the precious help & texts </span></span><br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;">by the one and only <a href="https://www.youtube.com/channel/UCceTWq44EoiorJQNmT1uN-g" target="_blank">MadMaxBible youtube channel</a> !</span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="PL">Goose accident inspired by T.E. Lawrence accident scene.</span> </span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="PL">Burning fingers with a match in Lawrence of Arabia inspired Johnny the
Boy (Tim Burns) burning fingers with a match and a lighter in Mad Max. </span></span></span><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span><br />
<br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAZiV-UBzy6pIjMcVnI4LuL6SCTXb14ycSd_-t7q9AVyDbZvn_5s3cE5E9d41wyzuG3OjNJNARVHWTX5FGAot07V-QxZtESDiBLU2R1uteTCtaRw5wwpCAKKjXrD2EE9tifFzaEkQv7_M/s1600/04.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1204" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAZiV-UBzy6pIjMcVnI4LuL6SCTXb14ycSd_-t7q9AVyDbZvn_5s3cE5E9d41wyzuG3OjNJNARVHWTX5FGAot07V-QxZtESDiBLU2R1uteTCtaRw5wwpCAKKjXrD2EE9tifFzaEkQv7_M/s400/04.jpg" width="300" /></a></span></span></div>
<br />
<br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="PL">Similar shot framing like in Fury Road. </span></span></span><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="PL">A convoy saw through the binoculars. </span>
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<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">"Hut Hut Hut!” is the same thing that The Bullet Farmer yells to go in
the Peacemaker.</span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Similar framing of the shot. </span></span><br />
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<![endif]--><span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Passing through the canyon. </span></span><br />
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<![endif]--><span lang="PL" style="font-family: "calibri" , "sans-serif";">The airplane attack.</span></span></span><br />
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<br />
<br />
<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Facing a panicked crowd, Prince Fayçal shout</span> </span><span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">"Stand and fight!" and Aunty Entity shout "Where are you going to run, where
are you going to hide?” as Bartertown explodes.</span>
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<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Similar framing of the camp.</span>
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<br />
<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Similar framing of the shot. </span>
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<![endif]--></span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Aqaba is the equivalent of Bartertown/Citadel. It has to be reached by
desert and destroyed/taken over. Lawrence is called "Mad" for trying to do
this. In Fury Road, Dag calls Max "Mad" for trying to go back to the Citadel. </span></span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7TF1msfLXZm-ODCEB5QrbNZXDcq-J_huWigwDkp3eUmsF472K2w_IGkij_cDBu6zXh6OcOdkWqTNUQECTPvPmvEo-RxMTwTLCC3r4gcV_NWrLOleVxykzsKCI70IAJt0J8WawXOyhLz4/s1600/16.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1387" data-original-width="1600" height="346" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7TF1msfLXZm-ODCEB5QrbNZXDcq-J_huWigwDkp3eUmsF472K2w_IGkij_cDBu6zXh6OcOdkWqTNUQECTPvPmvEo-RxMTwTLCC3r4gcV_NWrLOleVxykzsKCI70IAJt0J8WawXOyhLz4/s400/16.jpg" width="400" /></a></span></span></div>
<br />
<br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">The Sun's Anvil vs The Devil's Anvil (Mad Mad Beyond Thunderdome Screenplay).</span></span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHf7QG5d5vcC5iI2SST3LmfsTSxwJW8jwf2Nv9_gL6W5UShHqzSeBTR5GfKqIdeFrIHWbQseNHoU3zrZuXKa3pNraQWNeWllv5aIIv7AiMAZfuNZQHLAqHwxczLrZA7PIUpj-vCa42Y54/s1600/17+a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1387" data-original-width="1600" height="345" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHf7QG5d5vcC5iI2SST3LmfsTSxwJW8jwf2Nv9_gL6W5UShHqzSeBTR5GfKqIdeFrIHWbQseNHoU3zrZuXKa3pNraQWNeWllv5aIIv7AiMAZfuNZQHLAqHwxczLrZA7PIUpj-vCa42Y54/s400/17+a.jpg" width="400" /></a></span></span></div>
<br />
<br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span>
<span lang="PL" style="font-family: "calibri" , "sans-serif";">The edge of the desert, "nothing but salt” </span>
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<br />
<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";"> "From here until the other side no water but what we carry”, Max upon
going into the desert in MMBT "I need as much water as I can carry".</span></span><br />
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<![endif]--></span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Kid spotting Lawrence carrying dehydrated beduin. One of the kids in
MMBT spots Savannah carrying dehydrated Max. Finn runs down the dune.</span> </span></span><br />
<br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEhHT21P8H0d1bQG9xmqmgafNJjiR4XgMIbetWZxh0PAlh3b2_1OMsLoeiH_EYXM2QGvEei-rveTUJNPZ52nYkPs9EHJIRk50EGOqJrCEHP0YKWqWmzoZbZg0lL1MAwnJKuXowpxoBZxQ/s1600/22.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1393" data-original-width="1600" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEhHT21P8H0d1bQG9xmqmgafNJjiR4XgMIbetWZxh0PAlh3b2_1OMsLoeiH_EYXM2QGvEei-rveTUJNPZ52nYkPs9EHJIRk50EGOqJrCEHP0YKWqWmzoZbZg0lL1MAwnJKuXowpxoBZxQ/s400/22.jpg" width="400" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7PL-7DW18Tbk0Ug3NXMf2TSeZr4nXDtHEs08zjv5Vws0rpQN0U89yeOm4QvdSo6al7OBhgIbqnM4PGnb4uQ2A8KTe6FZw6z9SdCZ2Hm6Tjdyx9GA05CuaEWUiGrj7lp15GnI0PVcQZMc/s1600/22b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1393" data-original-width="1600" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7PL-7DW18Tbk0Ug3NXMf2TSeZr4nXDtHEs08zjv5Vws0rpQN0U89yeOm4QvdSo6al7OBhgIbqnM4PGnb4uQ2A8KTe6FZw6z9SdCZ2Hm6Tjdyx9GA05CuaEWUiGrj7lp15GnI0PVcQZMc/s400/22b.jpg" width="400" /></a></span></span></div>
<br />
<br />
<div style="text-align: justify;">
<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">The entire scene of Lawrence saving dehydrated beduin seems to have been copied by
MMBT. Savannah saved Max just the same. Both Lawrence and Savannah are
enthusiastically greeted by their tribe. <span lang="PL" style="font-family: "calibri" , "sans-serif";">Lawrence gets a new outfit from the tribes. Max gets a hat being now
called „Cpt Walker” (Essentially giving the main character a new identity of a
hero by outsiders).</span></span>
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</xml><![endif]--><span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Similar imagery. „Help” coming
down the dune on a horse. Vuvalini coming down the dune on motorbikes
(originally the Vuvalini rode on horses and the bikes have horse saddles as
well.</span></span><br />
<br />
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<br />
<br />
<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Shot/scene composition - the gathering. Left panning over to the right
capturing faces of people who attend a gathering. </span>
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<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Shot composition. Women observing the convoy from atop. Rock Riders
observing the War Rig from atop of rocks.</span>
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<br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span></span><br />
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<br />
<br />
<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Overlooking Aqaba at night from the dunes. Very similar to overlooking
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<![endif]--></span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Lawrence surprised he has to execute someone. Max surprised he’s about
to execute someone. The entire scene looks like a version of Thunderdome fight.
Two men in dispute, both have to die. A huge crowd of audience. </span></span></span><br />
<br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></span><br />
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</xml><![endif]--></span><br /><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">For Aqaba or The Compound, there's a storm coming.</span></span></span></span><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLcno1XwDUg3h4qzxWFRTmPpXxnadOZ5QdUDAC4kho8Wa0xE1sBSFIdUcT0v-ZgN-zzv0xJHsMh520qY6B5jIAHyuCQGlsujchuMwDvpcrt99m_nakOFjJJ8bKKNZvUflwzUxxWM7WO4M/s1600/30.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1393" data-original-width="1600" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLcno1XwDUg3h4qzxWFRTmPpXxnadOZ5QdUDAC4kho8Wa0xE1sBSFIdUcT0v-ZgN-zzv0xJHsMh520qY6B5jIAHyuCQGlsujchuMwDvpcrt99m_nakOFjJJ8bKKNZvUflwzUxxWM7WO4M/s400/30.jpg" width="400" /></a></span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>
<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Quicksand scene. Copied by MMBT. Both children hold onto a rag. Both
children are swallowed by sand. </span>
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<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Lawrence arrives at the location after a long journey but the
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<![endif]--></span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Lawrence uses the exact same flare gun as Furiosa. Webley & Scott
Signal Pistol. </span></span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span>
<span lang="PL" style="font-family: "calibri" , "sans-serif";">Train rollover very similar to Truck rollover in Mad Max 2. </span>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Lawrence is ambushed and shot. Pappagallo is ambushed and shot. </span></span><!--[if gte mso 9]><xml>
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<![endif]--></span><span lang="PL" style="font-family: "calibri" , "sans-serif";">People cherish Lawrence chanting his name and holding random items in
their hands. The Wretched cherish Immortan Joe holding random items as well.
Lawrence presents himself as a leader in white robes. So does Immortan Joe.</span> </span></span><br />
<br />
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<br />
<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Lawrence is drawing a map next to a truck. So does Max in Fury Road. </span></span><!--[if gte mso 9]><xml>
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<![endif]--><span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">One of Lawrence’s servants dies in the dunes, Lawrence is with him (and
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Lawrence held down to be tortured. Max held down to be tattooed and
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<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">Return of Lawrence. Similar to Furiosa returning to the Citadel. The
journalist is on the hood of the car like Immortan. </span>
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<![endif]--><span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">"Where do we ride?" "Damascus!" "Yes but for what?" "For Lawrence!”<br />"No way, not for him!” "But it’s not for him. It’s for me, Bubba.” </span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><span lang="PL" style="font-family: "calibri" , "sans-serif";">Obsession for killing ruined Lawrence. So was Max. </span></span><br />
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSgoaZbl9sqZqH8c5CElhh3GhpOBNfQt_iwnE0F8bU-qIgS1mCpSqoKoI-bbD94jZxtFh_OS7sTxpzNQjvObx-ZGlEEuYcHaudhEJzw3ZF0bEJeR6ZHFVMPB_Ol53ogl7lI8W93BfUEx0/s1600/40.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1393" data-original-width="1600" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSgoaZbl9sqZqH8c5CElhh3GhpOBNfQt_iwnE0F8bU-qIgS1mCpSqoKoI-bbD94jZxtFh_OS7sTxpzNQjvObx-ZGlEEuYcHaudhEJzw3ZF0bEJeR6ZHFVMPB_Ol53ogl7lI8W93BfUEx0/s400/40.jpg" width="400" /></a></span></span></div>
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<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">The most obvious nod to Lawrence, Maurice Jarre's score. </span></span><br />
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<span style="font-size: small;"><span lang="PL" style="font-family: "calibri" , "sans-serif";">George & Lawrence.</span></span></div>
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<span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span>serizhttp://www.blogger.com/profile/05646007288226163200noreply@blogger.com0tag:blogger.com,1999:blog-302250403328245161.post-59413899585353375012020-06-01T15:47:00.000+02:002020-06-01T15:47:01.750+02:00RON COBB & DAN O'BANNON INTW 1979.<br />
Rocket Blast #148 - Dan O'Bannon & Ron Cobb Interview. Avril 1979<br />
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